reverse threading

the path back is the path forward


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messier. more color. [d.r. thursday]

sketch image

heart and strawberry

peter max, a pop-art-expressionist, popped into my mind when david showed me this sketch.  add bursts of color to this and it’s the happy full-spectrum pieces of the 60s and 70s, full of rainbow and light.

one of the presents i received for my birthday this year was a coloring book and colored pencils.  at the time i was unable to use it, but i put it aside for when my broken right wrist might cooperate and i might be able to lose myself in good-old-fashioned coloring.

i dropped david’s sketch into photoshop and started to peter-max it.

the more i worked on it, the happier i became.  it was so messy.  but it was just so – fun.

color – this infinitely wide range of possibility – fills the lines, goes out of the lines, overlaps and bleeds into the next, reminds me that life, even in these very times, times of chaos and unrest and pandemic and exponential worry, is not just black and white.  and, surprisingly, not just the blurry grey in-between.

life is much more peter max than that.  messier.  more color.

which brings me to this:  while it is easy, particularly right now, to sort to grey, perhaps an answer to the myriad of questions is to open the delicious tin of 50 premium artist pencils.  and just color.

yes. as dear jeff used to say, “that’s the ticket!”

read DAVID’S thoughts this D.R. THURSDAY

colorized

early on…just a little bit of color…and infinite peter-max possibilities

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©️ 2020 david robinson, kerri sherwood


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co-exist. [d.r. thursday]

marc chagall quote

at a time when i couldn’t afford paint and knew nothing about painting, i painted.  i was drawn to big canvasses and the household cans of black and white paint in the basement workroom.  there were housepaint brushes on the workbench, many with twisted brushhairs and dried wall paint from previous projects on the handles.  they felt good in my hand.  i didn’t know what i was doing, but i was compelled to do it.

and so, my paintings are black and white.  layers of white on black and black on white and white on black on white and black on white on black.  i brushed on paint; i stood back and spattered paint.  i kept going until i felt “stop”.  when i ran out of canvas i taped off a rectangle, ventured out with the leftover from a can of khaki interior paint, and painted on the wall, later framing the box with a clearance frame, broken but not obviously so.

in that time of a compelling need to paint, to preserve emotion-in-black-and-white-on-a-canvas, i wonder what my paintings would have looked like had i access to all the colors in between?  where would i have gone with mountain meadow green or razzle dazzle rose or canary or cornflower or atomic tangerine or fuzzy wuzzy brown?

anyone who has merely stood outside and looked up at the sky knows that the colors of life are as transient as breath.  they morph and change in the moments that go by.  capturing color is like capturing the wind.  one cannot see color without light reflections, refractions, wavelengths, shadow, absorption.  they work together so we might see the twilight sky, rainbows and unicorn horns.

is black black without white?  is white white without black?  is cerulean blue without scarlet?  is any spectrum complete without all others in the band of light, without all the wavelengths?  any spectrum at all?

do we actually realize that none can exist without the other?

“all colors are the friends of their neighbors and the lovers of their opposites.” (marc chagall)

read DAVID’s thoughts this D.R. THURSDAY

visit DAVIDROBINSONCREATIVE gallery

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lost. [d.r. thursday]

Peri Winkle Square copy

lost.

in these times.  the emotional upheaval is exhausting.  worry is the crux of insomnia.  we measure every step, every decision.  we look to each other for reassurance, for a fast-receding touch of normalcy.  we feel…lost.

in these times.   we remember other times we felt this way.  other times of confusion and fear, of social responsibility and adherence to new rules, new realities.  too many calamities to name, it seems.  too many times…lost.

this little book Peri Winkle Rabbit Was Lost was the product of such a time, as david created it – a one-of-a-kind – in response for a call for a children’s book that addressed the tragic hurricane katrina, a book given to children that offered empathy for the plight in which they were standing, their lost.

we, as artists, do what we can to offer comfort, to bring a little solace, a moment of breathing, a slice of hope in darkness, a tiny map in lost-ness.

we, as people, look to the arts for a little solace, a moment of breathing, a slice of hope in darkness, a tiny map in lost-ness.

in these times.  standing in the darkness with each of you.  maybe together we will not feel as lost.

read DAVID’S thoughts this D.R. THURSDAY

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PERI WINKLE RABBIT WAS LOST ©️ 2005 david robinson

 

 

 

 


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the simple line. [d.r. thursday]

the sketch

yesterday, while i sketched moments on various keyboards, both pipe organ and piano, d sketched on paper.  and he somehow captured how i was feeling.  the lifting of eyes to the universe, the imploring of the heart.  his scribblings on paper, my scribblings on keys.  two artists, expressing.

the telling of the story – through music, through painting or drawing – does not demand complexity.  sometimes it aches for simplicity.  a pure line of melody, unadorned.  a few fast pen-lines, unfinessed.  the telling of the tale, honestly, pitch by pitch.  not the skirting of the story, the fancified version sung by an vocal acrobat.  instead, the straight-up carole-king-richard-diebenkorn-versions, sung note for note, painted line by brushed line, color by color.  intense in their clean simplicity.

the more complicated things get, the more i list toward simple.  less is more.  my piano left hand has always been a virtual non-stop accompanist to my right hand, arpeggiating  ad nauseum.  in recent years, i’ve asked it to calm down, to allow room for the delivery of the right hand, to allow breath, to allow lift.  together, they have given space for the real scribblings, the true expression.

if you have ever been to a taize service, you will have experienced the wisdom and power of repeated simplicity, a line of music that will take you to your knees.  nothing advanced or embellished.

if you have ever held a child’s drawing in your hand, you will have experienced the wisdom and power of innocence, art that will take you to your knees.  nothing advanced or embellished.

it’s the simple line. both ways.

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read DAVID’S thoughts this D.R. THURSDAY

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looking in. [d.r. thursday]

Sacred Looking In with color copy.jpg

the fresh simplicity of this painting makes it feel scandinavian to me, clean lines, blues, yellows.  i recognize it.  its warmth.  its less-is-more-ness.

i also recognize the image.  the moments we stop, head down, turning inside.  pondering, wondering, musing.  the palette of our hearts, our lives,  a mixture of emotions, we try to wrangle a few minutes of quiet to sort it all out.

this painting – INNER LIFE – is a breath of fresh air for me.  a reminder of what a few silent minutes can offer.

view/purchase INNER LIFE on david’s gallery

read DAVID’S thoughts this D.R. THURSDAY

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SACRED SERIES:  INNER LIFE ©️ 2017 david robinson


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constellation. [merely-a-thought monday]

constellation poem.jpg

at night, if the weather is clear, with the backdrop of waves lapping at the shore, we look up and see the milky way in the night sky.  it makes us feel tiny.  tiny in a vast world.

we string happy lights about our home, inside and out.  they are the simplest of holiday light strands, eensy white lights on green or white cords and we use them year-round.  one white light alone barely lights a space, but together, a constellation of tiny bulbs, the illumination is magical.  one alone.  all together.  it makes a big difference.

we are working in a place that is divided.  the division is deeply rooted and exacerbated by stubborn attitudes and time.  we must “string the stars together” to bring hope; we must “sing light in common song” to move forward.  community must prevail over a schism of proportion.  no place can truly be beautiful without stringing together.  we have our work cut out for us.

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fair isle books is one of the sweetest spots on this island.  a breath of fresh air with warm ambience and overtones of the joy of learning, this little shop is owned by deb, whose heart is gigantic.  outside her shop is this plaque, a snippet of a poem ‘constellation’ by wisconsin poet laureate bruce dethlefsen, a presenter at the washington island literary festival in 2013.

how fortuitous that this poet should capture in a mere 33 words the work that is to be done.  we are not alone, each of us on this tiny-planet-in-the-vastness.  though seemingly individually strong, we are indeed actually weak.  we must link arms, act in community, string together, work collaboratively.

division doesn’t create more for each on the sides of the chasm.  it creates less.

collectively, we can create boundlessly.  our constellation -together- creates hope.

we have our work cut out for us.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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three graces. [d.r. thursday]

ThreeGraces.JPG

i don’t purport to understand every painting of my visionary husband.  if i ask him what a painting is about, he posits a question back to me, “what does it mean to you?”  in normal conversation, this kind of question-question response is not troubling, but in husband-wife conversation it is slightly irksome, one of those times where you gently roll your eyes at your partner and sort of hope that coffee grounds find their way into the bottom of their first cup of coffee the next morning.  ok, so maybe not, but it is from a little bit of laziness that i sometimes want him to just TELL me.  instead, groaning, i take a tiny step back away from the painting and let emotion take over.

the title of this painting THREE GRACES suggests (from research) the goddesses of things such as “charm, beauty and creativity”.  a wealth of goodnesses, a wealth of possibility.  an appreciation of every little gesture, every honey bee, the creation by others of a world of wonder and challenge.

in our world today, we first cover our disbelieving eyes with hands of despair. we look to the heavens for guidance. we ground ourselves, one hand firmly planted for balance, the other on our foreheads, thinking, thinking. we seek to find answers, ways for charm and beauty and creativity to thrive.  and the elusiveness of peace.

click here to view or purchase this painting in david’s online gallery

read DAVID’S thoughts this D.R. THURSDAY

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THREE GRACES ©️ 2012 david robinson


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iconic. yoga series. [d.r. thursday]

David RobinsonYoga Series 7 copy.jpg

when we were first talking, we discovered we were both artists.  he – a painter.  me – well, you already know that part.  we were far apart in distance so we did not see each other or the work of the other in person.  he didn’t come to any of my concerts.  i didn’t go to his gallery openings.  but….there is this thing called the internet.

it was with much curiosity that i sat down to view his paintings.  i wondered about his style, his choice of color, the movement in his paintings, the emotion.  our budding friendship would not be dependent upon whether or not i liked them, or even understood them.  but i must say – in all honesty – that it was incredibly convenient to find that i LOVE his paintings.  i love his style, his choice of color, the movement in his paintings, the emotion.

this painting, ICONIC, was the first large painting in his YOGA SERIES.  full of grace and the expression of inner peace, ICONIC is stunningly big (54″ x 54″), a statement piece that i have no doubt will soon grace the wall of the owner who hasn’t found it yet.

anyone who has purchased an actual painting – not a print or facsimile of some sort – knows that it is a relationship that develops, that the owner and the painting find each other, that it is not merely a purchase.  it is the bringing home of a piece of someone else’s heart.  the hanging-on-the-wall of someone else’s heart.  or, in the case of music, as i well know, the listening to of someone else’s heart.

iconic:  that which can trigger emotion.  yes.

view or purchase ICONIC in david’s online gallery

read DAVID’S thoughts this D.R. THURSDAY

BootsWeddingBoots website box

ICONIC ©️ 2010 david robinson


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summer. [d.r. thursday]

Watercolor-Tree copy

summer is coming.  at least that is what the calendar indicates.  in recent days it has snowed in colorado.  it has been rainy and damp and cold in wisconsin.  the spring storms have been devastating the central states.  but summer is coming.

and with summer comes a little slowing-down, moments to linger in the sun, sit in lawn chairs and chat, sip iced tea on the deck, have picnics under the canopy of a tree.  we pick clover and make necklace chains, count the petals on a daisy, lay in the sweet smell of freshly mowed grass.

wishing you a peaceful and rejuvenating summer.

read DAVID’S thoughts this D.R. THURSDAY

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west of the i. [d.r. thursday]

county sketch copy

one of the cool things about living in kenosha is the ability to easily get to two major cities – milwaukee and chicago.  we drive up to milwaukee to putter around, go to the art museum, walk along the river in the third ward, go to antique shoppes.  we usually take the train to chicago, driving south a couple towns for more frequent schedule choices.  we walk the streets of the city, find places for coffee or glasses of wine, attend national geographic live events or a play or concert, visit with friends.

but we are actually less city people than we are outdoors people.  and so, more often, we will head out – west of the i – and take a drive out in the county.  in next-to-nothing we are surrounded by farmland, breathing in the scent of rich dirt in fields that are turned over for planting, some yielding early croplings*.

in also next-to-nothing time, david whips out his sketchbook and pencils to capture the really gorgeous patterns in these fields of green.  (these words make me think of the stunningly beautiful song fields of gold.  if you haven’t ever heard it, please take a few minutes right now and click HERE.  you will be glad you did.)

just a sketch, but a reminder of the moments we passed these fields, talking or listening to music, singing along or simply silence in the car.  a breath of fresh air, a drive to rejuvenate, maybe a hike on a trail to restore us – all west of the i.

read DAVID’S thoughts this D.R. THURSDAY

browse david’s gallery – a breath of fresh air, a few moments to rejuvenate or restore you

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©️ 2019 david robinson & kerri sherwood

*yes.  technically, ‘croplings’ is not a word.  but i could not resist it.  this stems from my love of the word ‘seedlings’.