reverse threading

the path back is the path forward


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contrast principle. [two artists tuesday]

contrast principle

we are living the contrast principle.  the elementary-school-workbook-page-which-one-doesn’t-fit principle.  that can actually serve you well or it can be the bane of your existence.  i’ll allow you to decide which one you think it is for us.

we are not from here.  we do not have roots that go back a generation, two or three generations, seven generations.  we weren’t born here, nor have we been coming here for decades on vacation.  this is a new place for us.  we chose to come here.  and we came here out of great and positive intention.

when i first saw the ad for the position we ultimately accepted, we got excited and were instantly full of ideas and possibility.  with our backgrounds, our education, our professional experiences, it seemed a perfect fit.  with our artistry, our passion, our zeal, our energy, our ability to facilitate positive change, it seemed a perfect fit.  but that assumes a “fit” and it assumes trust and it assumes the best of the contrast principle.

we work to create relationship, to mend the crevasse between arts organizations and between groups of people, to structure and build community and let the arts rise.  we brainstorm and read and study – new initiatives, data of the past, stories of success and stories of failure.  we strive to re-commit each day, choosing to step past the rifts, past the dysfunction, past the you-don’t-belong-here-ness of it all.

because we did choose it.  we chose to be the daisy in the field of black-eyed-susans.  we chose to be the new in the old.  we chose the contrast principle.  it would just be nice for it to be a tad bit easier.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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 the daisy in the black-eyed-susans © 2019 kerri sherwood & david robinson

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in the gray. [not-so-flawed wednesday]

stripes of grey

grey/gray rarely has such a line of demarcation, rarely has distinctive texture such as in this picture beyond our littlehouse yard.  grey is simply gray.  it is the zone of not right/not wrong.  it is the living in-between-ness of doing life this way/that way.  it is the space of not-knowing, asking questions, learning, being vulnerable.  it can be uncomfortable.  but it is necessary.

the most growing i have done has been in the grey zones.  the times when i did not know, the times i made mistakes, the times choices were confusing, the times devastated by life events, the times moving forward meant tiny baby step by baby step, the times i was vulnerable.

last night there was an artist, an author, at TPAC who spoke of vulnerability.  he said that vulnerability leads to gratitude.  it is the path to grace and mercy.  i agree.

i would add we can never know, or even approximate, what someone else is feeling without being unguarded ourselves.  we can never know the unanswered questions, the struggles, the amorphous-ness of life without the grey.  we can never create without the grey – for an artist languishes in grey, if for no other reason than to seek the color within himself.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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holding steadfast. [k.s. friday]

holdingsteadfast songbox.jpg

it is against the odds that this tree clings to rock and doesn’t topple into the lake with a great splash and float away.  instead it stubbornly holds on, a steadfast intention.  the rock, the basso ostinato.

at a time when holding steadfast seems mightily important, i wonder about the questions we have been asked.  will you stay?  will you leave?  will you love it here?  in the midst of all the infighting, are you going to give up? will you hold on?

the answers may not be directly related to the actual intent of those questions.

will we hold on?  yes, we will hold on.  we will hold steadfast to our integrity.  we will hold steadfast to the reasons we came here in the first place.  to make a difference, to bring ideas and change, to apply that which we have learned, studied, experienced over at least 80 combined years of work, higher education and profession.  to be honest and transparent and collaborative.  to try and instill a sense of working together into a community divided by narratives too numerous to list.

will we hold on?  yes, we will hold on.  we will hold steadfast to our belief that people should be kind to each other, that people should not work around others nor should they undermine others, that people should instead lift each other up, not drive stakes into another.

will we hold on?  yes, we will hold on.  steadfastly.  to honoring art, the driving force behind this initiative.  to honoring creativity and the blossoming of beauty and wisdom, staunch tenets of artistry.

will we hold on?  yes, we will hold on.  steadfastly.  to believing all is possible.

but, in answer to the real intent of the question asked us….will we hold on?

we will not hold on if others cannot join us in what is real, what is truth, what is most important.  we will not hold on in the fire of pettiness or shameful self-serving underhandedness.  we will not hold on, holding still while others take turns throwing rocks at us, at the real goals of this place, if those are indeed about art.

the answer to the question is not up to us.  we can either cling to the rock, holding steadfast or we can topple, with a refreshing splash, into the lake and float away.

download HOLDING STEADFAST from BLUEPRINT FOR MY SOUL on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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HOLDING STEADFAST from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

 


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iconic. yoga series. [d.r. thursday]

David RobinsonYoga Series 7 copy.jpg

when we were first talking, we discovered we were both artists.  he – a painter.  me – well, you already know that part.  we were far apart in distance so we did not see each other or the work of the other in person.  he didn’t come to any of my concerts.  i didn’t go to his gallery openings.  but….there is this thing called the internet.

it was with much curiosity that i sat down to view his paintings.  i wondered about his style, his choice of color, the movement in his paintings, the emotion.  our budding friendship would not be dependent upon whether or not i liked them, or even understood them.  but i must say – in all honesty – that it was incredibly convenient to find that i LOVE his paintings.  i love his style, his choice of color, the movement in his paintings, the emotion.

this painting, ICONIC, was the first large painting in his YOGA SERIES.  full of grace and the expression of inner peace, ICONIC is stunningly big (54″ x 54″), a statement piece that i have no doubt will soon grace the wall of the owner who hasn’t found it yet.

anyone who has purchased an actual painting – not a print or facsimile of some sort – knows that it is a relationship that develops, that the owner and the painting find each other, that it is not merely a purchase.  it is the bringing home of a piece of someone else’s heart.  the hanging-on-the-wall of someone else’s heart.  or, in the case of music, as i well know, the listening to of someone else’s heart.

iconic:  that which can trigger emotion.  yes.

view or purchase ICONIC in david’s online gallery

read DAVID’S thoughts this D.R. THURSDAY

BootsWeddingBoots website box

ICONIC ©️ 2010 david robinson


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boundaries. [k.s. friday]

boundaries songbox2.jpg

we were lost when we brought dogdog home from the farm.  it had been a long time since either of us had a puppy; our dogs had long lives and after that it had been years.  the first few days we literally followed dogga around inside the house, like he was a toddler in search of an electrical outlet or a cabinet without childproof latches.  jen and brad brought us pizza and wine and assured our deer-in-the-headlights-look that all would be well.  so we read pretty much anything we could get our hands on and discovered (re-discovered?) the fact that puppies really like confined spaces.  smaller spaces make them feel safe, secure; they are calming.  it worked.  dogdog was happy to be in the kitchen-ala-three-gates-in-the-doorways.  he seemed to sigh with relief at the end of the day going into his crate for sleepynightnight.  he was a happier puppy and we were (legit) back in our bodies.  boundaries facilitated maturing (for all of us.)

there is a whole lake out in front of our littlehouse.  the yard is big and full of green grass and flowers and grasses and trees.  the deck has space and flower boxes.  and then there is the rocking chair.  in between two closely-placed-spindles, perched on the lower rail, this little tree frog found a place of solace.  snugly in this warmed-by-the-sun spot, he lingered for hours, the tight place perhaps restorative for him, perhaps simply a sanctuary, its boundaries affording him the freedom to stay.

boundaries are underrated.  we need them.  to flourish.  the constraints serve us.  our clear boundaries for others create balanced lives.  drawing boundaries.  growth depends on it.

early on, given, say, three chords – and only three chords –  to compose with limits the angst of analysis paralysis.  it gives a place to start, a direction to go, discipline and yet, boundaries that reach only to the sky.  it eases up the balking-at-it of artists.  it facilitates the creation of a composition.  it facilitates artistry.  it facilitates energy.  pushing the walls of these boundaries back little by little opens an artist when he/she is ready, when he/she feels safer.  one step at a time.  one rocking chair spindle at a time.  one kitchen-dog-gate at a time.  one muse at a time.

download RIGHT NOW on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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BOUNDARIES from RIGHT NOW ©️ 2010 kerri sherwood

 

 

 


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nurture me. carrots, pianos and frogs. [k.s. friday]

nurture me songbox

i miss my piano.  i didn’t realize how much until late last night, in the darkened theatre, my hands touched the keys and i could breathe.  my neck and shoulders, stiff and aching from undue stress, relaxed just a little.  tears fell down my face.  they are still there now, as i write this.

this morning, as d was making breakfast, a tree frog hopped out from between the cabinets and landed on the stove.  fortunately, we were able to coax him from the hot burners and take him safely outside.  it was unclear how he got inside.  but his message was clear, a message we had learned from helen quite some time ago.  f.r.o.g. = fully rely on God.  and so, a giggle and a time of fresh, deep breaths.

when i have performed this piece NURTURE ME (as i mentioned in a previous post) i have loved to tell the story of the carrot seed, the absolute knowing that nurturing can lift anyone, any living thing, from fallow, from despair, from seed into grandness, into thriving, into life.

carrots, pianos, tree frogs.  all are capable of telling the story.  nurture trumps hate.

 download RELEASED FROM THE HEART on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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NURTURE ME from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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there is a place [d.r. thursday]

alki cropped copy

a morsel of ALKI BEACH

there are those places – where you sit and your breathing slows down.  the blue of sky calms you, the warm sand molds to your shape and the water beyond where you sit lulls you and quells the inner mixmaster of your thoughts.

for me, many many years ago now,  that place was crab meadow beach.  i felt some kind of kinship with the seagulls and the lure that shoreline had on them.  off-season still found me sitting on the pebbles along the waterline, in the sand gathered in small wind-dunes, on the cement dolphin or walking, walking, walking, ankle-deep in a surf that changed daily.  a place where i could sort out growing up, it soothed me, challenged me, spoke to me.

it’s not always a beach.  or the top of a mountain.  or a quiet lakeside cove.  or an inviting stump on a thick woodsy trail.  most of the time we don’t all have access to these things on a daily basis.

but there is a place.  where you can find the silence you need.  for david, this is often in front of his easel, a fresh canvas waiting or an unfinished painting beckoning.  this painting – ALKI BEACH – reminds me of that place.  the places nearby, the places within.  the rocking chair in the room upstairs, the adirondack chair in the backyard, the piano bench.  the place you draw the seagulls close, whisper your thoughts to them and send them on their way back into the world.

David Robinson ALKI copy 2

click here or on painting above to view ALKI BEACH on davidrobinsoncreative.com

read DAVID’S thoughts this D.R. THURSDAY

rhode island website box

ALKI BEACH ©️ c.2009 david robinson