reverse threading

the path back is the path forward


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the tape box. [two artists tuesday]

bcat tape box copy

i’m not sure why babycat thought we expected him to go sit in the square.  but he did.  jen had told us about this experiment….put blue tape on the floor and see what your cat does.  laughing, we tried it.  and b-cat cooperated.  it wasn’t minutes after the tape was on the floor that he entered the kitchen, looked at it and went directly to it.  he sat his sweet hulking body down inside that tape-box and eventually he laid down inside it (although he was definitely coloring outside the lines, so to speak.)  it was astounding to watch.  this is a cat, after all.  and yes, he has really loved the dogbed in the sunroom and the crest box in the sitting room, but a box made of painter’s tape?  we just didn’t expect him to conform so readily.

most of the time, b-cat lives his life outside the box.  he acts more like a dog than a cat; i had never had a cat before him so i taught him all sorts of dog-tricks.  babycat doesn’t really know the difference, although were he to look it all up, he would see ‘follows the sun around the house’ was in the rule book for cats, not dogs.  but this one evening, with no prompt from us, he decided to stay inside the box.  he sat, he laid down, he purred in his sleep.  he was content.  inside the box wasn’t too bad, i guess.   later on, though, when the tape was off the floor, he didn’t seem to notice it was gone.  he never looked for it.  he didn’t seem to pine for its presence in his life.  he just went about his not-normal-cat behavior.  outside the box.

i guess there is something to be said both about living in the box and living outside the box.  both have merit.  one encourages you to be the cat you are defined to be.  the other allows you to be the dog no one expects you to be.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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the power of words. [d.r. thursday]

Illustration 08 copy 2

and the wily old story fox told the pack, “words are like magic, misused they are tragic…”   (Lucy & The Waterfox – by David Robinson)

and the wily old story fox told the pack, “words are like magic, misused they are tragic…”

NOT ALL OLD FOXES ARE WISE LIKE THIS.

Lucy & The Waterfox

LUCY & THE WATERFOX, a beautifully illustrated story for children and grown-ups about believing, following your own path and the power of words.

click on the book above or here to purchase the book LUCY & THE WATERFOX on amazon.com

read DAVID’S thoughts this D.R. THURSDAY

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LUCY & THE WATERFOX ©️ 2004 david robinson


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his palette. [d.r. thursday]

palette copy

we really never know what it takes to do someone else’s job.  we don’t know all the tools used, the research done, how training and experience play into it, how someone perceives their own work.  we can only guess and, often, fall desperately and even arrogantly off the mark.

walking into d’s studio my eye is drawn to the easel standing in the far corner.  closer to me, though, is an old cart with an old wooden box holding paints and brushes.  there is another cart and on that is this palette – layers upon layers of color and texture, clay pots of water standing next to this widely-understood symbol of “artist”, often associated with the beginning of the process of painting.

now, i’ve painted a few paintings in my life.  i bought very large prepared canvases and dug around in the basement for leftover acrylic house paint to use on my creations.  without a palette, i brushed and re-brushed and threw paint until i knew each painting was done.  and then i hung them on the walls.  in one case, i painted right on the wall and put a clearance frame around the section of wall that i painted – a nod to a painting without the cost of canvas.

all of this, however, does not make me capable of really understanding how d paints.  for i do not know all the tools, i do not know the process of mixing color or the technique of stretching canvas he uses, i do not know the tricks of the trade he has accumulated over decades of honing his expertise.  nor do i know the knowledge base he brings about other artists, other painters and paintings, the use of light and dark space, the way the viewer’s eye sees, the very technical details and the very heart-based intuitions he has learned through many, many years of study and practice.  i can’t understand or even try to predict the amount of time it takes or doesn’t take for him to conceptualize, to explore, to create, to review, to assess, to adjust, to re-create.  i can respond to his work but i cannot define it, nor would it be meritorious for me to even try to do so.  out of respect for his work, something that is one of the very things that defines him, i know that i really have no idea.  what i can do is appreciate his talent and every last thing that he has done to bring him to this place where he paints beautiful paintings and it seems to take no effort whatsoever.

with regard to anyone and the work that they do, i would hope we could each remember – with humble respect – that we really have no idea.  we can just be grateful that we are each a spoke in the wheel on this good earth.  our palettes, the places from which we begin, are different.  and we can’t do it alone.

read DAVID’S thoughts this D.R. THURSDAY

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things of comfort. [not-so-flawed wednesday]

duke's painting copy

painting by DUKE

“the finnish wood carvings, ” my sweet momma would answer when asked what she wanted in her little assisted living apartment, a place she would occupy without my dad, some time after he died.  those finely carved statues accompanied her from new york to florida, house to house, and, finally to her small apartment.  she cherished them and spent long hours deciding to whom she would give each one.  the list in many notebooks and on many scraps of paper showed that she pondered each recipient’s personality and interests before deciding on a gift choice; these wood carvings were important and each was later given with decades of love.  placed on an equally significant-to-her live-edge wooden shelf in her tiny living room, they seemed to represent comfort to her, something that spanned the years, something that, in their familiarity, gave her a sense of security.  a piece of what-had-been-home in this new home.

when you walked down the hall in eileen and duke’s home, just in front of you before you turned in to their master bedroom was this painting.  duke was an amazing artist, a painter and sculptor with an enormous collection of work.  when we were helping 20 move his momma eileen into her assisted living apartment a few weeks ago, this painting beckoned me as something that might be a familiar sight in her new unfamiliar home.  as we placed other artwork on the wall, i kept thinking about this painting that we had left in their home and i nagged 20 about it.  i felt it could be placed so that the moment that eileen stepped into her new bedroom it would be ahead of her, before she turned to head to her bed.  jogging her memory of the home she and duke had made together, a touch of comfort for her.  20 picked it up later that night and the day his momma moved in we hung the painting.  this sunny, but somewhat austere space, suddenly was lifted to a different level.  the photographs of duke and eileen in the kitchen, the familiar prints in the living room, this painting in the bedroom.  all touchstones from home in this new home.

there are certain things i like to have around me.  things that even in times of uncertainty give me a sense of footing.  were i to pare down there are items that would definitely make the cut, unlikely choices maybe, but things that bring me solace, things that alleviate angst, things that gladden my heart.  what are yours?

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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a matter of perspective. [two artists tuesday]

skewed -framed copy

corrugated metal.  i have a thing about it.  i have a thing about texture.  and a thing about capturing texture on film.  i love design and white space and fonts, simplicity and the challenge of balance.  this image started with the side of a building against clean snow.  i felt (and still feel) connected to this building and what it represented, so its texture is beautiful to me; the image both inspires and saddens me.  an experiment in contrast and point of view, it may be hard for a viewer to discern what the original pure image might have been.  manipulating it, changing what the viewer would see is simply an orchestration of color and space, light and dark, angle and edge, point and counterpoint (melody) lines.  skewing it changes the emotional response; although it remains fundamentally the same, it becomes something slightly different and is seen through a different lens.  it’s all a matter of perspective.

how we look at anything.  how we see anything.  how the pieces come together, how we view them, how we sort, how we sometimes have to let go.  it’s all a matter of perspective.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

footprints in the snow at bristol woods website box

SKEWED ©️ 2019 kerri sherwood & david robinson

 

 

 

 

 

 

 

 

 

 

 


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not the fancy stuff. [two artists tuesday]

coffee pot copy

maybe we’ll go back.  this sassy coffee pot sits at one of our favorite antique shops and drew my eye.  we’ll be sure to know where to put it and, perhaps, how to use it before we maybe go get it.

we were on our way to cape cod and the sign salvage chic antiques stopped us.  four old aluminum coffee pots later, we left the store.  they are now part of a five-aluminum-coffee-pot collection on a shelf in our kitchen; instead of a canister set, these coffee pots keep all our different teas easily accessible.

anyone who knows us knows that we love our coffee.  anyone who knows us knows that we also love re-purposing old stuff.  but not the fancy stuff.  old aluminum coffee pots, old black vintage suitcases, old wooden boxes.  they are the treasures around us.  they hold special mementos, nespresso coffee pods, clothespins for the ukulele band, art supplies, rocks we have collected on beaches, in woods, from high sandstone precipices or red rock canyons deep.  they are history and they are new.  both true.

when we need a break, a few moments to lose ourselves, we will either hike or go to one of our local favorite antique shops.  things of worry will gently fall off as we walk through woods or aisles of things-that-remind-us of other times, memories, or maybe inspire us with a beckon to be brought home.

we choose carefully and deliberately.  for ourselves and for the gifts we get others.  it’s never the fancy stuff, but it’s the stuff that stops us, draws our eye, beckons to be purchased and re-treasured.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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photo by 20

 


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a small adjustment. [not-so-flawed wednesday]

comingtoyoufrommegaphone copy

we sat arm-in-arm in the megaphone.  we had been hiking in the snowy woods and it was the driest place to sit.  we’ve written about this megaphone before; it is a nature megaphone and it is supposed to amplify the sounds of nature from the woods and into the woods.  because someone didn’t maybe quite get the purpose, the megaphone is actually pulling sound from the street – a county highway through the woods on the narrow side of the amplifier, the side that draws in sound.  a small adjustment in its location would afford it the purpose for which it was designed.  it was built lovingly as an eagle scout project, but until this small adjustment in placement happens it will, unfortunately, not be as effective as it could be.

a small adjustment.  how many times would just a small adjustment create a path closer to success, a path more in alignment with purpose, a path that maximizes effectiveness, a megaphone that actually amplifies the amazing nature in the woods?  we get stuck in a line of thinking and, full-speed-ahead, think that is the only route, the only way.  until someone says something – a suggestion of a small adjustment – in thinking, in action, in REaction, in placement of our focus.  an ah-ha moment.

in the recording studio, as really in every musical performance, there is a groove.  it is the place where the tempo of the piece being played is “right”… everything comes together and syncs, the intent of the piece shines.  sensitive musicians and conductors can feel any deviation from that groove.  when it’s off, too slow, too fast, it doesn’t deliver the same emotional message.  just a slight adjustment brings it into center.

it’s the same with tuning.  A440 pitch is the universal standard tuning pitch.  a quarter tone off here or there makes a difference; not only can you hear this slight adjustment, but you can feel that the vibration is quivering, off its mark.

two people.  a difference of opinion.  the quivering vibration is palpable.  a small adjustment left or right, quietly spoken or wisely quiet, pivots them back to the heart-core, brings back solid ground.

that same kind of vibration…present in any gathering of people…in sync or magnets repelling each other…with underlying fields of pre-formed assumptions getting in the way of the small slight adjustments needed – the ah-ha’s – to be in actual alignment, stronger together than separate, amplifying the real sound of this earth – in the groove, in tune, on the mark, grounded, mutually, cooperatively, collaboratively on-purpose.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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