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the path back is the path forward


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always. with us. [k.s. friday]

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my emotional well was full when i woke up today.  thinking of us, our children, our families, our dear friends, our community, this world.  i desperately want to gather our beloveds in, hold them close, protect them.

i have no words for all of this; i have too many words for all of this.  i fear that none of them are helpful, none of them are wise.  it’s just me.  and, like you, carrying the weight of the world one step at a time, one quiet minute at a time, staring out the window and wondering.

always with us

we are alone

 

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ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood

 


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the people who love you into being. [k.s. friday]

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“all of us have special ones who have loved us into being. would you just take, along with me, ten seconds to think of the people who have helped you become who you are….ten seconds of silence.”  (mr. fred rogers)

he brought it up on the trail.  the movie we had recently seen.  not an action thriller or a mystery.  just a movie about a man who changed the world.  mr. fred rogers.

quietly hiking on the trail, he broke the walking-arm-in-arm silence, “i’ve been thinking about all those people.  those people who loved me into existence.”

what could you possibly be more grateful for?  that trail of thought found us yesterday morning and wove its way into all day, skirting along the edges as we cooked, back into the center on facetime, at the table with wine glasses, in a late night text out of the blue.

the people who love you into being.

mr. rogers got more specific, ” from the time you were very little, you’ve had people who have smiled you into smiling, people who have talked you into talking, sung you into singing, loved you into loving.” what kind of legacy do you have to be known for this kind of wisdom?  it changes everything.

the people who love you into being.

we spoke of these people on and off all day and late into the night.  there was a moment i could feel shadows that were cast by any of those we talked about falling off, light covering the shadow.  reasons.  seasons.

the people who love you into being.

too many to list.  too many to remember.  we backtracked and stood still in our memories, telling stories and finding wonder as names – and the dear picture of that person in our mind’s eye – spilled out of us.  a wealth of being-makers.  every one of them a builder in the construction of some piece of us, like a giant box of tinkertoys or lincoln logs or even crayons.  so much  potential.  a wildly wide spectrum of color and characteristic, texture and depth. profoundly moving.  a tiny bit of shake-up.  both.

the people who love you into being.

ten seconds.  nowhere near long enough.

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GRATEFUL from AS IT IS ©️ 2004 kerri sherwood

 

 


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all you can. [k.s. friday]

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“do all the good you can,  by all the means you can, in all the ways you can, in all the places you can, at all the times you can, to all the people you can, as long as ever you can.”    (credit for quote is unclear)

this sounds like a good mantra for one’s life.  it would seem that it would bring satisfaction and accomplishment to someone invested in its mission.  it would seem that it would create joy for others.  it would seem that, were everyone to simply live by this precept, the world could actually be a place of peace.

but people are not infallible and personal agendas reign over the collective.  competition is fierce and the caste system hasn’t vaporized.  people keep score and vindication is a driving force.  people are self-serving and power-controlling and will knock those down in the way.

children are not born with the desire to exploit others or minimalize or marginize them.  they are not born with hatred in their hearts.  children are born with the ability to embrace all, include all.  they are not born with a scorecard in their hands.  they are born with the generosity of innocence.  they are not born with fear of places and peoples different than them.  they learn that.

we can teach our children to play nice.  but we need model it first.  we need do all we can.

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ALL YOU CAN from AS IT IS ©️ 2004 kerri sherwood

 

 


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the two of you. [k.s. friday]

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the two of you:  two reasons why i breathe ~ my children (cd liner notes)

this will never change.  most of the things i gather around me are things that make me think of them, feel them near.  it’s as simple as framed photographs or collages or a peace keychain or lanyards that say ‘colorado’ and ‘boston’.  it’s a screenshot of a text message i want to remember.  it’s a note jotted on my calendar about something My Girl or My Boy said to me or a date that is important to them i want to remember.  it’s notes they wrote as children held by magnets to the refrigerator or in small frames bedside.  it’s laughter saved in a video.  it’s moments of tears driving away from their homes.  it’s a rock saved on a hike in the high desert canyonlands with The Girl; it’s The Boy’s childhood favorite ny taxi pencil on my piano.  nothing is huge.  everything is huge.

most of my also-mom-friends will agree that, outside of spending time together, the one thing certain to lift them up on any given day is a reaching-out-to-them by a grown-up child.  it’s the moment ANYthing else stops.  it’s the silently-agreed-upon, strictly-held-to and always-welcome interruption in the middle of visiting others, working, hiking, cooking, sleeping.  both The Girl and The Boy knew – and know – that they can call or text at any time of day or night and i will be there; i will answer.   ‘always there’ is a fierce inner motherhood promise designed to both ground and frustrate children, whatever their ages.   it’s a guiding principle, a mom-creed.   it’s absolute.  it’s truth.

from the moment they were born everything changed.  and, from that moment on, one thing didn’t.  the two of you ~ two reasons why i breathe ~ my children.  ❤️

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THE TWO OF YOU from AS IT IS ©️ 2004 kerri sherwood

 


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bridge. [k.s. friday]

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“when one door closes another door opens.”  how many times have you heard that?  people fail to address the hallway in-between.  ahh….that hallway in between.  full of mystery.  full of questions.  full of wondering.  full of not-knowing.  it can be freeing; it can be torturous.  bridging from now to next.

two to three months after my big brother died, my sweet momma continued to have nights when she could not sleep.  she would rise from bed and go down the short hall to the bedroom that served as her office.  in that short walk, she would pass the entrance to the living room.  one night, as she passed the living room, glancing in she saw a depression in the very top of the recliner, the way it looks when someone is sitting with their head against the back of the chair.  this chair…the very one that my brother sat in so many times in the last months of his life, close to the front door so that he didn’t have to go too far and become too tired.

my momma, not given to fanciful imaginings, decided to walk into the living room to find out why the headrest of this chair gave the appearance of someone in it.  she came around to the front of the chair and found my brother.  he was sleeping in the chair and did not stir while she stood there.  she never said a word, just silently watched for a couple of minutes.  her heart full, she quietly walked to her office.  an hour or so later, when she was ready for bed, she walked back down the short hall, this time glancing in to the living room to see if the headrest was still shaped as it had been, if my brother was still there.  the recliner had returned to its normal state.  my brother was no longer there.  she went to bed and slept, her time in the hall of grief a little lighter, a little less encumbered, a little less painful.  mysterious, full of questions, full of wondering and not-knowing.  freeing and a little torturous.  but moving into next.

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BRIDGE from AS IT IS ©️ 2004 kerri sherwood

 


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(it is) as it is. [k.s. friday]

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ken calls this my MUSH album.  he is an amazing producer and i feel fortunate to call him my dear friend as well.  he produced 14 of my albums and, although one of my albums and a few vocal singles were done in nashville, now i can’t really imagine any other recording projects without him.

MUSH stands for made-up-shi* and is aptly named.  this album came at a really inspired time for me.  artists have their highs and lows, inspiration-wise, and this was one of the highs.  i’ve mentioned the story before, but i’ll short-story it here again:  i had a list of titles – titles i wanted to use eventually for compositions; i carried a notebook and scraps of paper everywhere i went.  i had this list with me as i recorded two other full-length albums in nyc at yamaha artist services.  in-between recording the two other albums, i would choose a title and play it.  simply play it.  my heart is laid out in the tracks of this cd; every title was meaningful to me, every piece tells what it means.

AS IT IS is the title track so it’s interesting that i gave over the melody line to a flute, the only piece on all of my albums that has a flutist playing.  it’s also rare for me to step away from the piano and, in the production-post-initial-recording phase, play a keyboard.  but life is like that. you have to give over sometimes.  the texture changes.  the melody isn’t yours to own; sometimes you are support staff.  make peace with it.  it is as it is.

AS IT IS:  life.  we are right here…where we are supposed to be in this part of the journey…the best time is now.  simply because life is as it is. (liner notes)

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AS IT IS from AS IT IS ©️ 2004 kerri sherwood

 

 

 


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unfolding. [k. s. friday]

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“…and whether or not it is clear to you, no doubt the universe is unfolding as it should…” (desiderata by max ehrmann)

when i listen to tracks i have recorded i can either picture the time i spent writing at the piano or the time i spent in studio recording.  this piece drums up the same image; in a time of pronounced inspiration and the transferring of much emotion into music, this was simultaneously written and recorded at yamaha artist services in nyc back about 15 years ago.

even then, i could see the willows-bending-in-the-wind characteristic of life – it will unfold as it should, despite our best efforts to stymie it or change it or enhance it.  and so i loved when ken, my truly amazing producer, added a bended electric guitar line, arching and buckling, flexing around the melody line, a musical painting.   even now, and i suspect as will always be, i try to be that willow, bending as the wind takes me, allowing the universe to unfold.

“unfolding: trying to trust that life is unfolding the way it should be” (liner notes)

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UNFOLDING from AS IT IS ©️ 2004 kerri sherwood