reverse threading

the path back is the path forward


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tomorrow. lettuce and erle. [k.s. friday]

THIS erle cover

one of the gifts i received for my 60th birthday this week – an envelope with seed packets of lettuces in it, dirt and manure.  on the outside of the envelope of seeds was this:

“to plant a garden is to believe in tomorrow.” (audrey hepburn)

early november. moab, utah.  i was standing on the precipice of a vast and deep canyon and was filled with wonder.  My Girl encouraged me a bit further out, a bit higher.  she was right to push me.  the gorge inches away, unforgiving, i didn’t lose my breath until the very edge.  but i breathed in so much more.  i felt like ME. me, in my old hiking boots and ripped jeans, a couple black layered shirts and a vest, fingerless gloves linda made.  ME.  the air of the high desert mountains seemed to fill me and, as i stood there, pondering my very existence in this place, i felt renewed.  a meeting ground, i could feel all the yesterdays that brought me there and the tomorrows that stretched forward.  it is a spiritual place.  she was right and i tied my heart to it just as she had predicted.  the sun and i were each merely a tiny piece of the enormity.  we watched day end and shadows paint the canyon walls until dark filled the void. we laughed uncontrollably.  i cried.  no matter what, the next day – tomorrow – would come to that place and sun would spackle the walls until it would -again- be light.

THIS will be the next album cover.  in some tomorrow time.  i wish to bring burning sun and immense canyons into that project.  mountains and Spirit and old boots.  a bow to yesterday and to tomorrow and the place inbetween.  the air in me.  i don’t know when or exactly how.  i just know i need to somehow make the chance.  i need to stand on the very edge, once again.  it matters not whether i am relevant in these times.  it just matters that i plant it.  lettuce, here i come.

read DAVID’S thoughts this K.S. FRIDAY

thank you to old friends who called or texted or FB-messaged me this week.  i can’t begin to tell you what you mean to me. with love.

www.kerrisherwood.com

iTunes: kerri sherwood

muddy boots blue website box

erle. ©️ 2019 kerri sherwood

OLD FRIENDS REVISITED from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

 

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the 21st century. [two artists tuesday]

WelcomeTo21stCentury copy

side B of the canvas

along with the portable record player we take out on the deck, we have the you-remember-the-case-with-the-handle box of 45’s.  with titles like sugar sugar and IOU and julie do you love me and….the side A of these records are the likely hits.  but if you turn it over and play side B you can often be surprised by a song you like even more than the touted “side A” song.

when david brought up this canvas to photograph the painting on the front side, i was reminded of what we had seen when 20 so generously gave d a slew of his dad’s canvases.  on the side B, his artist dad (richard “duke” kruse) had written, “welcome to the 21st century” on the back of the canvas he had so meticulously stretched.  we laughed when we first saw it, but it remains a mystery as to why he wrote it; we can only guess…maybe he was bemoaning the loss of something of the 20th century; maybe he was truly welcoming the next.  either way, we get it.  we are both 20th century artists.

as a painter, david uses actual brushes to apply actual paint to actual canvas, a process that doesn’t necessarily need explanation, but, in the 21st century art world, isn’t necessarily always the trend.  with computer design and sketchpads -aka graphics tablets- the feel of bristles can become foreign to a contemporary artist.  what about the smell of the paint?  the light from the window on the canvas?  the spatter of acrylic matte medium on your clothes? the wooden brush handle in your hand?

as a composer, i use paper and pencils and erasers and a piano.  i have a couple of keyboards that have traveled all over with me, but the piano that takes up an entire room in our house is my tool of choice.  it is stunning how much time it took me to write a full score way back in college compared to the ease of scoring on the computer.  if i made a mistake on the score, i had to -with my pencil and then calligraphy pen- redo the whole page.  then i had to write out all the parts individually.  the 21st century has advanced the ability to have a computer generate all the individual parts off one score that is online.  pretty amazing and time-saving stuff.  not to mention the “playing” factor.  the computer program will “play” the part you write; you don’t have to.  but what about all the pencil eraser dust that falls on the keys of the piano?  what about the scraps of paper spread out all over the top?  what about the feel of the action below your hands, the response, the whooshing sound of the pedal?

acoustic vs plugged-in, analog vs digital.  kind of old-fashioned.  that’s probably why i like to sit in one of the rocking chairs in david’s studio and just watch.  and why he will come into my studio and just listen.  we don’t need a lot of fancy stuff.  he just wants to hang his paintings and i just want to sit at a piano on a stage with a single mic.  pretty 20th century.

read DAVID’S thoughts on this TWO ARTISTS TUESDAY

EarthINteruppted7 copy

the new side A:  earth interrupted VII (36″x48″)

TWO ARTISTS TUESDAY – ON OUR SITE

welcome to the 21st century/earth interrupted vii ©️ 2018 david robinson & kerri sherwood

 

 


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peace. as it is. [k.s. friday]

peace song box

i distinctly remember recording this.  i was at yamaha artist services in nyc and it was winter.  the word “peace” was on a list of words i wanted to use as titles for pieces.  “peace” is a big word for me….i’ve talked about how there are peace signs and the word peace all over our home and it was no different when i wrote this.  the trouble with writing and using a big word is that you feel an imperative to make it count.  there is a kind of heavy emphasis on this choice to use THIS word as a title – that you write well enough to support such a big word, that you do it justice, that it FEELS what the word feels like.  it’s super-charged with self-induced pressure.

but the moments i spent composing this were extraordinarily special and i was wrapped in a cloak of peacefulness and love.  it is not a complex piece of music; it has a repeating theme and, like a song with lyrics, returns to that theme again and again.  like statement-question-answer-lift-statement-question-answer-lift structure.

“it’s fine” ken, in his infinite wisdom, orchestrated this so my heart weeps with gratitude each time i listen.  cello lines and strings and french horn pull the simple melody out of the place of simplicity and reach, for me, a depth of being.

every artist has compositions that are their favorites, the ones that really express who they are. maybe it’s because i can so distinctly remember initially recording this.  maybe it’s because i remember being back in the studio in chicago with ken as he tracked the other instrumentation.  maybe it’s because it’s THAT word, the piece with THAT title.    regardless of the reason, THIS is one of mine.

download PEACE track 5 on AS IT IS on iTunes or on CDBaby

read DAVID’S thoughts on this KS FRIDAY

K.S. FRIDAY (KERRI SHERWOOD FRIDAY) – ON OUR SITE

PEACE from AS IT IS ©️ 2004 kerri sherwood