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the path back is the path forward


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boundaries. [k.s. friday]

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we were lost when we brought dogdog home from the farm.  it had been a long time since either of us had a puppy; our dogs had long lives and after that it had been years.  the first few days we literally followed dogga around inside the house, like he was a toddler in search of an electrical outlet or a cabinet without childproof latches.  jen and brad brought us pizza and wine and assured our deer-in-the-headlights-look that all would be well.  so we read pretty much anything we could get our hands on and discovered (re-discovered?) the fact that puppies really like confined spaces.  smaller spaces make them feel safe, secure; they are calming.  it worked.  dogdog was happy to be in the kitchen-ala-three-gates-in-the-doorways.  he seemed to sigh with relief at the end of the day going into his crate for sleepynightnight.  he was a happier puppy and we were (legit) back in our bodies.  boundaries facilitated maturing (for all of us.)

there is a whole lake out in front of our littlehouse.  the yard is big and full of green grass and flowers and grasses and trees.  the deck has space and flower boxes.  and then there is the rocking chair.  in between two closely-placed-spindles, perched on the lower rail, this little tree frog found a place of solace.  snugly in this warmed-by-the-sun spot, he lingered for hours, the tight place perhaps restorative for him, perhaps simply a sanctuary, its boundaries affording him the freedom to stay.

boundaries are underrated.  we need them.  to flourish.  the constraints serve us.  our clear boundaries for others create balanced lives.  drawing boundaries.  growth depends on it.

early on, given, say, three chords – and only three chords –  to compose with limits the angst of analysis paralysis.  it gives a place to start, a direction to go, discipline and yet, boundaries that reach only to the sky.  it eases up the balking-at-it of artists.  it facilitates the creation of a composition.  it facilitates artistry.  it facilitates energy.  pushing the walls of these boundaries back little by little opens an artist when he/she is ready, when he/she feels safer.  one step at a time.  one rocking chair spindle at a time.  one kitchen-dog-gate at a time.  one muse at a time.

download RIGHT NOW on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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BOUNDARIES from RIGHT NOW ©️ 2010 kerri sherwood

 

 

 

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longing. [k.s. friday]

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i first wrote and recorded this piece while i was working on the twin LET ME TAKE YOU BACK albums.  performing the tunes of the 60s and 70s made me feel wistful; memories flooded every note.  i’d remember dancing to a song at a prom or listening over and over to another in my room in the basement.  they made me picture the windows rolled down in my little blue vw driving on the open roads out east on long island and they brought me the sweet smell of warm sand on crab meadow beach with my red round ball and chain transistor radio.Screen Shot 2018-09-27 at 4.44.47 PM  they had me thinking about the songs coming from my sister’s room and the songs my big brother would play on his guitar.  so it wasn’t a stretch to write a piece that was all about longing and reminiscing and memories, stories that were deeply set in my heart, times that had gone by.  later on we orchestrated this piece for the album AS IT IS.  i still associate it with the twin retro albums; the cello line gets me every time.  it makes me want to take out all my photo albums and set up a white sheet in the living room to watch the carousels of 35mm slides my poppo called “film funnies”.  longing.  indeed.

download LONGING track 13 from AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts on this K.S. FRIDAY

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LONGING from AS IT IS ©️ 2004 kerri sherwood


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i didn’t know. [k.s. friday]

i didn't know song box

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yesterday, the senate passed the Music Modernization Act, a complex bill that is supposed to help songwriters in these days of streaming.  as quoted in one article questioning the feasibility of pushing through this bill as is:  “…niche labels and independent musicians face either a zero, or statistically insignificant, chance of a return on their investment through streaming. many report barely paying for a sandwich with their royalties.” (maria schneider, musicanswers.org) yes. creatives are still facing a grotesque misalignment of power and income despite an effort to supposedly be “helped”.

i didn’t know, back when i released my first album, that there would be another…and another…and another…

i didn’t know how vulnerable i would feel each time i released a collection of my soul, turned into tracks of music.

i didn’t know how grateful i would feel each time i stood on stage and spoke to an audience that was there to hear this music – my music.

i didn’t know how many stores, in the early days, would carry these cds (and cassette tapes, way back when), how many times i would be live on QVC-TV, how many radio interviews i would be relishing.

i didn’t know how humbling it would feel that many people would respond to something in my music, something would resonate with them, something would be healing or heartening or touch them.

i didn’t know, through the years, how many thousands of cds would sell, how many boxes i would carry, how many wholesale shows or retail shows i would be present at or how many phone calls i (or wonderful people who worked with me) would make or receive, taking and shipping orders.

i didn’t know that the BMI royalty statements i was getting earlier would soon decline as our world and the internet changed them drastically.  the one i got two days ago for a period of the year included 59,000 performance counts and a $47.47 check.  streaming has made it unnecessary to purchase a physical cd or even pay for and download an artist’s music and so i agree with the writer who said: “streaming revenue for most independent musicians doesn’t even amount to pocket lint.” (m.schneider)

i didn’t know that the yearning inside me to compose and record more music to be released on cds would be stymied by the cost vs earnings debacle that has been created by an industry that doesn’t lift up the independent, while the behemoths remain behemoth.

i didn’t know how sad it would make me.  i didn’t know how it would change me.  i didn’t know i would keep wondering ‘what next?’  i didn’t know i would be seeking answers to where i stand as a composer.  i didn’t know my piano would call from my studio and i would ignore it, feeling betrayed by a profession that should pay my bills like any other.

i just didn’t know.

purchase the physical cd THIS PART OF THE JOURNEY or purchase a download of I DIDN’T KNOW (track 4) on iTUNES or CDBaby

read DAVID’S thoughts on this K.S. FRIDAY

I DIDN’T KNOW from THIS PART OF THE JOURNEY ©️ 1998, 2000 kerri sherwood


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same sweet love. [k.s. friday]

SAME SWEET LOVE SONG BOX

paper and pencils strewn about, guitars in hand, i sat in los angeles with cliff, the producer of this album, as we penned this new song together.  long a solo artist and songwriter, it was my first full collaboration, a visit to high energy and laughter, a rhyming dictionary (every songwriter’s friend) at our side.  we reached into our own lives and experiences to write.

when we finished recording it in nashville, the duet touched me as a poignant reminder of steadfast love.

so put your arms around me now

close your eyes, remember how

keep believing

that we’re the same two people

in the same sweet love

purchase the album AS SURE AS THE SUN or download SAME SWEET LOVE track 6 on iTunes or CDBaby

read DAVID’S thoughts on this K.S. FRIDAY

K.S. FRIDAY – ON OUR WEBSITE

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click here (or on the box above) – it’s the last few days of our fall 50% off art sale.

SAME SWEET LOVE from AS SURE AS THE SUN ©️ 2002 kerri sherwood


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pulling weeds. [k.s. friday]

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a number of years ago i planted a small seedling of lavender in my backyard garden over by the fence.  i was wanting to tend this carefully and, eventually, be able to go outside and snip sprigs of lavender – for vases, for the pillows of visiting family or friends.

it was slowwww.

soon after, i found that the patch of black-eyed susans was entering the spot where the lavender was.  black-eyed susans are beautiful and happy flowers, so i hesitated to do anything about this.  i pulled the weeds in the garden and continued to hope for a flourishing lavender patch living side by side with what-would-be bright yellow blooms.

but then i talked to a friend.  she told me that as diligent as i was about pulling the weeds, i also needed to pare back the black-eyed susans.  she said the lavender needed space and air, its own dirt.

i followed her directions and carefully dug down to the roots of the black-eyed susans and transplanted them away from the lavender.  i could almost feel the lavender breathe.

later, in the summer, with clippers in hand, i walked outside, over to the little garden by the fence, vase in hand, and, in the midst of a heavenly scent-cloud, snipped healthy sprigs of purple.

then i added this piece to the track line-up for the album RIGHT NOW.

PURCHASE the album RIGHT NOW on kerrisherwood.com or DOWNLOAD the track PULLING WEEDS track 8 from RIGHT NOW on iTUNES or CDBaby.com

read DAVID’S thoughts on this K.S. FRIDAY (KERRI SHERWOOD FRIDAY)

K.S. FRIDAY – ON OUR SITE

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PULLING WEEDS from RIGHT NOW ©️ 2010 kerri sherwood


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unleash the power of your crayon. [chicken marsala monday]

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on my piano in my studio is a teeny sign with a big message.  it reads, “if you asked me what i came into this world to do, i will tell you i came to live out loud.” (emile zola)   it’s a reminder – a reason for being.  true for each of us, it’s unleashing the metaphoric crayon of our creativity, our thoughts, our knowledge, our gifts, our voices.

there is an extraordinary amount of power in those crayons..the place in the middle that we open…the heart from where our concentric circles start rippling out…where the crayon meets the page, the song is composed, the painter paints, the activist writes.  “loud” (for the sheer sake of being loud) and “out loud” (simply having a voice) are two vastly different things.  and, if you are paying even the least bit of attention at all to world events, we are privy to both in our lives these days.

after living all this life so far, i hope now that the crayons i pick will help to ripple out things that are good, things that consider others, things that are not hurtful, things that are fair, things that are kind.  the power of a crayon unleashed that is “out loud” not “loud.”

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read DAVID’S thoughts about this CHICKEN NUGGET

CHICKEN MARSALA MONDAY – ON OUR SITE

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unleash the power of your crayon ©️ 2016 david robinson & kerri sherwood


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freefallin’ in love. [k.s. friday]

freefallininlove songbox copy

you can’t help but listen to country music when you are in nashville. there’s something about the storytelling in country songs that i can really identify with.  i love telling a good story.  ok, i even love bad stories.  i’m sure there are a slew of people rolling their eyes around me most times i am talking.  when i was writing for this album and traveling back and forth to the studio in nashville, i decided i wanted one of the songs to be a little bit of a nod to that genre, of which i am a big fan.  i wrote this song on a single page of notebook paper on an airplane.  some songs just show up.  my favorite part is the happy ending. 🙂

download FREEFALLIN’ IN LOVE track 9 on AS SURE AS THE SUN on iTUNES or CDBaby or PURCHASE THE CD (or several hundred for your closest friends)

read DAVID’S thoughts about this K.S. FRIDAY (KERRI SHERWOOD FRIDAY)

K.S.FRIDAY – ON OUR SITE

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FREEFALLIN’ IN LOVE from AS SURE AS THE SUN ©️ 2002 kerri sherwood