reverse threading

the path back is the path forward


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weeping man. [d.r. thursday]

Weeping Man copy

we watched global citizen’s concert ‘together at home’ on saturday night.  this virtual concert featured a wide spectrum of celebrities and musicians and raised about $128 million for the world health organization as well as local and regional frontline healthcare workers in support of covid-19 relief.  despite wildly varying opinions about this effort, i would have been proud to play in the midst of this.  it was about humanity.  some of it was pretty raw.  people were in their homes, many the likes of which i will never enter.  they were with their instruments, they were playing or singing songs they felt would resonate with those watching.  a few were, as expected, clearly voice-tracked.  a few were, as expected, a bit ego-tainted.  split-screen performances and technology raised the bar for musicians everywhere.  but it was a moment in time – eight hours in total between online and on-air – when you could see that all of us grieve and yearn the same way.  no matter the size of your mansion or tiny house, no matter the grammys on your shelf or the lack thereof, this global pandemic is just that – global- and is not discerning of your privilege.  it does not care.  it can take anyone.  and so we weep.

if there is a painting that depicts the face-holding grief and prayerful yearning for hope, it is this painting WEEPING MAN.

i wonder if he weeps for those who have fallen ill, those who have died.  i wonder if he weeps for those who refuse to acknowledge the seriousness of this pandemic.  i wonder if he weeps for those on the front lines, helping.  i wonder if he weeps for those who have hidden in extravagant bunkers underground in far away countries.  i wonder if he weeps for our isolation.  i wonder if he weeps watching people intolerant of the isolation that will protect others, people who are selfishly and arrogantly protesting stay-at-home orders.  i wonder if he weeps for the unrelenting non-discrimination of this contagion or if he weeps for the divisiveness of responsibility-taking, the it-doesn’t-affect-me attitude.  i wonder if he weeps for the continuance of humanity.  or if he weeps for the loss of humankind.  or, if he weeps for the lack of humaneness.  i wonder if he weeps because, in the middle of this trying and profound now,  Next will come.  i wonder if this painting is tomorrow’s tomorrow and he weeps with relief and hope.

THIS all exists.  for each of us.   it isn’t always good.  it isn’t always not-good.

there are those moments.  the moments you weep openly, the moments you cover your face to cry, the moments of overwhelm, the moments of absolute weariness that, despite all evidence to the contrary in your tired mind and body, actually do lead to Next.  times you feel alone, times of sorting, times of grief, times of fragile vulnerability, times of regret.  the times you put your face in your hands and weep…

and there are those moments.  the moments you weep openly, the moments you cover your face to cry, the moments of stunning awe, the moments of sheer exhaustion at your goal-line, moments that actually do lead to Next.  times you feel enamored of life itself, times of incredulity, times of unquestionable good fortune, times of serendipity, times of simple all-consuming sweet love.  the times you put your face in your hands and weep…

we recognize it.  we can feel it.  and we know that in another moment he -or she, for there is no pronoun-hogging here- will slowly raise his head out of his hands and Next will have arrived.  (reverse threading, and so he weeps, january 17, 2019)

read DAVID’s thoughts this D.R. THURSDAY

to view or negotiate purchasing this painting, please visit the virtual gallery here

moon website box

WEEPING MAN ©️ 2015 david robinson

 

 


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after the first half of the concert.

bcatForgetTheFirstHalfwe went to a concert a week ago or so. it was a group of us and we were all excited about going. the band we were going to see is creative, talented, sincere and full of energy. what’s not to like about that?!

we caravanned in three cars. well, we dan-a-vanned, actually, with dan leading the way. he is a GPS guru and, if you can keep up with him on the highway, a great person to follow going somewhere.

we got there, full of anticipation and excitement. sat in seats one row from the very top, able to look out at the whole audience. many of us have gone to concerts together before; we try to do fun stuff especially as the winter sets in.  we laugh a lot and that is a very good thing.

the concert started with an infomercial….on video and a live push as well. i thought perhaps that was it….one infomercial is plenty when you have purchased tickets to an event that is not a fundraiser. but that wasn’t the case. with the exception of two warm-up artists who played maybe 3 songs each, the whole first half of the concert was full of infomercial preaching and over-done talk-talk.

by the time we got to intermission, it was easy to be annoyed. the first half of the concert was over. we hadn’t seen the band we had come to see yet and now we had sat through what seemed to be agenda….i have yet to figure out why this was so. what symbiotic relationship is there between these infomercials and the band we were there to see? do these organizations host the whole concert tour? do they underwrite the concerts in venues of their choosing?  do they play the band’s music? no matter how dedicated the band is to these efforts, was it appropriate to take up most of the first half of this concert with this rhetoric? i was sitting in my concert-seat trying to figure out this stuff. is that where the band would want me to start?

so now, here we are, at the second half. and i have to say, i am not “feelin’ the love.” it took me a good portion of the second half to get back to open-hearted listening of this concert, to actually hear the music and embrace it.

because: the band concert i had come to see was colored by the first half of the concert.

and then – there’s life.

wow. i can’t think of a better metaphor than this concert.

WE are colored by the first half, the first part, the beginning and middle of life as we step into the Next of life. “of course we are,” you say aloud to me. cognitively we totally get it. we shouldn’t bring into Next what colored us from Before. we have to draw the line in the sand. lessons – yes. anger, frustrations, disappointments, prejudices – no. each Next is a fresh start.  for that matter, yes, each new day is a fresh start.

d and i have been doing a meditation that was offered free with oprah and deepak. it has been about awareness and making every moment matter. now, i am all about moments (that whole thready thing and all.)  but awareness is a much bigger responsibility than we realize.  it’s so much easier to react than to stop for a few seconds (or however long it takes) and be aware. sometimes i find i should Stop longer than i stop.  awareness can be slowww in arriving, particularly if i stubbornly hold onto all the negative stuff.  we sometimes cling to that stuff as if it were a lifevest.

now…i am thinking:  in those moments, when i can feel myself reacting (strongly or negatively or angrily or with preformed disposition) to something, i realize (metaphorically) that i am at the (in-real-life) concert and i am looking at the second half through first-half-eyes. it is becoming an amazing tool for me to stop and think – what about the first half of the concert is getting under my skin for this Next?  am i aware that the second half can be even just moments after the first half?  it’s not always years or decades that separates Before from Next.  it can be minutes.   it’s shocking how blind we can be to what we carry forward, one minute to the Next.

the Next is full of good and hope and moments and not-what’s-lost-but-what-is-still-there-ness (thank you, ptom). stepping over the limen, the threshold, is necessary.  leaving behind the first half of the concert, the part that colors us and clouds our clear-eyed-hopeful-stepping-into the second half, is absolute.

holding on, letting go

itunes: kerri sherwood