reverse threading

the path back is the path forward


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fiercely tender. [d.r. thursday]

MotherDaughter morsel copy

MOTHERDAUGHTER morsel

there are moments you remember as a mother.  more than you can possibly count.  but there are some that stand out.  you can feel it forever.  any reminder of it makes you draw in your breath and pause.  THIS morsel, THIS painting does that for me.  THIS is how i feel.

the moment you are safety in a storm, respite in chaos, time-out in exhaustion.  the moment of sheer relief, absolute validation, exquisite shared joy or devastating shared aching grief.  the moment of connected silence, words with no air.  an embrace that is forever.

all.  fiercely tender.

MotherDaughter (full) copy

to view MOTHERDAUGHTER please click on the painting above or on this link

read DAVID’S thoughts this D.R. THURSDAY

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MOTHERDAUGHTER ©️ 2019 david robinson

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running, face to the sun. [d.r. thursday]

morsel bubble chasers copy

what makes you raise your arms up, face to the sky?  what do you run after?  what do you run toward?  what makes your glee that you lift to the universe? what makes your eyes gaze up in gratitude?  are you beseeching, imploring?  are you running after the sun, beams of evasive light?  are you running into the rain just as it starts to fall?  are you trying to catch bubbles of incandescent film floating high above you?  are you simply playing frisbee or beach volleyball?

so many reasons for this morsel of painting to be recognizable, a snapshot of a moment in time, when, together with someone else, you looked up, lifted your arms toward the sun, and ran full-tilt after something.  maybe even a dream.

ChasingBubbles Full copy

i love this painting, even not quite done.  IMPORTANT:  if it’s something you are interested in, please let me know so that i can save it from being painted over.  sometimes artists don’t SEE their own work. (eye roll)

read DAVID’S thoughts about this D.R. THURSDAY

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CHASING BUBBLES ©️ 2019 david robinson

 


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there is a place [d.r. thursday]

alki cropped copy

a morsel of ALKI BEACH

there are those places – where you sit and your breathing slows down.  the blue of sky calms you, the warm sand molds to your shape and the water beyond where you sit lulls you and quells the inner mixmaster of your thoughts.

for me, many many years ago now,  that place was crab meadow beach.  i felt some kind of kinship with the seagulls and the lure that shoreline had on them.  off-season still found me sitting on the pebbles along the waterline, in the sand gathered in small wind-dunes, on the cement dolphin or walking, walking, walking, ankle-deep in a surf that changed daily.  a place where i could sort out growing up, it soothed me, challenged me, spoke to me.

it’s not always a beach.  or the top of a mountain.  or a quiet lakeside cove.  or an inviting stump on a thick woodsy trail.  most of the time we don’t all have access to these things on a daily basis.

but there is a place.  where you can find the silence you need.  for david, this is often in front of his easel, a fresh canvas waiting or an unfinished painting beckoning.  this painting – ALKI BEACH – reminds me of that place.  the places nearby, the places within.  the rocking chair in the room upstairs, the adirondack chair in the backyard, the piano bench.  the place you draw the seagulls close, whisper your thoughts to them and send them on their way back into the world.

David Robinson ALKI copy 2

click here or on painting above to view ALKI BEACH on davidrobinsoncreative.com

read DAVID’S thoughts this D.R. THURSDAY

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ALKI BEACH ©️ c.2009 david robinson


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his palette. [d.r. thursday]

palette copy

we really never know what it takes to do someone else’s job.  we don’t know all the tools used, the research done, how training and experience play into it, how someone perceives their own work.  we can only guess and, often, fall desperately and even arrogantly off the mark.

walking into d’s studio my eye is drawn to the easel standing in the far corner.  closer to me, though, is an old cart with an old wooden box holding paints and brushes.  there is another cart and on that is this palette – layers upon layers of color and texture, clay pots of water standing next to this widely-understood symbol of “artist”, often associated with the beginning of the process of painting.

now, i’ve painted a few paintings in my life.  i bought very large prepared canvases and dug around in the basement for leftover acrylic house paint to use on my creations.  without a palette, i brushed and re-brushed and threw paint until i knew each painting was done.  and then i hung them on the walls.  in one case, i painted right on the wall and put a clearance frame around the section of wall that i painted – a nod to a painting without the cost of canvas.

all of this, however, does not make me capable of really understanding how d paints.  for i do not know all the tools, i do not know the process of mixing color or the technique of stretching canvas he uses, i do not know the tricks of the trade he has accumulated over decades of honing his expertise.  nor do i know the knowledge base he brings about other artists, other painters and paintings, the use of light and dark space, the way the viewer’s eye sees, the very technical details and the very heart-based intuitions he has learned through many, many years of study and practice.  i can’t understand or even try to predict the amount of time it takes or doesn’t take for him to conceptualize, to explore, to create, to review, to assess, to adjust, to re-create.  i can respond to his work but i cannot define it, nor would it be meritorious for me to even try to do so.  out of respect for his work, something that is one of the very things that defines him, i know that i really have no idea.  what i can do is appreciate his talent and every last thing that he has done to bring him to this place where he paints beautiful paintings and it seems to take no effort whatsoever.

with regard to anyone and the work that they do, i would hope we could each remember – with humble respect – that we really have no idea.  we can just be grateful that we are each a spoke in the wheel on this good earth.  our palettes, the places from which we begin, are different.  and we can’t do it alone.

read DAVID’S thoughts this D.R. THURSDAY

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pax. [d.r. thursday]

pax morsel sharpened copy

a morsel of the painting PAX

pax: the kiss of peace (latin); peace (ecclesiastical latin)

“pax,” he wrote to me.  years ago, in a chaotic, somewhat scary time of my life, the word “pax” was an end-goal, security in an insecure world, the warmest blanket on a bitter cold day.  it doesn’t just happen.  there are people around us, some epicentered and some peripherally, who create a place where we can find this peace, even momentarily.  their stalwart stance, their steadiness brings us back off the brink of angst.  the smallest iota of peace, like a mustard seed, grows until we can balance back on our own feet, strong enough to walk on…with leaps or even baby steps.

this painting makes me think of one of those people in my own life.  a dear deeply-valued friend, his help and his accessibility helped me deal with someone else’s craziness unfortunately directed at me.   he was the lighthouse in that storm for me.  he helped me feel safer so that i could find peace in the chaos.

for various reasons, we don’t always realize when we are someone else’s rock.  we don’t feel central, we don’t feel involved, we don’t feel informed.  but there are times we don’t know – times we plant ourselves into someone’s life and nurture them, even in the tiniest of ways – times we may never know how much what we said or what we did counted.  times of giving peace to someone else, one of life’s most essential elements.

“pax,” he wrote to me.  thank you.

PAXunframed copy 2

PAX mixed media  24″ x 24″

to view PAX in david’s gallery, please click here or on the painting above

read DAVID’S thoughts on this D.R. THURSDAY

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PAX ©️ 2015 david robinson, kerri sherwood

 

 

 


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touch. [d.r. thursday]

lovers distortion1 copy

a morsel from LOVERS

there truly is nothing as powerful a game-changer as touch.  the touch of your lips to the tiny fingers of an infant, the touch of your ailing parent’s hand in yours, the touch of an embrace by a beloved.  when you are yearning to be held, to hold – waiting – and the moment comes,  the briefest of hugs, the slightest brush of fingers against your cheek, the feather kiss on the top of your head, the swept-up entwine…all capture the attention of every nerve ending and of your heart, and you sigh, at last.  surely all will be well.  you are not alone in this vast universe.

lovers - full copy

read DAVID’S thoughts on this D.R. THURSDAY

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LOVERS ©️ 2012 david robinson, kerri sherwood

 


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chasing bubbles. [d.r. thursday]

morsel copy

nancy wrote that they added a drop of food coloring to the bubble mix for sweet lily.  it must have been enchanting…colorful bubbles in way-below-freezing temperatures, crystalizing, transformed by the absolute cold.  i know there are bubbles in this house; i just have to find them.  and then, next time, i will be out on our back deck, wand in hand.

there really is something about bubbles.  in the summer, at the farmer’s market they sell gigantic bubble wands.  while browsing one day, there was this little girl….chasing these enormous bubbles.  no worries on her mind, just arms outstretched, running, ready to embrace oversized magic.  it instantly reminded us of the innocence of a child, the seizing of something simple, the joyous caress of a moment.

this morsel and this not-quite-done-painting CHASING BUBBLES make me want to run into the sunshine or, perhaps, the falling snow, and chase iridescent dreams.

Bubble Chaser in process copy

CHASING BUBBLES mixed media 33″x48″

read DAVID’S thoughts this D.R. THURSDAY

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CHASING BUBBLES ©️ 2019 david robinson & kerri sherwood