reverse threading

the path back is the path forward


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heart. [not-so-flawed wednesday]

heartlights

“and now.  you’re here. in a world of hypocrisy.  and your love can heal us all.”  (you’re here ©️ 2019 kerri sherwood – see this friday’s post)

day’s end is close.  today was christmas.  between last night’s eve and today we sang songs.  we played carols.  we lit luminaria in the backyard under an oddly warm midnight sky.  we hiked in twilight woods.  we gazed in the dark at trees we decorated and lit with strands of lights and glinting silver ornaments.  we cooked meals and sipped wine.  we watched as The Boy and The Girl opened gifts.  we unwrapped presents and cards sent to us, set aside, waiting for today.

and in all of that?  the common denominator?

love.

surely the spirit of the holiday season can help to mend all rifts, help to inspire goodness, help to heal us.  in this world of hypocrisy, we can be united.  it matters not which holiday we celebrate.  what matters is heart and the rich universal tenets that march hand in hand with love.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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their slippers. [two artists tuesday]

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linda and jim were doing the swedish death cleanse.  linda was determined to de-clutter their home of anything that could potentially burden their children one day.  once on a mission there is no stopping her, so they were diligent about going through every corner, nook and cranny of their home, eliminating anything that was not needed, anything that hadn’t been used in ages or was just simply extraneous.

now, we all talked about that around the table.  with the sun setting on lake michigan and wine in our glasses, our little neighborhood group discussed how hard it is to let go of things,  especially things that have some meaning or are mementos of some sort.  add to that the fact that many of us were raised by parents who had experienced the great depression and you have people who are pre-destined to keep stuff, repurpose it, re-use it, save it for sometime you might need it, save it for when it comes back into fashion so you don’t have to buy it again, etc etc etc.  (that’s definitely my experience and my excuse.)

many times i have entered the basement storage room and gazed at the bins.  in years past, we have eliminated most of the boxes and traded them for these bins, throwing out some things, giving away some things, donating items that are useful, so we have made some progress.  now there are bins with christmas ornaments, bins with artwork and stories and projects created by The Girl or The Boy, bins of things my sweet momma felt too guilty to give away, bins of sewing paraphernalia, bins of art supplies, bins of old music (for everyone gives the musician they know all the old sheet music they come across in their own basement and then that musician, who feels like it’s a mortal sin to throw music out, is compelled to keep it all in file cabinets or, yes, bins.)

from time to time i get a wild hair and go through a bin or random remaining box or pile in the basement workroom.  sometimes i am pretty successful at eliminating clutter.  trust me – i have been in peoples’ homes who have been hoarders and just seeing that makes me want to get rid of everything and live in a tiny house (well, one that would fit my piano.)

this winter perhaps we will tackle this once again.  one more layer of cleaning out.  it is possible.  it’s just tough for me to be ruthless.  i am too thready to be ruthless.  touching memories or seeing them around me is reassuring and fills my heart.

one day in more recent days i went upstairs to look for something in the closet in the hallway.  on the top shelf sat these slippers.  stored here, they are my sweet momma’s and my poppo’s.  they kept them here for when they would visit.

i know that they won’t visit our home again.  noticing the slippers stopped me in my pursuit of whatever-it-was-i-was-looking-for.  all the moments of having my parents present in my home swirled around me, the finality once again a reality.  i struggled with what to do.  i took them out of the closet and brought them downstairs to show d.

laying them carefully on the floor, i took this picture so that i could look at it and remember.  and then, i placed them in a bag so that someone else – a woman with smaller feet than mine and a man with bigger feet than d’s –  could have slippers.  slippers with a bank of memories.  slippers worn hugging my children as they grew.  slippers worn around the christmas tree.  slippers worn in the cold winter sitting by the fire or in the summer drinking morning coffee on the deck.  slippers that lived here, just waiting for their owners, my beloved parents, to put them on.  slippers with big heart.  slippers with profoundly good juju.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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iconic. yoga series. [d.r. thursday]

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when we were first talking, we discovered we were both artists.  he – a painter.  me – well, you already know that part.  we were far apart in distance so we did not see each other or the work of the other in person.  he didn’t come to any of my concerts.  i didn’t go to his gallery openings.  but….there is this thing called the internet.

it was with much curiosity that i sat down to view his paintings.  i wondered about his style, his choice of color, the movement in his paintings, the emotion.  our budding friendship would not be dependent upon whether or not i liked them, or even understood them.  but i must say – in all honesty – that it was incredibly convenient to find that i LOVE his paintings.  i love his style, his choice of color, the movement in his paintings, the emotion.

this painting, ICONIC, was the first large painting in his YOGA SERIES.  full of grace and the expression of inner peace, ICONIC is stunningly big (54″ x 54″), a statement piece that i have no doubt will soon grace the wall of the owner who hasn’t found it yet.

anyone who has purchased an actual painting – not a print or facsimile of some sort – knows that it is a relationship that develops, that the owner and the painting find each other, that it is not merely a purchase.  it is the bringing home of a piece of someone else’s heart.  the hanging-on-the-wall of someone else’s heart.  or, in the case of music, as i well know, the listening to of someone else’s heart.

iconic:  that which can trigger emotion.  yes.

view or purchase ICONIC in david’s online gallery

read DAVID’S thoughts this D.R. THURSDAY

BootsWeddingBoots website box

ICONIC ©️ 2010 david robinson


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peel back the layers. [two artists tuesday]

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“don’t judge a book by its cover,” my sweet momma used to say.  i’m missing her today as i write this post for tomorrow.  four years ago today she left this good earth and i could feel it tilt on its axis, trying vainly to readjust.  she was generous when it came to people.  she saw past what was on the outside; she sought to see what was inside.

the rough exterior we sometimes see on the outside of people is quite often a guise.  we all know someone we believed to be gruff, but turned out to be quite the mush, once you were able to peel back the protective layers.   we believe we know what someone else thinks or feels, but we are actually unable to physically pare back those visible and invisible outer layers, the extrinsic stuff, to get to the raw of their heart, to feel their actual worries or concerns or fears.

we each have our bark-masks, carefully designed for the venue or situation within which we find ourselves. we choose what to share with others, rarely brave enough to shed all that outer bark.  for there have been times when you have peeled back the layers, revealed truths in confidence, perhaps looking for wisdom or common ground, and have been torturously walloped with judgement or scorn.  it becomes much harder to allow the next shared peel.

it takes courage to BE who you really are with others.  it takes courage to meet on common ground.  we fear the gruff outermost skin, we are afraid of what we see and don’t understand.  we may not realize someone else feels that same fear.

but there are cracks in the bark; there are fissures in the icy exterior.  the tree may be shedding, the trunk expanding, growth waiting in the wings.  allowing for cracks, fissures, reaching toward and not away – those can be the gps to another’s heart.  it’s not always what it looks like.  growth is waiting.  because, you know, you can’t judge a book by its cover.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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paintings are like that. [d.r. thursday]

see an owl with frame copy

K.DOT & D.DOT SEE AN OWL mixed media 24″ x 48″

as you know, we are two artists living together.  so everything around our house has meaning of some sort.  each rock, each piece of wood, each feather, each vintage suitcase, each peace sign, each wooden box, each old window frame, each peeling screen door, each painting.  before david’s paintings also found their way onto the walls, there were several paintings i had painted.  well, “painted”.  i spattered and brushed black and white paint to the beating of my heart onto large canvases until i knew the paintings were done and then hung them up.  they each have a story – a heart narrative that might not be obvious to you, but is something i can feel each time i look at each of these paintings.

david’s work is stunning.  although some of them are for sale, we have pieces of his displayed on our walls – stories on canvas, we have chosen to hang paintings that tell part of our story together.  you never get tired of looking at something that is a piece of your life, a canvas of an intimate moment here or there.  K.DOT & D.DOT SEE AN OWL is one of those.  it’s an exquisite collection of color and movement and reaching.  in our story, it is about seeing an owl in the big old pine tree in our backyard.  on your wall, it could be about any moment in your life that you and your beloved looked forward, pointing into the future, embracing it, excitedly sharing together something inordinately full of meaning and just yours.  paintings are like that.

click here to view this painting on david’s online gallery

read DAVID’S thoughts this D.R. THURSDAY

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K.DOT & D.DOT SEE AN OWL ©️ 2015 david robinson & kerri sherwood

 


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(it is) as it is. [k.s. friday]

AS IT IS songbox copy.jpg

ken calls this my MUSH album.  he is an amazing producer and i feel fortunate to call him my dear friend as well.  he produced 14 of my albums and, although one of my albums and a few vocal singles were done in nashville, now i can’t really imagine any other recording projects without him.

MUSH stands for made-up-shi* and is aptly named.  this album came at a really inspired time for me.  artists have their highs and lows, inspiration-wise, and this was one of the highs.  i’ve mentioned the story before, but i’ll short-story it here again:  i had a list of titles – titles i wanted to use eventually for compositions; i carried a notebook and scraps of paper everywhere i went.  i had this list with me as i recorded two other full-length albums in nyc at yamaha artist services.  in-between recording the two other albums, i would choose a title and play it.  simply play it.  my heart is laid out in the tracks of this cd; every title was meaningful to me, every piece tells what it means.

AS IT IS is the title track so it’s interesting that i gave over the melody line to a flute, the only piece on all of my albums that has a flutist playing.  it’s also rare for me to step away from the piano and, in the production-post-initial-recording phase, play a keyboard.  but life is like that. you have to give over sometimes.  the texture changes.  the melody isn’t yours to own; sometimes you are support staff.  make peace with it.  it is as it is.

AS IT IS:  life.  we are right here…where we are supposed to be in this part of the journey…the best time is now.  simply because life is as it is. (liner notes)

purchase and download the album AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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AS IT IS from AS IT IS ©️ 2004 kerri sherwood

 

 

 


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above the clouds. [two artists tuesday]

in the clouds copy

we left florida in the rain.  it was a tad bit bumpy as we climbed and i was grateful to come out above the clouds into a clear sky with soft early morning color.  as we flew at this altitude i could see glimpses of what was below us, spaces quickly filled in by soft puffy clouds blocking the view.  i strained to see what terrain we were flying over, curious if i could pick out landmarks and know a little bit more about where we were, wondering about people living in those tiny dots of towns and cities and farmland below the clouds that we were flying above.  it was easy to forget that it was raining down there.

i feel like life is like that.  it has become more telling to me in these times of divisiveness.  we are each at a different altitude…we have different starting points – our backgrounds, our education, our financial status, our various orientations…the starting point list is lengthy; all things combine to make us who we are and all things weave us a different starting point.  at any given moment we are at yet another one; life is fluid like that.  we live above our own clouds – or, at times, in them – either way our view blocked.

here above my clouds – for my clouds are different than yours – my questions are these:  how curious are we about the people who are not at the same place as us?  how much do we strain to see what might not be where we are?  how much do we want to know, to empathize? how much do we forget what is happening someplace else, for someone else, in the places where it is more difficult to see through the clouds?  how engrossed are we only in our narrow bandwidth of sky?  can we see the experience of others?  can we try?

we can either think it is a soft-morning-sky kind of day for everyone or we can actually realize that it’s raining down there.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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