reverse threading

the path back is the path forward


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delicious. [kerri’s blog on k.s. friday]

there was something about how these speckled leaves were nestled that got my attention.

and, in the way that everything makes me think of something else, it also brought to mind the nursery song five little speckled frogs:

five green and speckled frogs
sitting on a speckled log
eating the most delicious bugs, yum, yum

one jumped into the pool
where it was nice and cool
now there are just four speckled frogs, glub, glub…”

but i digress.

maybe it was the symmetry of the trees. maybe it was the orange and green (which were the exact shades of my growing-up shag rug and the wall-to-wall carpet in our sunroom when we moved in.) maybe it was simply the happenstance of that particular branch of leaves, caught in the little crook made by two trees growing closely together, perhaps inosculated.

whatever the reason, i found it to be a thing of beauty. and those things are out there, everywhere, calling to us – to notice.

i didn’t disturb the leaves. just like i didn’t disturb the blue jay feather i passed on the trail. i left them there – like so many other times – so that others could see them as well.

on the contrary, there have been many snakes on the trail in these last hikes. garter snakes and brown snakes of all sizes – even the tiniest snake i’ve ever seen – sunning on these gorgeous autumn days. but the problem in that is that there are bikers who are populating this trail as well and there have been numerous times we have come across a snake that is deceased or struggling, having been run over by a biker who did not see it.

so, each and every time we see a snake – in the middle of the trail – we stop. we either prompt it to move, escorting it to the side of the trail to which it was headed or, in the case of the struggling or fatally wounded, we pick them up and place them gently in the grass, issuing a tiny blessing and saying, “you are not alone.” we know some of them are in their last moments and, in the way that this universe is all connected, we hope that our holding them for a moment helps them in crossing over.

we immerse in what the trail offers – everything – from helping the tiniest fuzzy caterpillar to taking in a sunset of grandeur. we are grateful for the deep breath it consistently brings to us. we get centered in the step-by-step repetition.

i suppose these are the reasons we find ourselves pondering – imagining – a giant thru-hike in the someday. the opportunity to hold such beauty and be held by such beauty – all around us – is enticing and, surely, delicious.

just like bugs to speckled frogs.

*****

YOU HOLD ME from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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on a wire. the universe of all. [ kerri’s blog on k.s. friday]

it was by itself. high on the wire that’s included in the squirrel highway system, it perched, alone.

mourning doves are usually together, in pairs. cooing in our backyard, pondside, they are cleaning up under the birdfeeder, welcoming the day or bringing an enchanting beginning to the evening. we have a particular fondness for them.

but it has been rare to see one by itself.

if i had to imagine what it was doing, i would say it was talking to the universe. way high like that, it would seem to be a little bit closer to infinity, to whatever it perceives as divine. it sat there, quiet.

i don’t require an intermediary either. my prayers are whispered on the trail, on the pillow, blowdrying my hair, chopping onions. in my own life, i have now found – after repeated learnings – that grace is all around and the divine is not in some building somewhere.

on the contrary, i wonder about those buildings now. for i, personally, have experienced the worst hypocrisy there – in communities that are waxing poetic in mission statements and disappearing in actually participating in those sentiments.

and so, i sit on the wire with the mourning dove. we both find this universe beautiful. we both find it challenging. we both lift longings up and we both ask for mercy in our living. we both live in the mystery and immensity of faith. i would imagine that sole bird does not wrestle with religious underpinnings, historical narrative stories or philosophical questions. that bird-on-the-wire is not concerned with the begats nor the maps of supposeds. i’m guessing we are kind of in alignment with the basic tenets – goodness, kindness, love, peace, generosity, fairness, grace. just like me, like, well, all of us, it has a direct-connect with its deity and the universe.

it is not likely – though i have learned never to say “never” – that i will ever be in a church again. i gave my entire heart to working at one at 19. they did not warn me of any danger, protect me or aid me. i gave my entire heart to working at one in latest life. they did not warn me of any danger, protect me or aid me.

i don’t blame god. for my god isn’t stuffed into nooks and crannies of the church. my god isn’t clinging to any specific denomination. and my god isn’t justifying any wrongful behavior because of some building.

to be in a sanctuary, one must feel in a place of refuge or safety. stone walls, brick, wooden altars, pews, organ pipes, artifacts, relics with touted significance – these are not naturally-occurring as safe or as refuge. the leadership and the community must bring that. and, in bookended experiences – on either end of my three-plus-decades of such work – though i brought every ounce of heart in, i walked out with my heart destroyed.

and so, the mourning dove and i sit on the high wire sanctuary together. we gaze at the sky and the divine tethers us in gently-held gossamer threads, tied to all the rest. i’m not sure what my dove friend is thinking, but i know that i am in prayer. that the universe yearns to hear each of us. that, even though i may feel alone on the wire, i am now more in the community of truth than in those fraught buildings.

i and the mourning dove are in the “church of nones” and the universe of all.

*****

ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood

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the pony. [k.s. friday]

and – up close – if you choose – you will see the foreleg of a winter-dressed pony, the extra cold-weather-coat trapping hair next to the skin of the horse, keeping him warmer. he is stopped, gazing at the distant field, ready to canter into it, the exploding of freedom of movement.

and you blink and it is a cattail. one of many in the field, waiting in the marsh through autumn and winter for early spring. as many as 250,000 seeds, white fluff sailing and transported by birds and breezes. and the life cycle continues.

it is winter in my studio. the rhizomes are gathering underground, together with the cattails. maybe around the spring equinox, maybe a bit later, the shoots will rise out of the ground – like a phoenix out of ashes – and new sprouts will grow and grow. the cycle germinates and pollinates and seeds will fly again. the birds and the wind and i will play for you – seeds and notes flying.

in the meanwhile, i wear my winter coat. it is keeping the heat in. it protects me. insulation for shelter in this long and cold winter, to shield in the storms, to brace in this fallow.

but soon, soon, with the sun and fresh air, the pony will run free.

*****

UNTITLED INTERLUDE ©️ 1995 kerri sherwood

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i’ll play for you. [k.s. friday]

green sounds different than red which sounds different than blue. green looks different than red which looks different than blue. green feels different than red which feels different than blue. so a color field of all three would seem to emit, depict, emote a wide spectrum.

i’m pretty sure that mark rothko and i would have been friends. his goal: “to capture the essence of basic human emotions on the canvas and then evoke those emotions from his viewers.” (masterclass.com) my goal: to capture the essence of basic human emotions on the piano and then evoke those emotions from my listeners. instruments – the canvas, the piano – that tap in. yes. friends.

in my mind’s eye, i can see a tour. all over the country to different art museums that house a mark rothko or two. a big yamaha concert grand on the wooden floor, placed in front of the giant color field painting, paused in silence, waiting. abstract expressionism on the canvas. and then, the translation – abstract expressionism on the piano. action. color field. repeat.

i’m pondering this painting green, red, blue. in thinking and feeling green, i ponder what i’ve already composed that sounds, feels, looks green. in thinking red, i ponder what i’ve already composed that sounds, feels, looks red. in thinking blue – specifically blue-around-the-edges in this case – i ponder what i’ve already composed that sounds, feels, looks blue.

in a push of creative courage, i can see this tour. in a room void of people or full of people, i imagine me and the painting and a piano. high ceilings, the swoosh of the sustain pedal brushes against the walls and swirls around. no other sound. yet. and then.

i’ll play for you
i’ll play for you
i’ll play for you

(seals & crofts)

and you will hear green and red and blue as you will see green and red and blue. and maybe, if you are open to it, you will feel green and red and blue. and mark and i will have done our job.

it’s the work of all artists – really, everywhere: play for you.

*****

EVERY BREATH ©️ 2004 kerri sherwood

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idling. [k.s. friday]

in the middle of the night – as i lie awake – i can hear the trains. not just the haunting whistles of freight chugging by or a late passenger railcar, but a train or two in the yard, idling. the sound hits me at just the wrong frequency – i am hyper aware of its rise and fall, the pulsing of it. once i hear it, i cannot un-hear it. it stays present and i stay awake.

nevertheless, the tracks hold sweet mystery and, each time i see a train, i wonder its destination, i wonder its journey, i wonder its freight or its passengers. i had not ever stood in the middle of a rural track, bent down – almost kneeling, photographing, until recent years. the track – a classic portrayal of perspective, narrowing further away.

i stood in the middle and looked both ways. south and then north. the south curved into the woods, the north was a straightaway. i turned back south.

in the right-now there seems no straight path, no tight focus, no horizon point that is clear. the tracks curve into the woods, beyond my sight, beyond my imagining. i meander. it makes me wonder.

we seek next and idle in our thoughts in the night, not-knowing. it’s liminal space, a diesel engine that needs to be kept warm for the next day, a time to be present on the tracks, bent down, looking for classic perspective. we are attendants.

i hear the haunting whistle in the wee hours and consider this journey.

*****

MEANDER ©️ 2004 kerri sherwood

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there. together. [k.s. friday]

people-who-stick-by-us for $1000, please.

roller-coaster-soap-opera-never-a-dull-moment-ever-changing life gifts us with people along the way.

some of them are in it – with us, as it’s said, for a season. we fill each other’s cups with the companionship of friends or loved ones, but time has a way of placing itself between people and proximity of place or heart push at the ability to spend time. schedules and responsibilities and changes interrupt the flow together and we drift.

some people are in it – with us – for specific reasons. they are colleagues, they are universe-drop-ins who walk alongside as we grow and evolve, in our work, on a walk we have chosen, a trail we have been set upon. they stop at waysides as we travel on and we lose touch.

others are just there. they may be constant companions; they may be in-and-out. but, whenever we wish or they wish, they are there and we are there. they ride the coaster with us, laugh with us, ponder with us, cry with us, get pissed with us, celebrate with us. we share stories, we share the truth, we share disappointments, challenges, impossible summits. it can be weeks, months, years and it is just as easy. they are touchstones in our lives and, likely, always will be. we spend time together and time apart, but they are never far away. they are our posse. and we could not do life without them.

we stopped on the trail and i sat on a bench, pulling off the boots that were making my feet beyond sore. jen offered her socks; she offered her boots. instead of rendering her shoe or sock-less, i used her bandaids. we loaded up my feet with bandaids and i didn’t tie the boots, clomping through a few miles in the snow, curling my toes to keep them from falling off. i whined about it and i apologized for whining about it. and i promised that next week – in our next hike – i would wear different boots. two times hiking in these was enough. we talked about feet most of the way back, for there is not much we won’t discuss – at length. brad yawned through my health insurance rant, but he listened intently anyway. we cheered with dark beer and brandy-old-fashioned-sweets at a neighborhood bar next to the railroad tracks. we made plans and talked about life and the previous week, another episode in the sitcoms and serial drama miniseries of our lives. right there, listening and caring. there.

we’ll have snacks at happy hour – though it will be followed shortly by a huge dinner together. but we all love to eat and the up-north gang does it well. we’ll talk about everything under the sun and we’ll laugh. nothing is off the table as we all age together, listing the things we are concerned about. we are an all-inclusive in-service about all that stuff, comparing notes, making recommendations, giving advice. it’s totally reassuring. we know who to call if – any time of day or night – there is water in the basement or if the tv antenna falls or if we need new tires or a pair of glasses. there. they are right there.

the perch a couple nights ago was done to perfection, as were the potatoes and cabbage slabs. 20 was in his glory; his wheelhouse includes fishhhh (as he says it) and cabbage. we eat together twice a week. every week. we take turns cooking and every meal includes wine and chocolate. he goes way back – 30 years almost – and his presence is a rock for us. through thick and thin he has remained steady. we keep track of the week by our mondays and thursdays together. there.

and there are those people – who can call on the phone from far away or across town – and with whom we can pick up as if no time has passed. we can laugh about the seinfeld episodes of mutual time, we can pine for time spent, we can rue how quickly time has passed. the thing we know – no matter what – is that they – and we – are there. whether we see them or not, no matter if it has been a long while, these people are always part of the very fabric of our lives and they are vital. they remember who we were, how we changed, what we went through. they know the gumption it took to get us to where we are now. they recognize us. they are from our elementary schools, our high schools, our colleges, our first jobs, our professional ladder rungs along the way. they are the people we met on airplanes, while shopping, at tennis tournaments, across the street. they are random and superbly unique and we celebrate meeting them – wherever it was. they are in our mind’s eye standing aside us through it all, whether in person or in spirit. their souls entwine with ours.

and then there are the beloveds. people whose dna is connected to ours in some way, people whose curve-of-face resembles ours, whose expressions we know by heart, without whom we would never be who we are. they are scattered, too, around the world and, though we wish – yearn – to see them often and more often, it is not so. nevertheless, they hold the prime spots in our hearts and are always right there, a breath away. our families.

so many chances to love, to feel love. so much time spent together. so much gratitude on the coaster.

people-who-stick-by-us for – well – infinity.

*****

TIME TOGETHER ©️ 1997, 2000 kerri sherwood

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the turtles. [k.s. friday]

i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.

from time to time on the trail we look for them. we know where they hang out and have watched for telltale signs of small snouts poking out of the water. but then it got cold and we just missed them.

the river is alive with other wildlife. geese and a few hardy ducks, squirrels, deer – we see them as we hike.

but we always talk about the turtles anyway. just because we can’t see them doesn’t mean we forget about them. we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.

he can tell you i worry about them, despite the fact that i know they are completely capable, totally self-sufficient, quite brilliant actually. nevertheless, i am more comforted by seeing the turtles every now and then – at least – than by wondering how they are faring. time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.

i know that the turtles are aware i am watching for them and waiting. and the river freezes. and then it thaws.

*****

LAST I SAW YOU ©️ 1997, 2000 kerri sherwood

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in wonder. [k.s. friday]

right now it is a mystery.

accuweather predicts a blizzard. and we wonder if it is truly imminent. on days of heavy holiday travel, there may be fierce winds, whirling snow, no visibility, bitterly cold temperatures well below zero. such extremes, circumstances that might dictate the comings and goings of loved ones trying to be together to celebrate.

we’ll keep watching the weather and the warnings. we’re hoping it’s wrong, that it’s exaggerated, that it’s cautionary but not totally necessary. that we will get to this day without the extremes.

it is days before the day before the eve of the day. and though i respect that app on my phone i continue to plan as if it will be days of celebration and joy and not snowplows and shovels and heet and de-icer.

there is still much to do. there are packages to ship, a few to wrap, a couple to deliver. there are trips to the grocery store and maybe a tiny bit of shopping. there is de-dogga-furring by vacuum and a little dusting and much tidying up.

and all the while sitting in the wonder of the season. people celebrating love and generosity, time spent gathered, kindnesses and the reminder of ancient stories carried into this time, open hearts, hope and light.

*****

I WONDER AS I WANDER

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e.e. [k.s. friday]

“…simple…elegant…splendid…” she wrote about the branch from the big old tree in our front yard, the branch we wrapped in lights and on which we hung a tin star. last year’s christmas tree. sometime after the holiday, we changed the tin star to a tin heart and kept it in the living room, in front of the big window.

i suppose it goes without saying – for anyone who knows us – that each of our christmas trees has a story. well, not just a story, but a full-fledged novel full of threads that wrap around them like $2.99 twinkly lights fresh out of the box. we’ve given meaning to the tiniest pine tree from the side of a trail, to the carcass of a tree behind our garage, to the branch that fell into our back yard, to a straight trunk-of-a-tree we lugged out of the woods, to a christmas-tree-on-a-stick.

this year, we were going to get a permit and go to a state forest to cut one down. only we didn’t.

20 was exasperated with the tree he had gotten his momma. the lights were all knotted – a titanic tangle – and the tree was disheveled. he put it in the box and bought her a new one, planning to toss the old one. we wanted a tree out back and figured we could make this messy tree into something worthy of the deck, so he brought it to us.

david spent time – lots of it – patiently untangling and cutting off the attached multi-colored light strands. then he attached the three pieces of tree, stacking them to see how it looked.

the tree – 6′ – stood limply, likely gasping from the trauma.

we decided to let it get some air and put it in the framed doorway between the living room and the dining room, where it could have a little space while we fluffed it a bit and decided about putting it on the deck.

only…

only, it started growing on us, this sweet little tree – just trying to be a loved-christmas-tree – stood there, quietly watching us and waiting for our decision.

we whispered to each other – about her – on the couch, so as not to offend the little tree. and time to time, we’d take turns stepping into the living room to gaze at it. to ponder.

and then he took four hundred lights and gently wrapped them around the little tree.

magic.

we stood back and knew.

i said, “let’s call it e.e.” not for ee cummings, though he would definitely get it – all our christmas trees through these years. but the little tree knows – inside, in its heart of hearts – his poem “little tree” word for word. e.e.

but the e.e. is for 20’s momma, her first and middle name initials. as she – at 99 – struggles a bit with her health these very days, we will honor her, hold space for her, with e.e.

the silver ornaments shine on e.e.’s branches. e.e. holds out her arms graciously. and those lights. and we are entranced.

little tree

little silent Christmas tree…

look          the spangles

that sleep all the year in a dark box

dreaming of being taken out and allowed to shine,

the balls the chains red and gold the fluffy threads,

put up your little arms

and i’ll give them all to you to hold

every finger shall have its ring

and there won’t be a single place dark or unhappy

then when you’re quite dressed

you’ll stand in the window for everyone to see

and how they’ll stare!

oh but you’ll be very proud

(excerpts from “little tree” – ee cummings)

*****

THE LIGHTS ©️ 1996 kerri sherwood

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the fat seagull. [k.s. friday]

“you must begin by knowing you have already arrived. your true nature lives as perfect as an unwritten number, everywhere at once across space and time.” (richard bach – jonathan livingston seagull)

i followed the seagulls on my ten-speed. to the beach, always the beach. later, i followed them in my little blue volkswagen, their screeches out my open window, their soaring showing me the way. and i felt kin to richard bach, his writings about freedom and passion and dreaming and the meaning of life. we met at the beach – crab meadow – and talked telepathically. well, i talked. i don’t know if he was listening. he was on the west coast and i was on the east, though i suppose jonathan livingston may have been able to deliver any message of gratitude i had.

and so we arrived at the fat seagull. it is beyond me why we had never discovered this bar and grill tucked into the downtown of manitowoc. it’s a cheers! kind of place, people who know each other gathered at the bar and around tables, eating, drinking pints, playing games, talking. in the way of wisconsin pubs, there is a vast menu and we order a thursday special to split. the bartender tells us that the two wine glasses they had were broken so he gives us diminutive stemware and charges us less. we choose the bottle still corked, wondering who last drank out of the open bottle and how long ago that might have been. we are kind of strangers in a strange land…17 draft beers and traditional old-fashioneds surround us and our tiny wines.

we listen to live music and gaze around – at people, at the bar, the old wood floor, the ceiling. it is a study in perfection. we feel alive – out and about – a two hour drive each way – food we didn’t prepare – wine we didn’t pour. we talk about how it feels. we laugh and dance. we don’t realize it’s raining out; it had been a beautifully sunny day. we are glad to be there.

we end this week in uncertainty. we reach backwards, examining all we have done – so far – in life and work, what we have accomplished, what we have not. sixty-something is not youth, nor is it aged. it is somewhere in-between, located wherever we are. we bring all we know – and all we do not know – with us. we try to trust that we have arrived, that we are on the tarmac – or – in the terminal, that we – too – despite our lack of certainty – have flown, screeching and soaring.

“instead of being enfeebled by age, the elder had been empowered by it; he could outfly any gull in the flock, and he had learned skills that the others were only gradually coming to know.”

*****

TAKE FLIGHT ©️ 1997, 2000 kerri sherwood

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