reverse threading

the path back is the path forward


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lost. and found? [k.s. friday]

lost (sketch)

it’s just a thought.  a sketch.  a few moments of piano.  lost.

i recorded eight voice-memo recordings in the studio this morning.  all based on the word “lost”.  they varied in length; the shortest was 9 seconds, the longest 7:22.  i discarded all of them and just kept the first :51 of one version.

lost.

we had just finished reading an op ed that was infinitely disturbing and equally heartwrenching.  an article about the united states, it painted a picture of a country lost in itself, untethered from its values, far from moored to its former strength and viability, unattached to its potential of community, of empathy, of oneness.

lost.

even just yesterday we listened to two accounts of persons who had been tested more than once for covid-19.  with differing results each time, it has us wondering how we might be able to halt the pandemic wave that continues to threaten when we cannot obtain test results that are accurate or consistent.  where are we really in this upsurgence?  this is no little skirmish.

lost.

everything is different right now.  we sat safely in our kitchen yesterday and talked about the 28 million people who would be losing their homes or the place they rent as home.  we talked about the crushing inability to really be with people we love.  we talked about the lack of jobs available.  we talked about unemployment numbers.  we talked about pressure.  we talked about economics and finances.  we talked about almost 160,000 people who had died from coronavirus.  we talked about life insurance.

lost.

sitting at the piano in my studio elicits mixed feelings for me.  i pine for the days that the music i wrote, the music i recorded, actually made me a living, at least the times it even leaned toward making me a living.  i wonder if that will ever be the case again, if it’s even possible in this online-download-time that has usurped the living of so many independent artists.  i experience a sense of betrayal sitting on the bench and work hard, somewhat unsuccessfully, to overcome it.

lost.

my left hand starts.  always a provider of depth and rhythm and always strong, my left hand knows how to dig in.  even now.  i think the word “lost”.  my right hand starts to follow.  and the limitation of a wrist that no longer bends beyond 20° makes me draw in my breath.

lost.

on the top of the file cabinet in the back hallway of TPAC there was a basket.  in that basket was an assortment of stuff:  coffee mugs, a jacket, sunglasses, readers, a set of keys.  it was the “lost and found” basket.

i suppose there is a simple wisdom in “lost and found” stashes.  found, as an antonym of lost, implies not forever lost.  it is hopeful.

maybe, though we cannot see it, we are living in the very middle of lost and found.

 

 

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read DAVID’S thoughts this K.S. FRIDAY

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©️ kerri sherwood


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messier. more color. [d.r. thursday]

sketch image

heart and strawberry

peter max, a pop-art-expressionist, popped into my mind when david showed me this sketch.  add bursts of color to this and it’s the happy full-spectrum pieces of the 60s and 70s, full of rainbow and light.

one of the presents i received for my birthday this year was a coloring book and colored pencils.  at the time i was unable to use it, but i put it aside for when my broken right wrist might cooperate and i might be able to lose myself in good-old-fashioned coloring.

i dropped david’s sketch into photoshop and started to peter-max it.

the more i worked on it, the happier i became.  it was so messy.  but it was just so – fun.

color – this infinitely wide range of possibility – fills the lines, goes out of the lines, overlaps and bleeds into the next, reminds me that life, even in these very times, times of chaos and unrest and pandemic and exponential worry, is not just black and white.  and, surprisingly, not just the blurry grey in-between.

life is much more peter max than that.  messier.  more color.

which brings me to this:  while it is easy, particularly right now, to sort to grey, perhaps an answer to the myriad of questions is to open the delicious tin of 50 premium artist pencils.  and just color.

yes. as dear jeff used to say, “that’s the ticket!”

read DAVID’S thoughts this D.R. THURSDAY

colorized

early on…just a little bit of color…and infinite peter-max possibilities

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during this time that FB, impossible to contact, figures out i am not ill-intended nor do i post SPAM, i would ask you a favor:  if you have found any post of mine to be thought-provoking or encouraging or reassuring in some way and have enjoyed reading, please “follow” this blog.  you can “follow” it on this post or later go to our website www.kerrianddavid.com/the-melange to find the link to this blogsite.  wordpress will send you an email each day with my 5 day-a-week blog. you can certainly choose to read or not read each day and, at any time, you can choose to “unfollow” the blog.  just as it is your decision whether or not to read my post on facebook each day, i would like to think you still have the option.  subscribing gives you that.  hopefully, FB will allow and restore my written work soon.

 

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©️ 2020 david robinson, kerri sherwood


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words. [not-so-flawed wednesday]

kawaii raccoons

“look it up,” my sweet momma would say.  i blame her.  for my word-curiosity.  for my policing of spelling, punctuation, grammar.  for my love of dictionaries and my commitment to learning.  at 93 she was still asking questions, being curious, looking it up.

black and white composition books, of both thick and thin variety, populated my growing up, my teenage years, my college years, and ever since.  though i do have a thready fondness of using My Girl’s and My Boy’s old unfinished spiral notebooks these days, we have piles of waiting-to-be-used composition books and they beckon when i open the supply cabinet in the sunlit office upstairs.  places to jot poetry, thoughts, reflections, stories, lyrics, these composition books always make me think of my mom.  they are places to process, to remember, to dream, to sort.  they are the beginnings of stories, lyrics to ponder, the coda to the song.  to someone else they are simply words on the page.  to me, it is my breath that gives them life.  we each have stories to tell, songs to write.

in the last few days i have had the frustration of feeling silenced.  as i wrote in yesterday’s post, someone marked all five of my blogposts of last week on facebook as “spam” and that somehow triggered facebook to pull every last one of my blogposts – and any mention of my blogsite – down.  every word – the simple ones, the ones that require looking-it-up – pulled down.  with 650 posts, even averaging 500 words, that is 325,000 words.  MY 325,000 words.  gone.

in these times of chaos and unrest and pandemic, there are plenty of words out there.  foul words, words of peaceful mantras, words of untruth, twisted words of conspiracy theories, imploring words, scientific words, words of wisdom from giants of wisdom, accessible words, words we have to look up, words we can hardly believe we’ve heard from various people-in-the-spotlight, words at which we roll our eyes, words we find reassuring.

in a daily email he receives, david shares a new word with me.  “kawaii,” he reports, “means cute.”

the baby raccoons, most definitely kawaii, peeked out from behind the tree trunk.  upon seeing us on the trail, they had scrambled from the little pond up the tree.  they stared at us; we stared at them.  they didn’t move, quizzically grasping onto bark and watching quietly.  we didn’t move either.  we just stood quietly on the trail and watched.  the story they would tell about our encounter wouldn’t have many words.  all was silent.  all was motionless.  they were safe; we were safe.  for a few minutes, we shared the serene woods together, a little eye contact in hushed regard of each other.  maybe, in their re-telling, in their speckled composition book, they would just tell the coda – “and then they left.”

every now and again i take out an old composition book.  it’s astounding.  i was so…..wordy.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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during this time that FB, impossible to contact, figures out i am not ill-intended nor do i post SPAM, i would ask you a favor:  if you have found any post of mine to be thought-provoking or encouraging or reassuring in some way and have enjoyed reading, please “follow” this blog.  you can “follow” it on this post or later go to our website www.kerrianddavid.com/the-melange to find the link to this blogsite.  wordpress will send you an email each day with my 5 day-a-week blog. you can certainly choose to read or not read each day and, at any time, you can choose to “unfollow” the blog.  just as it is your decision whether or not to read my post on facebook each day, i would like to think you still have the option.  subscribing gives you that.  hopefully, FB will allow and restore my written work soon.

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shh. [two artists tuesday]

SHH

wow. thirteen minutes.

in a matter of thirteen minutes yesterday all 650 of my blogposts were wiped off of facebook.   it seems someone, in the matter of thirteen minutes, marked five of my blogs as SPAM and this must have triggered the facebook “community standards” filter which POOF eliminated everything.  over two and a half years of writing.  at merely an hour to an hour and a half each, that is well over a month of writing, 24 hours a day.  vanished off of the facebook platform.  because someone had a beef.  i would call that cowardice.

cowardice (noun):  a lack of bravery.

all because, i am guessing, someone disagreed with me for some reason and could not bring themselves to have an adult discussion about it. instead, this person chose a different approach, a way to end up censoring my words.  cowardice.

i am not paid to write.  i do not receive any money for writing.  my catalogue of blogposts was written from my heart, from an honest and well-intended place.  i am more than happy to entertain any dialogue about any topic, as long as it remains respectful and kind.  i am more than happy to have a conversation.  i do not take kindly to being censored.  i do not take kindly to being a target.  i do not take kindly to being on the receiving end of someone’s spinelessness, their secret malintent and inability to give voice, whatever their reason.  rendering me voiceless on facebook is mean-spirited and appalling.  and seemingly deliberate.  it does beg a couple obvious questions.

truth be told, facebook is making me tired.  scrolling through a myriad of temper tantrums and boasting-posts to find wee bits of news about beloved family and friends is disconcerting.  trying to use my own 200% copyrighted music on facebook and having facebook block it claiming copyright violations is beyond frustrating.  watching facebook allow misinformation and foul language to prevail on the platform is disappointing.  scouring facebook for ways to communicate with an actual person or to find avenues for correcting their errors is pointless.  it’s tiresome.  but those wee bits keep me going back – seeking a few more pictures to drink in of people i-love-but-cannot-see-right-now or reading viewpoints that give me food for thought, lead me to ask questions, make me learn.

during this time that FB, impossible to contact, figures out i am not ill-intended nor do i post SPAM, i would ask you a favor:  if you have found any post of mine to be thought-provoking or encouraging or reassuring in some way and have enjoyed reading, please “follow” this blog.  you can “follow” it on this post or later go to our website www.kerrianddavid.com/the-melange to find the link to this blogsite.  wordpress will send you an email each day with my 5 day-a-week blog. you can certainly choose to read or not read each day and, at any time, you can choose to “unfollow” the blog.  just as it is your decision whether or not to read my post on facebook each day, i would like to think you still have the option.  subscribing gives you that.  hopefully, FB will allow and restore my written work soon.

in the meanwhile, just as no one should be hushed in the expression of thoughts about living life, i am dedicated to continue sharing my own in a variety of ways.

shh????  i don’t think so.

and your thoughts?

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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“i like your mask.” [merely-a-thought monday]

i like your mask 2

 

i was trying to catch up my calendar – the dollar version – where i write things we’ve done, thoughts, ideas, hikes.  on new year’s day i usually take out the calendar and read the whole thing, a review of the year, so to speak.  post-broken-wrists, not being able to write with my right hand, i kept my calendar on the computer.  somewhere along the way i stopped jotting things down.

now, with pencil in hand, i am trying to catch up.  not only is that impossible, but it’s shocking to see the story-arc of the year.  time flies.  it occurred to me this morning that on new year’s day 2021 i will likely look back and see a year with a vast there-wasn’t-much-we-could-do theme.  it’s consistent.  the pandemic has altered the freedom of moving-at-will, the freedom of easily-gathering-together, the freedom of travel, of ranging around, and any real normal-summer adventures.  a time that, painfully, just isn’t the same as all other summers.  it doesn’t feel the same; it doesn’t look the same.  it doesn’t live the same way.  the impotent months, a time of self-sacrifice-for-the-whole, would seem like a common story for all.

only it’s not.

“i like your mask,” commented the cashier at the home improvement store.  things you never thought you would hear.  our masks are all handsewn; a variety of fabrics, after washing they hang on a hook on the refrigerator, ready.  her mask was solid black and so i, in we-wear-black-all-the-time predictability, actually liked hers.  “what am i doing?” i wondered.  we are comparing masks.  MASKS.  surely this will go down as a 2020 commonality for people.

only it won’t.

with windows open allowing in the moist rain-cooled air of the night, over coffee this morning we talked about common narratives.  it would seem that, of all years, of all times past and, hopefully, times to come, this year would have the most common narrative for all people.  parallel experiences, somewhat indistinguishable in the limitations of a global pandemic, a time of everyone-coming-together, a time of doing-the-right-thing, a time of protecting-each-other, a time of relinquishing selfishness and adopting consideration, even altruism, a time of caring.  to everything there is a season.  a season of commonality.

only that’s not the case.

instead, any perusal through social media will show you that summer is summer and americans are out and about.  according to AAA, nearly 700 million people will take roadtrips this summer.  they are vacationing.  photographs of smiling faces in parks, at beaches, on docks, in boats, by pools, at picnic tables, at parties, in backyards, in restaurants, around campfires – maskless.  the weighing of calculated risk, the weighing of safety.  hopefully, this will not yield drastic results as we each live our lives – the lack of forfeit a contributing factor to more sickness, more proliferation of virus, more death.

we can only hope.

so is it different?   is this summer any different for you than last?  or is it pretty much the same?  what mask are you wearing when you are out and about?  is it all black?  (if so, would you recommend it?  what company did you order it from?) is it fabric?  is it an n95?

or is it invisible?  instead, a mask of indifference, a mask of push-back, a mask of conspiracy theory, a mask of you-can’t-tell-me-what-to-do, a mask of entitlement, a mask of deservedness, a mask of personal-freedom-infringement, a mask of determined independence in a world where actually-everyone-depends-on-the-symbiotic-sharing-and-movement-of-resources, where actually-everyone-desperately-relies-on-healthcare-workers-who-are-watching-people-scorn-that-which-might-help, where actually-everyone-depends-on-each-other-to-get-this-pandemic-under-control-so-that-some-stability-of-life-and-work-and-school-and-economic-security-and-good-health-might-resume.  is it a mask of apathy?

masks. we all wear them.  not just this summer.  people-masks are situational, circumstantial.  masks often depend on who we are with; the narratives we state often depend on who is near.  it’s human.  consistent inconsistency.

it makes me wonder.  in this very human-ness, in this time and any other, if, standing at the checkout at the store, all masks of truth were visible, all narratives open for critique, would the cashier say, “i like your mask”?

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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#maskenvy2020 [merely-a-thought monday]

i like your mask copy

i was trying to catch up my calendar – the dollar version – where i write things we’ve done, thoughts, ideas, hikes.  on new year’s day i usually take out the calendar and read the whole thing, a review of the year, so to speak.  post-broken-wrists, not being able to write with my right hand, i kept my calendar on the computer.  somewhere along the way i stopped jotting things down.

now, with pencil in hand, i am trying to catch up.  not only is that impossible, but it’s shocking to see the story-arc of the year.  time flies.  it occurred to me this morning that on new year’s day 2021 i will likely look back and see a year with a vast there-wasn’t-much-we-could-do theme.  it’s consistent.  the pandemic has altered the freedom of moving-at-will, the freedom of easily-gathering-together, the freedom of travel, of ranging around, and any real normal-summer adventures.  a time that, painfully, just isn’t the same as all other summers.  it doesn’t feel the same; it doesn’t look the same.  it doesn’t live the same way.  the impotent months, a time of self-sacrifice-for-the-whole, would seem like a common story for all.

only it’s not.

“i like your mask,” commented the cashier at the home improvement store.  things you never thought you would hear.  our masks are all handsewn; a variety of fabrics, after washing they hang on a hook on the refrigerator, ready.  her mask was solid black and so i, in we-wear-black-all-the-time predictability, actually liked hers.  “what am i doing?” i wondered.  we are comparing masks.  MASKS.  surely this will go down as a 2020 commonality for people.

only it won’t.

with windows open allowing in the moist rain-cooled air of the night, over coffee this morning we talked about common narratives.  it would seem that, of all years, of all times past and, hopefully, times to come, this year would have the most common narrative for all people.  parallel experiences, somewhat indistinguishable in the limitations of a global pandemic, a time of everyone-coming-together, a time of doing-the-right-thing, a time of protecting-each-other, a time of relinquishing selfishness and adopting consideration, even altruism, a time of caring.  to everything there is a season.  a season of commonality.

only that’s not the case.

instead, any perusal through social media will show you that summer is summer and americans are out and about.  according to AAA, nearly 700 million people will take roadtrips this summer.  they are vacationing.  photographs of smiling faces in parks, at beaches, on docks, in boats, by pools, at picnic tables, at parties, in backyards, in restaurants, around campfires – maskless.  the weighing of calculated risk, the weighing of safety.  hopefully, this will not yield drastic results as we each live our lives – the lack of forfeit a contributing factor to more sickness, more proliferation of virus, more death.

we can only hope.

so is it different?   is this summer any different for you than last?  or is it pretty much the same?  what mask are you wearing when you are out and about?  is it all black?  (if so, would you recommend it?  what company did you order it from?) is it fabric?  is it an n95?

or is it invisible?  instead, a mask of indifference, a mask of push-back, a mask of conspiracy theory, a mask of you-can’t-tell-me-what-to-do, a mask of entitlement, a mask of deservedness, a mask of personal-freedom-infringement, a mask of determined independence in a world where actually-everyone-depends-on-the-symbiotic-sharing-and-movement-of-resources, where actually-everyone-desperately-relies-on-healthcare-workers-who-are-watching-people-scorn-that-which-might-help, where actually-everyone-depends-on-each-other-to-get-this-pandemic-under-control-so-that-some-stability-of-life-and-work-and-school-and-economic-security-and-good-health-might-resume.  is it a mask of apathy?

masks. we all wear them.  not just this summer.  people-masks are situational, circumstantial.  masks often depend on who we are with; the narratives we state often depend on who is near.  it’s human.  consistent inconsistency.

it makes me wonder.  in this very human-ness, in this time and any other, if, standing at the checkout at the store, all masks of truth were visible, all narratives open for critique, would the cashier say, “i like your mask”?

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

boardwalk shadow feet website

 

 

 


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day lilies in the interlude. [k.s. friday]

untitled interlude

in the in-between times.  we are there.  not at the beginning, not at the end.  we hardly know what to call this interlude of time – so many differing points of view, so many differing approaches to life and the living of it.  untitled.

this pandemic entered our lives a few months ago.  we know little about when it will end.  in this nebulous state, we try to cope.  not-knowing, we wake each morning to a new day, unsure of which day it is, the fog of repeated sameness fading as the sun’s light opens our eyes.

surely in the middle of all of this there are the day lilies of the garden – the hardy survivors of too much rain, too little rain, too much attention, too little attention, too many weeds, too few nutrients, invasive plants trying to subvert this robust champion.  the tall perseverants of the green, they rise up, ever joyful.

surely in the middle of all of this there are the moments that are the day lilies.

for me, there was a video-chat with my grown children, separated by distance and by a healthy respect for safety.  these moments were the breath i so needed, a chance to see their faces, hear their voices.  for me, there was the hike along the river trail, a cooler-than-normal breeze on my face, the sounds of birds and swaying cattails.  for me, there was the social-distanced outdoor visit with treasured ones, laughter and stories punctuating our time together.  for me, there was a quick phone call with a forever pal, a series of blurry oh-my-look-at-this-bear-off-my-mountain-top-porch-ten-feet-from-me-right-now texts with a dear friend.  for me, there was talk of which thru-hike to take, which rv we would purchase, for, in any circumstance we find ourselves, dreaming is good.

in the middle of all of this, the interlude between before and after, it is incumbent upon us – for our peace of mind, in the fuzzy liminal space of enduring and persisting – to find the positive orange day lilies.

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read DAVID’s thoughts this K.S. FRIDAY

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UNTITLED INTERLUDE from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

 


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outraged. and weeping. [d.r. thursday]

Weeping Man copy

weeping man (reverse threading, april 23, 2020):

…this global pandemic is just that – global- and is not discerning of your privilege (or lack thereof).  it does not care.  it can take anyone.  and so we weep.

if there is a painting that depicts the face-holding grief and prayerful yearning for hope, it is this painting WEEPING MAN.

i wonder if he weeps for those who have fallen ill, those who have died.  i wonder if he weeps for those who refuse to acknowledge the seriousness of this pandemic.  i wonder if he weeps for those on the front lines, helping.  i wonder if he weeps for those who have hidden in extravagant bunkers underground in far away countries.  i wonder if he weeps for our isolation.  i wonder if he weeps watching people intolerant of the isolation that will protect others, people who are selfishly and arrogantly protesting stay-at-home orders.  i wonder if he weeps for the unrelenting non-discrimination of this contagion or if he weeps for the divisiveness of responsibility-taking, the it-doesn’t-affect-me attitude.  i wonder if he weeps for the continuance of humanity.  or if he weeps for the loss of humankind.  or, if he weeps for the lack of humaneness.  i wonder if he weeps because, in the middle of this trying and profound now,  Next will come.  i wonder if this painting is tomorrow’s tomorrow and he weeps with relief and hope.

today:

i am outraged.

where have we come since april 23 of that writing?  we have been cautioned.  we have been advised.  we have had the benefit of science, the benefit of research, the benefit of funding, the heart-wrenching benefit of experience.

we have lost 150,000 people.

and we stand to lose many more.

the shifting quicksand of the pandemic threatens to overwhelm our nation, this country fraught with division and a dedication to entitlement.  people argue for their “right” to do-what-they-want because, well, they want to.  the “we-didn’t-get-to-do-this-so-we-get-to-do-that” mode of thinking.  a warped sense of deservedness, i’ve heard it time and again.  to hell with masks, with physical distancing.  to hell with recommendations about gatherings.  to hell with self-sacrifice.  to hell with responsibility.  to hell with leadership, with facts, with example-setting.  to hell with it all.  people-living-in-a-community-called-a-country are left-and-right touting their deserved-rights to live as they wish, to gather as they wish, to travel as they wish, to do what they wish.  and the overwhelmingly whiny justification-among-justifications is because they didn’t get to do what they originally wished or planned or wanted.  wow.

and the pandemic continues.

and the people-living-in-a-community-called-a-country live as individuals more dedicated to their own desires than to the actual good of the country.  to hell with all those people dying.  to hell with all those sick.  to hell with the sanctity of each and every living human being.  to hell with all those lasting repercussions of this disease.  to hell with a spirit of helping.  to hell with a spirit of community.  whose idea was that anyway?

and so we continue to destroy ourselves – in so many arenas.  and the weeping man watches from the sidelines as the divided people lash it out in the stadium, gladiators of precisely what?

read DAVID’S thoughts this D.R. THURSDAY

visit WEEPING MAN on david’s gallery site

other thoughts on WEEPING MAN

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WEEPING MAN ©️ 2015 david robinson


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enough. [flawed wednesday]

give peace a chance

enough.

on the back of the vehicle’s window we just passed the other day there was this sticker:  “you can give peace a chance.  i’ll cover you if it dosen’t {sic} work out.”

the mantra “everyone’s entitled to their own opinion” screamed its head off at me as i read this with distress.  but there’s this:

mass shootings in public schools, killing people

mass shootings at colleges, killing people

mass shootings at concerts, killing people

mass shootings at nightclubs, killing people

mass shootings at places of worship, killing people

mass shootings at movie theatres, killing people

mass shootings at malls, killing people

mass shootings at stores, killing people

mass shootings at restaurants, killing people

mass shootings at bases, killing people

mass shootings at post offices, killing people

enough.

peace deserves a chance.  the gun-law-less-ness-populace has had its chance.  it has failed miserably.  it is still failing.  it is breaking hearts and lives left and right.  it is placing the value of life below the value of a semiautomatic weapon.  what have we come to?  what horror must happen before legislation is put into place that considers the actual lack of need, the lack of appropriateness, the sheer lack of respect for human life for these weapons of mass destruction to be removed from day-to-day life?

“guns don’t kill people.  people do.”  yes, people pull the trigger.  yet, without guns, what would those trigger-hungry people do?  “pew, pew, pew, pew,” they would yell out while running with their pointer finger aimed at the ‘enemy’.

“you would cry too if it happened to you, ” my wise friend jotted the lyrics of this song to me.  in this country of little-to-no-community-empathy, she was making reference of these lyrics to the pandemic.  yet, they apply to any despicably irresponsible act by leadership – the lack of leadership for the covid-19 pandemic, the lack of leadership for gun control, for banning assault weapons, the lack of leadership for racial equality and addressing unrest, the lack of leadership for social justice and safety of all peoples, the revoltingly vigorous encouragement of a society to pine for more of the second amendment.

it only took new zealand six days in 2019 to announce a new national gun policy.  weapons of mass destruction (all military-style semiautomatic weapons, high-capacity ammunition magazines and modification parts to morph guns into semiautomatic status) were banned merely six days after a mass shooting.  it is assumed that gun ownership is a privilege there, not a right.  gun homicides there have been in the single digits, with the highest number of 11.

and the united states of america?

enough.

i might add:  anyone  who purchases a sticker announcing their dismissal of peace as an option should spend a little more time reading it.  “dosen’t” is spelled wrong.  perhaps that is one of the problems.  little to no thought, little to no investment in critical thinking.  little to no conversation or use of intellect.  no refrainment of an overabundance of anger and reactionism.  just a blunt declaration of violence, a creed to evil.

enough.

read DAVID’S thoughts this FLAWED WEDNESDAY

peace sign website box

 

 


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butterfly, butterfly. [two artists tuesday]

butterfly butterfly

this butterfly must have known.  my heart was aching and the steps i was taking down the trail were heavy.  and then it appeared.

the glimmer of its wings caught my eye, this iridescent blackish-blue, a red-spotted purple butterfly, inviting me to stop, watch.   it flew around me and i twirled in place watching as it circled.  it landed on the trail time and again, close enough for me to video it opening and closing its wings, a greeting of sorts.  my breathing slowed down.  beauty exists.

even in the midst of everything negative, even in the midst of worry, angst, missing, deconstruction, transformation, reinvention, heartwrenching choices, beauty exists. even in the midst of a pandemic and unrest and a country in chaos, beauty exists.

a little research:  apparently, my little friend, the red-spotted purple butterfly, looks much like a pipevine swallowtail.  the swallowtail butterfly deters predators by being mightily distasteful.  the red-spotted purple butterfly has piggybacked onto the swallowtail’s predatory resistance by its similar markings, albeit without a tail.  predators sometimes shy away from this butterfly based on the vulgar taste of its close-but-not-related twin.  a good scheme.  and yet this butterfly – beautifully exquisite, and, although somewhat protected, is still vulnerable.

this red-spotted purple butterfly visit was serendipitous.  i needed to slow down.  i needed to watch this creature as it invited the sunlight to warm its wings and aid in its nectar-picnic.  i needed to be reminded of the butterfly in all its transitions – its metamorphosis through life, its graceful acceptance of its own life-arc, its changes, its patience, its endurance.

the next times i walk on this trail i will likely think of these two butterflies:  both beautiful and both trying to sustain, to gather nectar, to complete their own circles of life.  but one with such a vulgarity to it, such an acidity that predators stay away.  very few are lost in the lesson that predators are quickly taught about its toxicity; animals learn to avoid them.   i wonder about these swallowtails in community with other butterflies.  and i think about the red-spotted purple, sans toxicity, trying courageously to protect itself in its habitat.  it looks a little like a swallowtail, but it’s not.  it doesn’t poison the animal who consumes it.

much like people.  we look much the same.  each of us, beautifully exquisite.  and yet.  some pipevine swallowtails, toxic and cunning.  some red-spotted purples, pure and vulnerable.

beauty exists.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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