reverse threading

the path back is the path forward


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zag. [not-so-flawed wednesday]

in the woods

we bought snowpants.  on sale for only $7 they are a wise investment for two people who hike year-round out in the woods or wherever we are.  it’s a big deal for us to buy anything new so, this time, instead of looking at them every day and saving them for good (ala beaky)  we celebrated our good deal by putting them on, going out in the snowy woods and hiking.

we were pretty much silent.  you could hear snow falling from the trees and the crunching of our boots on the trail.  but we didn’t talk much.  with so many things to talk to about and the woods being our best meeting room it was unusual.  but sometimes, it is silence that is most needed.

our path, like this stream, has zigged and zagged.  it has brought us past jagged rocky times and through sweet gentle lapping pools.  it has been lit by warm sun and darkened by the deep worry of late night.

but one thing is always consistent in the inconsistency of life.  no matter how we arrive in the woods, no matter the angst we bring.  arm in arm, because it is our habit, we walk through the woods.  arm in arm on the trail we silently hike toward quieting our hearts and minds.  under trees older than our troubles, arm in arm walking reaches past even anger-inspired words, things spoken in frustration.  arm in arm we remember all that is good, all that is certain.  the day’s hurdles and fears and unease fade as the sun sets.  and we zag.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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the organ bench. [k.s. friday]

organ pipes

no one else.  there was literally no one else i knew who took organ lessons.  eight years old and i was the only one.  everyone else i knew took piano lessons.  they went to the new local music store –munro music on larkfield road in east northport – and had lessons in itty studios downstairs and came back upstairs to pick out sheet music from a big wall featuring the latest hits and books of collected artists, written out for various levels of piano-playing ability.  me?  i went to mr. i-never-knew-if-he-even-had-a-first-name sexton’s house (now, think about the torture my peers had with that name) and took organ lessons in the addition adjacent to the garage.  there was no wall of sheet music, were no cool guitars hanging up begging to be purchased, no amplifiers or drums.  just that one organ.  no windy or ode to billie joe or i’m a believer easy piano for me.  it was beautiful dreamer and long, long ago.  and hymns.  lots of hymns.  but i had been asking for lessons since i was five and the little chord organ that was my grandmother’s was moved aside and a ‘real’ organ with two manuals (keyboards) and real pedals and cha-cha button settings was added to the corner of the dining room that was next to the kitchen and the living room.

when i was ten i tearfully played the pipe organ for my brother’s wedding, the processional as my sweet sister-in-law walked down the aisle to my big brother.  yesterday i was talking to john whelan, a master celtic accordionist the exact same age as me, and we talked about the first real gig we did.  his was at 12 and he actually got paid.  mine was this wedding and, for obvious reasons, payment was out of the question.  i got to wear a really pretty peach-colored party dress and white shoulder stole and wept my way through the difficult piece.

after some time, i somehow convinced my parents that they needed both an organ and a piano and they signed me up for piano lessons.  joan ostrander, the very chic music teacher, was my first piano teacher and i adored her.  she pushed me and i adored that too.  i spent long hours practicing on the piano bench with my dog missi sleeping underneath, my dad whistling in the background.

in years to come i studied with the teacher-of-all-teachers alan walker and was convinced that the piano and i were kindred.  i taught more piano lessons on long island (and later florida and even wisconsin) than i can remember, back then driving from one house to another, delighting in each student’s joy playing the piano and progress no matter the pace, hoping to emulate the teaching style of this amazingly kind man.  after lessons we talked life and ham radio and ate open-faced crunchy peanut butter sandwiches.  music is not just about music, you know.

during my undergrad, i studied piano in college with one of the professors but kept bringing in pieces of original music and kept veering off course from assigned large scale pieces, hoping he wouldn’t notice.

as no real surprise, i majored in music composition, the first (?) step toward living as an artist, the first step in a road that leads to here and now.  so much in-between.  the gigging composer music timeline is filled with albums, concerts, performances, cd sales, radio and tv, qvc appearances, barnes & noble and borders, listening wall placement, phone calls, yamaha, traveling, shipping and more shipping, recording labels, carrying boxes, standing in the rain on flatbed trucks playing and singing, driving, driving, driving, press releases, graphic design, writing, recording, supportive family and friends and coworkers and a person named hope hughes.

but that organ.  it has kept on re-appearing.  somehow it is one of the threads that has woven its way through my life.  there aren’t that many of us out here:  people who play the organ, who can finesse a chosen timbre through the pipes and who can actually play lines of bass notes on the pedals.  those lessons from the very beginning somehow set the stage for me to work for three decades already as a minister of music.  conducting choirs and handbells and ukulele bands and worship bands, choosing music for services and performing groups, leading and shaping worship and, yep, playing the organ…it has been a constant.  there are days that i will pull out all the stops and play as loud as the organ pipes will allow.  its bellowing echoes through the sanctuary and i giggle as i think of my ten year old self, sitting on an organ bench in williston park on long island and crying.

what would i have thought if i had known that fifty years later i would still be sitting on an organ bench?

canyon love

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read DAVID’S thoughts this K.S. FRIDAY

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our daisy. [d.r. thursday]

daisy framed copy jpeg

if there is an icon image for us, this would be it. the full image of david’s daisy painting includes language:  you said, “i’ll be the one.” yes. you are. 

i was the one holding the daisy.  way back when now, in baggage claim, thinking he would have no idea who i was, i texted him i would be the one holding the daisy.   we hadn’t ever met yet, but our backandforthandbackandforth email letters had been going on for about six months and it was time to see the face of the other half of the backandforth.

i was nervous in the airport waiting.  i got there early, which, in and of itself, is a feat because i am not a way-too-early-to-the-airport person.  i visited the mirror in the ladies room a number of times, checking my outfit, my hair, making sure i had no food in my teeth (linda can tell you bill t. had made me paranoid about this).  the evening before, i agonized over what to wear.  a nice outfit?  a dress?  leggings and a tunic?  i ended up with my favorite old jeans, my boots and a big oversized black chenille sweater.  i needed to feel like me.

the girl in the airport restroom was waiting for her fiance to return from the service; their wedding was merely two months away.  she asked me who i was there to meet and i told her the (short) version of the story.  she laughed and said, “ah.  it’s obvious.  you two will find out you are soulmates, ” which made me laugh.  clearly that was silly.

i only knew his face from a tiny photo on a website.  i had seen photographs of his coffee cup in various settings and his paintings (which i loved), but not his face.  the identifying daisy in baggage claim – in my belief – was necessary.

that daisy was quivering when this guy with jeans, boots and a black shirt and outer jacket was walking toward me and i realized the girl in the bathroom might be right.  a kind face and easy stride, he walked up to me and, laughing, we hugged.  we skipped out of the airport, the daisy cheering us on.

the rest is history, as they say.  there have been uphills and downhills; the roller coaster for two artists living together would challenge any six flags amusement ride.  life beginning together as two grown-up adults is navigable but requires much negotiation.  two people with different pasts – one of us with children, one of us without – is full of lessons and storytelling and learning curves.  the smack-dab in the middle of middle age brings its own neuroticisms; the late 50s is not necessarily a time that you feel at the very apex of feeling good in your body.  we pay attention to health and diet and know our time together is not the decades and decades of our parents’ times together.  we try to maximize moments.  and we sometimes struggle with the feeling of starting over.  not the resilient twenties or thirties of our first marriages, yet starting again with much of the same arduous uphill climb.

so in the roadtrip of this life together were i to assign an icon it would be this daisy.  because this daisy in the painting on our wall reminds us:  i’ll be the one. yes. you are.

read DAVID’S thoughts this D.R. THURSDAY

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daisy ©️ 2012 david robinson


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the cameras. [not-so-flawed wednesday]

cameras

1977.  graduation.  yashica fx-2.  my most-prized possession and my constant companion was the 35mm single lens reflex camera my momma and dad gave me when i graduated from high school.  it went everywhere with me and i made every reason to be out and about with it, capturing sunrises, sunsets, beaches, state parks, roadtrips, lighthouses, birds and other wildlife, my nieces and nephew.  i loved this camera and still have it, although i haven’t used it in years.  i learned about f-stops and aperture openings, film speed and depth of field – all with this camera.

somewhere along the way, automatic cameras began to reign supreme and i joined the ranks with a minolta that made taking pictures of My Girl and My Boy easier, faster, somewhat brainless.  as they were little and moments passed in lightning speed, this camera made moment-seizing more possible, although one still had to wait till the film was developed to see if you were successful.  sometimes it was the blurry photo, the funny face, the i-wasn’t-trying-to-get-that-picture photograph that are the prizes.  they are the ones we couldn’t erase, delete, photoshop, filter.  they were what they were.

i remember roll after roll, walking in to rode’s camera shop and taking advantage of their double-print deal, always sending photographs to grandparents, family and friends who were afar.  having sorted through every one of the prints in recent years, i can honestly say that i have literally thousands of photographs of my children when they were growing up.  perhaps this is the reason they roll their eyes at me now when i want to take pictures of them?

i can’t help but think of what i might have captured on film had digital cameras or cellphones with the exquisite-cameras-of-today been around back then.  video without having a gigantic vcr camcorder on your shoulder or even a smaller, still cumbersome 8mm camera, instant photos that you can preview and take over, every photo or image or video ‘fixable’, ‘changeable’, ‘alterable’.

i have to say i am a little envious of the ability of parents today who are able to document their children, their travels, their, well, every move, not to even begin to mention selfies, and instantly facebook-post it, email it, text it, snapchat it, instagram it, tweet it, snapfish or shutterfly-book-it, sharing it with the world.  it’s so simple.  their documentation will be so much more complete, the phone-camera a constant companion with no real added burden of weight or case or extra lenses or film or a flash.  the rise and ease of amazing technology.

it was with a sense of uh-oh-we-really-are-getting-olderrrrr that we happened upon the display of cameras and movie cameras in the antique shoppe.  i wanted to pick each one up, look through the viewfinder, compose a photo or two.  i was instantly transported back to crabmeadow beach with susan, climbing the fence to snag a few sunrise pictures.  i was in the boat with crunch, cruising long island sound lighthouse to lighthouse.  i was on the floor with my babies, catching their moments.

there was something magical about waiting for that old film to develop.  something that made it sometimes easier to put the camera, the device, away.  something that made it paramount to memorize -for your very own mind’s eye- the most precious of events, the most intimate details, the agonizingly briefest purity of a perfect moment in time.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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the old green chest. [two artists tuesday]

toolchest

the old planters peanuts can sits on top of our dresser.  it is a decor mismatch, so it is not there for its color or what it offers as an artistic statement.  it is there because it was my sweet poppo’s.  he kept it in the third drawer down of his dresser.  in it he would place cash, his money clip, odds and ends from his pockets.  “look in the peanut can,” he’d say, if you needed a couple dollars.  it was one of the treasures i kept from their house, the peanut can that had made its way from long island to various houses in florida.  it brings my dad close and every time i look at it sitting atop our dresser, i feel like we had a little conversation, my daddy and i.

you already know we have a penchant for boxes.  not the cardboard kind,  but most definitely the wooden kind and the metal kind.  old wooden boxes, seemingly value-less, of greater value to me than anyone, things my dad used in the garage, things in which my sweet momma kept her paper clips. each a bitty visit from them.  we have old apple crates, old brewery lidded boxes, boxes with slide lids, boxes with hinged covers and hooks to secure them, tiny boxes and big boxes.  and old vintage suitcases.  all special boxes – places to keep the most precious and the most visually-mundane-but-emotion-permeated items.  a place for rocks or stones we couldn’t place-label anymore, a place for my mom’s wooden clothespins, a place for ticket stubs or notes or feathers or cards, a place for colored pencils, ink pens and nibs, rubber bands, a place for our nespresso pods.  it’s not likely we need any more boxes, wooden or metal.

but there it was.  the somewhat battered green metal carpenter’s chest.  its personality taunted us from the floor of the antique shoppe we were trolling with jen and brad.  i went back twice to look at it, to touch it.  we noted that jen and i touch things when we see them; brad and david stand back and admire them.  different processes.  venus.  mars.  “don’t you have to touchhhh it,” we ask?  but i digress.  anyway, we, david and i, are not big helpers-of-the-retail-world, rarely shopping for new ‘stuff’.  but this chest?  it was different.  it was old.  and it was green.

we walked away without purchasing it.

but i still think about it.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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kneel. [d.r. thursday]

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of all his watercolors, i remember this one.  maybe it’s universe-timing but the image of a person kneeling silently in reflection, in prayer, fading into the blue of eternal sky and the hinted suggestion of sun seems particularly synchronistic.  the fluidity of line, the brushstroke revealing the image of humanity – in a transitory time here as part of the whole.  a blurry-edged fleeting existence in all of time’s galaxy.

but the destruction, the disregard, the disrespect.  people who disassociate with the truth of here and now, gone tomorrow.  intent on pillaging the universe’s glee that each of us is here, each of us is exquisite, each of us can positively impact another.  this place is a place of profound beauty, the sky and the sun sure day to day.

perhaps the lure of this painting is the inkblot-exercise.  depending on what you focus on, the figure will be there, the figure will disappear.

perhaps the point is the earnest time on our knees, whether or not literal.  the questions we ask, the things for which we give thanks, the time to focus, the imploring to help us notice it all.

read DAVID’S thoughts this D.R. THURSDAY

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©️ 2000 david robinson

 


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believe. [not-so-flawed wednesday]

believe ornament

“i believe the children are our future.  teach them well and let them lead the way…”

“i believe for every drop of rain that falls, a flower grows…”

“i believe in music.  i believe in love.”

“believe in the magic that can set you free….”

“i believe when i fall in love with you…”

“believe it or not i’m walking on air…”

“i believe i can fly…”

“i believe in love, i do…”

“believe me, oh, believe me…”

“believe it or not i’ve been waiting for you to come through…”

“i want to believe in my fellow man.  yes, i want to believe…”

“oh, everyone believes…”

“you know i believe and how…”

“i believe in you and me…”

“oh i believe in you…”

“i’m a believer…”

“don’t stop believing…”

all lyrics.  just a mere short-list.  lots of believing.  there must be something to it.  a natural tendency, a listing in that direction.  always hope.  always belief.  we fall and we get up.  we fail and we try again.  we hurt and we heal.  we keep on keeping on.

because humanity is full of belief.  in basic tenets of goodness, regardless of how you profess divinity.  belief.  the silken gossamer threads of breath.  the accumulation of knowledge and emotion, question and certainty, analysis and intuition, feeling, communicating, learning.  the struggle to stay centered.  and believe.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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