reverse threading

the path back is the path forward


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we are. under construction. [d.r. thursday]

ddot studio

at this very moment, at this very time, with stacks and stacks of paintings and music, we both succumb to the realization that we are – indeed – under construction.  the rests between the notes are there for a reason.  space to breathe, to comprehend, to make the color and the music a part of your fiber.

the rests change you.  they change how you see, how you hear.  they give you pause.  to re-appreciate what you have done and to wonder what will come.  to be aware of the light.

it is the skill of an artist to learn how to sit in the rests without fidgeting.  to just sit.  it is an even higher level skill to create the rest.  and then sit in it.

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read DAVID’S thoughts this D.R. THURSDAY

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the music waits. [k.s. friday]

wait a while songbox

there was not room on island for my piano, sheets of blank score paper, baskets of notebooks of lyrics, melody smidges, chord progression fragments.  they waited at home for my return.

consumed by many tasks and layers of work since we arrived back home, we are surrounded by boxes and bins still unpacked.  there is much to do.  we have many other things tugging at us and these packed boxes, although frustratingly in the way, have sunk to a lower rung on the list of things-to-do.

i have been in and out of my studio, grabbing music as i need it, playing through a piece here and there, reviewing music for work.  i have added a few notes to notebooks, to my calendar, a line of lyric here and there to remember on scraps i hope not to lose.

the other day i pulled out cds, finding a few with pieces that didn’t get tracked.  rough cuts of piano for under lyrics, rough cuts of piano instrumentals.  every artist has them…the cuts that didn’t get finished, the cuts that didn’t make it to the album.  scraps of paper, notebooks of ideas, rough cuts of beginnings.  they all eventually lead somewhere.  no idea, no melodic gesture, no lyric stands alone.

and so, my really beautiful big resounding piano waits for me as i am quiet.  pencils i’ve saved from The Boy’s and The Girl’s pencilboxes sit atop, next to blank score paper, notebooks and pa pads.  they all wait.  the muse waits.  the music waits.

CLICK HERE TO LISTEN TO THIS ROUGH CUT ON OUR WEBSITE

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read DAVID’S thoughts this K.S. FRIDAY

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WAIT A WHILE ROUGH CUT et al ©️ 1995-2019 kerri sherwood


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the thunder of the silence. [merely-a-thought monday]

TPAC empty seats

“…a silence like thunder…”

“no distinction is made between the sacred and the everyday.”

“our attitude toward the world resonates in the objects around us.  they reveal our intention.”

(from plain and simple, sue bender)

the first day i walked into the tiny lobby at TPAC i wondered why the table holding brochures was light blue.  it matched nothing there and was a statement of a kind of thoughtless we-need-a-small-table-does-anyone-have-one thoughtfulness.  all season long i kept thinking that it should be painted black.  the very last day in the theatre, outside in the chill air, surrounded by golden and crimson leaves, i painted it.  it dried fast and we placed it back in the lobby.  still the same little table doing its job, but its new distinction mattered and it fit in the space.  it did my heart good.

with multiple bags of old mayonnaise and mustard, an old container of kale and a moldy loaf of some kind of unidentifiable home-baked bread, i finished cleaning out the fridge, an appliance i had never opened for an entire season.  clearly, others had, and the accumulation of old-ness was ripe.  i scrubbed it out and stood back to look at how neat and tidy it was.  the whole kitchen area looked neat and tidy, a new keurig replacing an old coffeemaker and broken carafe.  shelves cleaned, toothpicks that had poured out swept up, a welcoming backstage entrance for staff and artists.  moving that space up to sacred-everyday from messy-everyday did my heart good.

the last couple weeks have been nesting weeks at TPAC, moments when d and i have had the space to ourselves.   having now passed through the shoulder season, it’s empty and it’s quiet.  the 250 seats wait for the next event, the off-the-shoulders season, the next new high season.  i can feel its curiosity, its expectation.

we sat in various seats around the theatre, talking about the dreams we had when we first saw it.  getting mired in the muck of being the you-aren’t-from-here-newbies had slowed things down.  it had paused our ownership of the actual space.  eh, who am i kidding?  it brought most of that to a screeching halt.  drama, three board presidents and a reticence to consider change from people hired as change agents (us) brought the gate down before we could even start.

we discovered the word ‘glacial’ and applied it generously to the direction we were going.  we didn’t try to change a space that didn’t feel like ours yet.  we didn’t try to change too many processes.  we stopped trying to change mindsets.

instead, we embraced people.  we listened; we learned.  we set out to weave relationships where they had eroded, where tattered feelings were wrung out, where we were told no relationship could work.  we befriended those we were told would never like us.  we struggled to understand allies who weren’t so much allies.  with deep roots of experience, we led with intention, with the questions of what would be best for this space, what would be best for the artistry on this little island, what would be long-lasting and truly make the making of art – whatever the genre – foremost?

and so, it was in the last days, when it was quiet and empty that we were able to take the time to really listen to the thunder of the silence of that really beautiful space.  we strove to honor the sanctity of this art-making place.  and we intended, with every move of cleaning and straightening and re-arranging and planning and yes, dreaming, all the best things we could.  it did my heart good.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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the box. [k.s. friday]

the box songbox

“the box: a place to put all the stuff of our lives.”  (from BLUEPRINT FOR MY SOUL liner notes 1996)

the old black suitcases store stuff.  treasured moments, all in a jumble, some decipherable, others bits and snatches of times we want to remember, so we keep these feathers and ticket stubs, notes and river stones, scraps of wrap, cards, red rock.  they proudly sit in the dining room, in a stack, their vintage scrapes and broken handles call to me each time i pass them by.  they shower me with memories and times i have passed through, moments i have lived.  i can feel what is in them.

in another box, in another place, are old dreams.  torn vestiges of paper with lyrics, a few notes scribbled in the margins of old spirals.  there are visions and imaginings, goals and undetermined outcomes.  like you, these are the things undone.  there are no ticket stubs or photos in this box; these are the things that have not come to fruition.  these are the things that beckon over and over.  these are the things that demand i consider and reconsider what i am doing today, tomorrow.  these are the things that make me question.  each time i pass them by.  i can feel what is in them.

i am reminded:

“a ship in harbor is safe.  but that is not what ships are built for.”  (john a. shedd)

these are the full liner notes:

“the box:  a place to put all the stuff of our lives.  sometimes this place really hurts.” (BLUEPRINT FOR MY SOUL 1996)

download THE BOX from BLUEPRINT FOR MY SOUL on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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THE BOX from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

 

 

 

 

 

 

 

 

 


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the first fire. [two artists tuesday]

first fire

there is something about firsts.  a novelty.  and it was no different the first night – a week or so ago – when we lit the wood burning stove in our littlehouse.  the first fire of fall.  excited, we watched as the fire got hotter and the bigger pieces of wood started to catch.  as it all started to be aflame, the chill, that a grey misty fog, an angry lake and a stormy day had created, left the littlehouse.  we sank into the new warmth of the living room, our feet up and grins of satisfied appreciation on our faces, staring into the dancing fire, grateful for its presence.  at home we have a fireplace inside, and a chiminea on our patio, but no wood burning stove.  it’s a novelty for us.

how many times will it be before getting wood for the stove and starting the fire will not be as gleeful?  how many times before we don’t just sit with our feet up and stare into those flames?  how many times before we take it for granted, this divine little maker of fire and warmth? how many times before the novelty wears off?

i once read a card i found quoting marcel proust, “the real voyage of discovery consists not in seeing new sights, but in looking with new eyes.”

because the novelty does wear off.  in all arenas, i suppose.  not just in how you see others, but also in how others see you.  suddenly it is forgotten what IT was like before you (whether IT is a home, a relationship, a community, a work environment).  instead, the novelty has faded and so has the ‘before’.  suddenly, you – in any of those places – are just a bean counter, a placeholder, and the novelty of you, for we are all novel, is no longer a matter of interest or value.  instead, all becomes black and white, the relationship of you to those places – a home, a relationship, a community or a work environment.  i wonder what we are all missing with our under-appreciative eyes.  i wonder what they are all missing with their under-appreciative eyes.  the novelty is gone.  and you have thus become dispensable, all for the lack of new eyes.  wow.  ouch.

we need take stock of what is around us and how it all works together.  before it is gone.  we need remember that -in every arena- we should appreciate each other – as if it was the first fire of the season.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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the second time we lit the stove, we weren’t quite as gleeful when the flame caught.  and the stove heated up the room a little too much, making


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crazy. [merely-a-thought monday]

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we were walking in the middle of the street and the sun was going down.  it was two days before we were to move off island.  i was suddenly struck by the comparison between two days after we arrived on island and two days before we were to leave.  three months have passed.  the whole summer.  it felt like way longer.  looking back, it went by fast.  it felt like way longer.  looking back, it went by slow.  crazy.

i wondered aloud about three months from now.  i did the math on my fingers and said aloud, “what will two days before the end of december be like?  what will have happened?  what will we have accomplished?  where will we be that day?  how will we feel?”

this period of time has been pretty fraught.  with more than i can, or wish to, list in this post.  in the multiple simultaneously ever-spinning plates of life, there has been more than one wobble, more than one plate off-balance.  it has made me wonder, “what, pray tell, is going on?”  it all has seemed a bit crazy.

as a person who just wants to bring idea, passion, joy to jobs, i’ve been diving to avoid spinning plates as they seemingly veer off course, as they spin outside the gravity of what actually feels important, as they go haywire, as they head to strike the floor.

“you don’t have to be crazy to work here.  we’ll train you.”  a familiar hyperbole or idiom of sorts.  maybe that means this:  we’ll try to waylay you so you never get to the real work.  we’ll ask you to make change but will rail against it.  we’ll try to undermine or undervalue you.  we’ll try to withhold information and still expect you to function.  we’ll try to put boxy definition and constraints on the art you are attempting to create.  we’ll try to grab the stick under the spinning plate and wreak crazy.

or

maybe it means that you will endure all these things.  you will encounter havoc-wreaking and you will encounter messes.  you will find others in the ‘here’ who will stand by you and spot you as you plate-spin.  you will find your sisu and you will stand in the integrity of the work you are doing.  you will survive, outlasting the crazy.   and, you will, in the end, do some good work. crazy good.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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before and after. galena. [k.s. friday]

galena songbox

your toes curl.  your breathing is shallow.  adrenaline rushes.  your legs are a little shaky. your hands feel tingly.  butterflies in your belly.  you are on the edge.  in that tiny place between before and after.

i gingerly walked to the edge of the canyon, my daughter encouraging me.  at the moment i stood there, feet firmly planted, no guardrail, nothing between me and canyon wall, my heart slowed down and i breathed in both the enormity of the moment and the taste of both before and after.  my girl and i laughed, loudly, the sound echoing across the vast canyon.  and then, it was after.

i sat at the piano, ready to record this first piece GALENA of the first album, 24 years ago, savoring the safety of before but ready for after.  at the edge of the put-it-all-out-there canyon, i walked onto the stage, brand new cds in the lobby, ready, with quivering knees and boots that gave me confidence.  and then, in what felt like a minute, it was after.

now, many album and stage edges later, many life and love moments later, many work and play split-seconds later, i wonder what the next after will be.  i can feel the edges; i can see them.  i’m aware of my toes curling.  my breathing is shallow and adrenaline rushes.  my legs are a little shaky and my hands feel tingly, butterflies in my belly.  there is a canyon beckoning.

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read DAVID’S thoughts this K.S. FRIDAY

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GALENA from RELEASED FROM THE HEART ©️ 1995 kerri sherwood