reverse threading

the path back is the path forward


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words. [not-so-flawed wednesday]

kawaii raccoons

“look it up,” my sweet momma would say.  i blame her.  for my word-curiosity.  for my policing of spelling, punctuation, grammar.  for my love of dictionaries and my commitment to learning.  at 93 she was still asking questions, being curious, looking it up.

black and white composition books, of both thick and thin variety, populated my growing up, my teenage years, my college years, and ever since.  though i do have a thready fondness of using My Girl’s and My Boy’s old unfinished spiral notebooks these days, we have piles of waiting-to-be-used composition books and they beckon when i open the supply cabinet in the sunlit office upstairs.  places to jot poetry, thoughts, reflections, stories, lyrics, these composition books always make me think of my mom.  they are places to process, to remember, to dream, to sort.  they are the beginnings of stories, lyrics to ponder, the coda to the song.  to someone else they are simply words on the page.  to me, it is my breath that gives them life.  we each have stories to tell, songs to write.

in the last few days i have had the frustration of feeling silenced.  as i wrote in yesterday’s post, someone marked all five of my blogposts of last week on facebook as “spam” and that somehow triggered facebook to pull every last one of my blogposts – and any mention of my blogsite – down.  every word – the simple ones, the ones that require looking-it-up – pulled down.  with 650 posts, even averaging 500 words, that is 325,000 words.  MY 325,000 words.  gone.

in these times of chaos and unrest and pandemic, there are plenty of words out there.  foul words, words of peaceful mantras, words of untruth, twisted words of conspiracy theories, imploring words, scientific words, words of wisdom from giants of wisdom, accessible words, words we have to look up, words we can hardly believe we’ve heard from various people-in-the-spotlight, words at which we roll our eyes, words we find reassuring.

in a daily email he receives, david shares a new word with me.  “kawaii,” he reports, “means cute.”

the baby raccoons, most definitely kawaii, peeked out from behind the tree trunk.  upon seeing us on the trail, they had scrambled from the little pond up the tree.  they stared at us; we stared at them.  they didn’t move, quizzically grasping onto bark and watching quietly.  we didn’t move either.  we just stood quietly on the trail and watched.  the story they would tell about our encounter wouldn’t have many words.  all was silent.  all was motionless.  they were safe; we were safe.  for a few minutes, we shared the serene woods together, a little eye contact in hushed regard of each other.  maybe, in their re-telling, in their speckled composition book, they would just tell the coda – “and then they left.”

every now and again i take out an old composition book.  it’s astounding.  i was so…..wordy.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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during this time that FB, impossible to contact, figures out i am not ill-intended nor do i post SPAM, i would ask you a favor:  if you have found any post of mine to be thought-provoking or encouraging or reassuring in some way and have enjoyed reading, please “follow” this blog.  you can “follow” it on this post or later go to our website www.kerrianddavid.com/the-melange to find the link to this blogsite.  wordpress will send you an email each day with my 5 day-a-week blog. you can certainly choose to read or not read each day and, at any time, you can choose to “unfollow” the blog.  just as it is your decision whether or not to read my post on facebook each day, i would like to think you still have the option.  subscribing gives you that.  hopefully, FB will allow and restore my written work soon.

chicken eyes perseverance website box_edited-1

 

 

 


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believe. [not-so-flawed wednesday]

believe ornament

“i believe the children are our future.  teach them well and let them lead the way…”

“i believe for every drop of rain that falls, a flower grows…”

“i believe in music.  i believe in love.”

“believe in the magic that can set you free….”

“i believe when i fall in love with you…”

“believe it or not i’m walking on air…”

“i believe i can fly…”

“i believe in love, i do…”

“believe me, oh, believe me…”

“believe it or not i’ve been waiting for you to come through…”

“i want to believe in my fellow man.  yes, i want to believe…”

“oh, everyone believes…”

“you know i believe and how…”

“i believe in you and me…”

“oh i believe in you…”

“i’m a believer…”

“don’t stop believing…”

all lyrics.  just a mere short-list.  lots of believing.  there must be something to it.  a natural tendency, a listing in that direction.  always hope.  always belief.  we fall and we get up.  we fail and we try again.  we hurt and we heal.  we keep on keeping on.

because humanity is full of belief.  in basic tenets of goodness, regardless of how you profess divinity.  belief.  the silken gossamer threads of breath.  the accumulation of knowledge and emotion, question and certainty, analysis and intuition, feeling, communicating, learning.  the struggle to stay centered.  and believe.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

prayerflags pastel website box

 


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the music waits. [k.s. friday]

wait a while songbox

there was not room on island for my piano, sheets of blank score paper, baskets of notebooks of lyrics, melody smidges, chord progression fragments.  they waited at home for my return.

consumed by many tasks and layers of work since we arrived back home, we are surrounded by boxes and bins still unpacked.  there is much to do.  we have many other things tugging at us and these packed boxes, although frustratingly in the way, have sunk to a lower rung on the list of things-to-do.

i have been in and out of my studio, grabbing music as i need it, playing through a piece here and there, reviewing music for work.  i have added a few notes to notebooks, to my calendar, a line of lyric here and there to remember on scraps i hope not to lose.

the other day i pulled out cds, finding a few with pieces that didn’t get tracked.  rough cuts of piano for under lyrics, rough cuts of piano instrumentals.  every artist has them…the cuts that didn’t get finished, the cuts that didn’t make it to the album.  scraps of paper, notebooks of ideas, rough cuts of beginnings.  they all eventually lead somewhere.  no idea, no melodic gesture, no lyric stands alone.

and so, my really beautiful big resounding piano waits for me as i am quiet.  pencils i’ve saved from The Boy’s and The Girl’s pencilboxes sit atop, next to blank score paper, notebooks and pa pads.  they all wait.  the muse waits.  the music waits.

CLICK HERE TO LISTEN TO THIS ROUGH CUT ON OUR WEBSITE

CLICK HERE FOR iTUNES

read DAVID’S thoughts this K.S. FRIDAY

birdy feet website box

WAIT A WHILE ROUGH CUT et al ©️ 1995-2019 kerri sherwood


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twenty years later

my sister sent me this.  i don't know who to credit, but it's brilliant.

my sister sent me this. i don’t know who to credit, but it’s brilliant.

a year ago yesterday i wrote about an anniversary….it was 19 years since i released my first album. well, that makes this year’s yesterday 20 years since the release concert for that first album! i looked at someone last night and said, “two decades!” which makes it sound like forever ago. in some ways, it is.

fifteen albums and several singles after that first release i sit here at my piano and get lost in thought. thoughts of what next? thoughts of direction – looking back and looking forward. thoughts of relevance. (yes, i have used that before in writing. but it’s so…relevant.)

at 56 i am a different composer, a different performer, a different dreamer than at 36. it doesn’t seem as important to fill any concert venue in order to have impact, in order to resonate with someone in his/her life. i wonder where the next two decades will take me. sheesh, where will the next one decade take me?

i face different challenges now than i did at 36. i’m not writing in interrupted bursts at the piano, in-between toddlers’ requests or needs. i have more uninterrupted time to sit and compose, to write lyrics. hmm…i find that i’m actually better when being interrupted.

my songs are different too. lyrics at 36 were designed for airplay – 3.5 minutes or less. more than that was the kiss of radio-death. lyrics at 56 aren’t designed. in fact, i’m wondering who will listen. how many other pianoplayingsingersongwritercomposers are out there?

i was listening to pop radio while driving the other day and was floored at all the lyrics i would never have written. the lyrics “i’m all about that bass, ’bout that bass, no treble” would never occur to me. so i’m guessing (newsflash!) i’m not cut out for this pop radio thing any more. that’s a no-duh, you’re thinking. and yet, i know that people are still listening. i get feedback (jay’s word:) from people who generously take the time to sit down and jot a note to me about how something i have written touches them. this is huge. this is what makes writers keep writing, composers keep composing…the idea that something they have to say resonates with someone else. although the muse forces us all to continue regardless.

so….where am i going? i’m thinking about recording a new vocal album that is ukulele-based. not because i am a good ukulele player, but because i am not a good ukulele player. it will force me to really think about the lyrics, the melody, the stuff of emotion. i won’t be able to rely on those familiar and beloved 88 keys. it would make me change; it would make me grow. both are good.

i’d like to find a way for all the music that i’ve already recorded to be accessed more…in a fiscally rewarding way. the 319,954 downloads in the first quarter (see post from September 22) didn’t actually help me make a living. and that same thing happens each quarter that goes by. i’d like to think that everything that has been invested in all those albums – all those pieces of music – all that heart – might be able to help me pay my bills. $0.00079 royalty per download isn’t really the way to get there. and all the radio promoters and marketers i’ve paid in the past didn’t need the income from my music to pay their electric bill. they needed the income i paid them. big difference. but genuine iTunes downloads or licensing for movie scores or some wildly lucky viral hit would help.

in the meanwhile, i have to decide to decide. that it doesn’t matter, ahead of time, to know who will listen or what will happen. that if music is to be written, it just must be written. i have no real control over the rest.

twenty years later i think i get it.

www.kerrisherwood.com

itunes: kerri sherwood