reverse threading

the path back is the path forward


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contrail pondering. [two artists tuesday]

contrail

on island we rarely heard airplanes overhead.  if we did, they were small cessnas and pipers, low-wing and high-wing single engine airplanes, buzzing over the shoreline heading for the small grass strip airport.  otherwise, it was quiet. very.

lately, here, we have noticed that it is quieter than normal.  we are in what is generally an approach for the milwaukee airport and we often see airplanes overhead heading north or airplanes coming across the lake in line for o’hare, south of us.  it seems more of a rarity now to hear a jet overhead.  it makes us pay attention.  it makes us look up.  it makes us ponder.

we wonder where it is coming from, where its final destination.  we wonder how many passengers are on board.  in these times of no-travel, the contrail seems a contradiction of this time, a plane leaving its mark on the day.

in my previous life i had some time at the controls of both small airplanes and helicopters.  the jargon was language i was accustomed to.  there are languages of career.  we all have them, words, expressions, theories specific to our chosen work; we learn our spouse’s language, even just enough to understand just enough.

i’m better at the controls than in the passenger seat of a small airplane; motion sickness rules less if you are ‘driving’.  i never got near the point of solo-ing on any flying machine.  there was much to learn in ground school and hours rented on an airplane or a helicopter were expensive for an already-stretched budget.  but, stick in hand, flying a helicopter over the woods of new hampshire while employed at an aviation college there, brilliant new england fall colors beneath us, i could see how the flying-bug could bite.

and now it is quiet.  a few moments ago, while writing this, a jet flew overhead.  i stopped typing to pay attention and looked out the window.  i wondered:  where is that plane going?  who is on that plane?  do they feel safe?  are they wearing masks?  did they turn their blower off?  are they sitting six feet apart?

and i pondered:  what state might that plane be flying here from?  what are the covid-19-numbers in that state?  are people staying safe-at-home?  are there protests in that state, people who are placing everyone in their ever-widening concentric circles at risk for contagion?  are there people who are laissez-faire-individualizing this global-everyone-is-affected-pandemic, rejecting commonsense social distancing and simple respectful preventative measures? are there people making homemade masks, like here, because there isn’t enough PPE to go around?  are they wondering why the federal government of fifty states and five territories is hostage-taking necessary supplies, pitting governors against each other, encouraging a competition for lifesaving devices, blaspheming good works, eliminating knowledgeable workers, warping what is important vs not important, encouraging bracing and dangerous practices?  are they shocked and dismayed at the ever-widening inequity, the gross partisanship?  are they stunned into disbelief at the absolute lack of sane and measured leadership?  are they embarrassed and profoundly saddened?

and i wondered:  when will we go on an airplane next?  where will we go? when will we feel safe?  will everyone wear a mask?  will everyone sit six feet apart?

and i thought, as we are apt to do after-the-fact:  i should have gotten my pilot’s license.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

wiwi plane website box


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our daisy. [d.r. thursday]

daisy framed copy jpeg

if there is an icon image for us, this would be it. the full image of david’s daisy painting includes language:  you said, “i’ll be the one.” yes. you are. 

i was the one holding the daisy.  way back when now, in baggage claim, thinking he would have no idea who i was, i texted him i would be the one holding the daisy.   we hadn’t ever met yet, but our backandforthandbackandforth email letters had been going on for about six months and it was time to see the face of the other half of the backandforth.

i was nervous in the airport waiting.  i got there early, which, in and of itself, is a feat because i am not a way-too-early-to-the-airport person.  i visited the mirror in the ladies room a number of times, checking my outfit, my hair, making sure i had no food in my teeth (linda can tell you bill t. had made me paranoid about this).  the evening before, i agonized over what to wear.  a nice outfit?  a dress?  leggings and a tunic?  i ended up with my favorite old jeans, my boots and a big oversized black chenille sweater.  i needed to feel like me.

the girl in the airport restroom was waiting for her fiance to return from the service; their wedding was merely two months away.  she asked me who i was there to meet and i told her the (short) version of the story.  she laughed and said, “ah.  it’s obvious.  you two will find out you are soulmates, ” which made me laugh.  clearly that was silly.

i only knew his face from a tiny photo on a website.  i had seen photographs of his coffee cup in various settings and his paintings (which i loved), but not his face.  the identifying daisy in baggage claim – in my belief – was necessary.

that daisy was quivering when this guy with jeans, boots and a black shirt and outer jacket was walking toward me and i realized the girl in the bathroom might be right.  a kind face and easy stride, he walked up to me and, laughing, we hugged.  we skipped out of the airport, the daisy cheering us on.

the rest is history, as they say.  there have been uphills and downhills; the roller coaster for two artists living together would challenge any six flags amusement ride.  life beginning together as two grown-up adults is navigable but requires much negotiation.  two people with different pasts – one of us with children, one of us without – is full of lessons and storytelling and learning curves.  the smack-dab in the middle of middle age brings its own neuroticisms; the late 50s is not necessarily a time that you feel at the very apex of feeling good in your body.  we pay attention to health and diet and know our time together is not the decades and decades of our parents’ times together.  we try to maximize moments.  and we sometimes struggle with the feeling of starting over.  not the resilient twenties or thirties of our first marriages, yet starting again with much of the same arduous uphill climb.

so in the roadtrip of this life together were i to assign an icon it would be this daisy.  because this daisy in the painting on our wall reminds us:  i’ll be the one. yes. you are.

read DAVID’S thoughts this D.R. THURSDAY

Screen Shot 2019-10-02 at 4.09.09 PM

Gate F8 website box copy

daisy ©️ 2012 david robinson


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you hold me. [k.s. friday]

YOU HOLD ME songbox copy

‘you-hold-me’s i will always remember…  among the more-than-i-can-count-mom-heart-moments, one of the last times My Boy fell asleep on my lap and i knew – at the age he was then, rounding 5 or 6 – it was something to hold onto.  or the time he, all-grown-up, bent down and, one more time, hugged me goodbye.  precious time dancing to marvin gaye with My Girl in the sitting room, her favorite infant-lullaby.  the bittersweet-tender-time-stood-still time she – as an adult – fell asleep while i held her.   in o’hare airport when d just held me while, with people swirling around us, we were lost in reuniting, in recognition.   the greetings we get from dogdog and babycat every single time we arrive home.  the hugs we get inside the door to our best friends’ house, their big beloved dogs jostling for attention.  the memory of watching my sweet momma and poppo hold hands as they walked, always…those linked hands grasping each other.  watching my momma hold my dad’s hand at the side of his last hospital bed, nodding off, both of them, but holding on.  ‘you-hold-me’s aren’t always just about you.

in these times, in any time, the simple feeling of being held – a quick hug or embrace that goes on and on – is the one true thing.  it doesn’t solve any problem, take away a worry, change any circumstance.  but it is a reminder that you are not alone.  you are woven of and into so much more.  and you are held – by your family, by your children, by your friends, by this good earth, by a higher power.  in appreciation of you.  in a bigger thing called love.

purchase the physical CD or download on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

champagne toast hug website box

YOU HOLD ME from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood