reverse threading

the path back is the path forward


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and hope. [k.s. friday]

hope (spring) copy

“hope…it makes you breathe differently.  it makes your heart beat faster.  it makes your knees weak and your ability to wait strong.  it makes you weep with anticipation and holds you close with others who are also hoping.” (reverse threading, dec. 7, 2018)

i have done time on the kitchen floor.  like you, i have been brought to my knees with grief, anxiety, worry, pain, shame, fear, sadness, loneliness, anger, disappointment.  when you are on the floor, any movement seems monumental.  anxiety is crushingly powerful.  it seems unlikely you will rise.  and even as you go about your days, doing the things you do in life, it seems you will remain on the virtual kitchen floor.

but then, there is a moment.  it appears illusory yet it is luminous.  it is a mere butterfly wing, the slightest of silk tendrils, but it is there.  elusive and tiny, it asks for absolute focus.  like viewing through the eyepiece on binoculars, you slowly steady your gaze.  something inside you knows.  something tells you to reach for it and hold it gently in your shaking hands.  it is hope.

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read DAVID’S thoughts this K.S. FRIDAY

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HOPE ©️ 2005 kerri sherwood

 

 

 

 

 

 

 

“hope.  there aren’t many words like this…describing that which you can actually – viscerally – feel in your body.  it makes you breathe differently.  it makes your heart beat faster.  it makes your knees weak and your ability to wait strong.  it makes you weep with anticipation and holds you close with others who are also hoping.” (reverse threading, dec. 7, 2018)

 


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apples and bananas. [d.r. thursday]

Eve copy

EVE 48″ x 48″

like many of you, i have laid awake many nights now.  exhausted when i lay my head down and then, voila!, wide awake.  the middle of the night has many monsters these days.  it used to be that as i lay awake and would get hungry and hungrier, i would convince david that the perfect thing, rousing him from sleep, would be to have a 3am bowl of cereal together.  since we went dairy-gluten-free i’ve substituted and have chosen a banana in the wee hours.  somewhere i read that bananas are sleep aids, so waking david up to have a banana seemed like i was helping him.  but now, we have no bananas.

we need to go to the grocery store.  but it’s complicated, with disinfecting wipes during our trip there and being absolutely careful upon our return home to wash everything or store it for a period of time.  it’s important, vital.  we step back from the person who is a  personal-space-invader.  we make room on the walking path for those coming the other way.  we marvel at the recklessness of large numbers of people still gathering in spaces.  we weep for those who have succumbed to a disease that is apparently sorely underestimated.

this painting, eve, is a beautiful landscape of color and shape.  eve, religiously historic as the first woman.

is it possible that the apple of eve and adam, the one in the story from the tree of the knowledge of good and evil, could now be seen as a casualness toward the spread of this pandemic, a cavalier attitude, a lack of regard toward social distancing or the peril facing citizens, medical personnel, workers at essential businesses?   the apple that, in the story, changed everything, for all time?

another reason to choose bananas.

read DAVID’s thoughts this D.R. THURSDAY

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EVE ©️ 2004 david robinson

 


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wrinkles. [two artists tuesday]

barney spring 2020

in the last year of my sweet momma’s life, at not quite 94, she would say astonished things like, “i looked in the mirror and i look like an old woman!”  we would laugh together when we mentioned her age and that she had earned every last wrinkle, every age spot, every grey hair.  never have i seen a more beautiful old woman.  in a life that spanned from 1921 to 2015 her hazel eyes saw vast changes, world hurdles, family loss and strife, wild technological advances.  and love.

barney was born around the same time as my momma.  i wonder about the life he had before he arrived in the basement boiler room.  was he a honkytonk piano, a barroom upright, a sunday school accompaniment, the instrument in someone’s drawing room?  he was headed to the scrap guy when we met him and we intervened.  i suppose as he has lingered in our backyard these last five years he would wonder about the reflection in the mirror, his outer shell, those wrinkles, that peeling laminate, the keys that no longer play.  does he realize that chipmunks perch on his brow and snack on acorns?  does he realize that birds land, patiently in wait for their respective and restrained turns at the birdfeeder?  does he realize that his soul remains rich, his exterior beautiful in its aging?

i laid awake for hours in the middle of the night last night.  i looked in the virtual mirror in my mind and saw wooden stages and boom mics, big pianos and blue jeans.  i realized, suddenly, that i am older.  despite everything that would suggest to me, try to convince me of, the contrary, i have gotten older.

scrolling through social media during this time of distancing it is stunning to see all the ways people are incorporating posting with streaming, youtube, visiting with google hangout, facetime, videoconferencing with zoom, webex, as they try to be there without being there.  it’s exhausting.

my 1970s-lingering-self puts on readers and starts to read the directions.  the chipmunks are perched on my brow and i resource apps to stay in the loop and do my part to help keep people connected in a time where connection could easily fall away.

i take a deep breath and remember the day that my sweet momma’s iphone facebook status read (from her assisted living facility in tampa) that she was checked in at a miami dolphins game in miami.  i quickly and quietly fixed it for her.

and then i giggle and think, ‘heck.  if she can do it, i can do it.’

it is the symbiosis of peeling back the layers, honoring the wrinkles, relying on each other’s strengths in the mirror and working together, the virtual birdfeeder our community.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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“you’re my favorite pain in the ass.” merely-a-thought monday

you're my favorite

we bought it on our honeymoon.  we knew, even by then, that we would need this sign’s lighthearted truth to remind us – some days – of what we even liked about each other.  in these days of isolation it’s front and center.

these are profoundly difficult times.  without the balance of getting out or having a little space, we are all finding ourselves in close isolation with the others in our home.  we two, here, are often together 24/7.  we work together in a variety of capacities, so we have gotten a little more accustomed to the dynamics than, say, some of you who have been thrown into the deep end with no feathering of getting-used-to-the-water time.  but…that doesn’t mean it’s always pretty.  so we are all here, separately together, figuring it out.

we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

the stress level is palpable.  you can feel the world out-there functioning at a completely different frequency than it had been.  it is like that high pitch in your ears, making you teeter on yelling, “make it stop”.  we all try to go with the flow, try to make the best of it.  we are fortunate to be here together, at home, in a safe place.  we seek ways to stay relevant and do meaningful work.  we follow stay-at-home orders.  we reach out to visit, virtually, with our family and friends.  we video-conference with colleagues.  we wear leggings and sweatpants on a daily basis.  my boy, in a city with ever-exponentially-growing-covid-19-numbers, said that’s a given – sweats, sweats, sweats and the perfunctory button-down shirt.  we know what’s visible and what’s not.  we desperately hope for the best.  we get in each other’s way.  we help each other.  we brainstorm new ways to cope, new ways to work, some with steep learning curves.  we sigh.  we take naps, tired and wrung out.  all are true.

we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

and we try to stay in touch.  we desperately miss our children, our family, our friends, the people in our day-to-day life route.

even in times of ‘normal’, if my daughter, whose home is in a covid-19 hotspot and whose work, like too many, has been decimated, texts me with no punctuation and clipped answers, i know i have either a) stepped past the edge of the chatting time limit b) asked too many questions c) said something completely too mom-ish or d) encountered her at a time she needs space for herself.  no matter which option, it’s smart (and in my best interest) to back up.  she, just like my son, knows she is loved beyond words and i know that, in order for me to stay loved, or, er, tolerated, i need to utter less painintheass words.  but i am their mom and it is an intrinsic part of my job.

we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

if david, the other artist in my two-artist-household equation, mentions an idea to me, i dig under the idea pile of leaves to find the base of it – to order the details of what the idea means, to parse it out.  i can’t start at the top and assume thebigidea will work.  i have to see how the ingredients of the idea will work, the steps to get there.  if the tiniest piece of the idea doesn’t seem plausible, i argue, how could thebigidea be possible.  i don’t mean to be a bigidea killer; i just need to see the practical details.  i’m sure he invokes the youareapainintheass eyeroll when i am not looking, but that’s ok.  he can’t see me rolling my eyes either.

and so, we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

in the biggest way we have seen in decades we have a challenge.  to stay healthy.  to keep others healthy.  what we do affects you and vice-versa.  we all have to be responsible.  we all have to work together.  we are not all favorites of each other.  some of us are the biggest pains in the ass to others of us.  we are learning, bending, flexing.  we are finding out that we are more resilient than we thought, we are capable of negotiating the bumps in the relationship-road.  we are gumby in the real world.

and we are all here.  separate and together.  despite our wildly differing stories, we have a common story.  we are here.

and we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

i, for one, am grateful for my absolute favorite painintheass even though he is totally a painintheass.  for what would i do without him?

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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“even chaos has boundaries.” [merely-a-thought monday]

chaos copy

chaos (physics): ‘behavior so unpredictable as to appear random, owing to great sensitivity to small changes in conditions’

Screen Shot 2020-03-23 at 9.48.45 AM

we were at a meeting up north this summer when mona said this, “even chaos has boundaries.”  i jotted it down because it felt relevant.  in the midst of a contentious situation we were trying to keep our ‘do what’s best for the organization’ hats on, trying to believe that there, indeed, would be an end to the chaos.  committed to a peaceful forward-advancing plan, we kept both hands on the hats, guarding against a wave, a treacherous wave of onto-the-band-wagon-jumping, the aligning of two camps on different shores offering nothing of good import for the organization.

but there is a fine, fine line.  an infinitesimal line of crossover – where one tiny change, one more jenga block, one more pick-up stick, one more stone in the cairn, tilts the seesaw and chaos reigns.

we face, today, a seesaw of the greatest sensitivity.  like refraction, light passing through various mediums, the bend in light is dependent on the medium.  the slightest change in density yields change.

clearly, we must be sensitive.  the light we refract, our response, will determine what the next person has to work with.  if we refract less light and more darkness, darkness will exist, will be pervasive. and darkness, in the way of chaos, sussing out change and a hole in the dam, will become exponential.  where is critical mass, when the seesaw collapses, the cairn falls?

we must be sensitive.  we must be responsible.  we must respond in integrity, despite everything around us, despite the doubters, despite the rhetoric, despite the cavalierness, despite the political dogfight, despite the positioning of that ever-present caste ladder, doing what is best for each of us, for all of us.  what i do affects you.

in our own worlds, for ourselves, for all, we can strive not to pull the wrong jenga block or move the wrong pick-up stick.  choose your cairn-stones with care.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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always. with us. [k.s. friday]

always with us prayerflags

my emotional well was full when i woke up today.  thinking of us, our children, our families, our dear friends, our community, this world.  i desperately want to gather our beloveds in, hold them close, protect them.

i have no words for all of this; i have too many words for all of this.  i fear that none of them are helpful, none of them are wise.  it’s just me.  and, like you, carrying the weight of the world one step at a time, one quiet minute at a time, staring out the window and wondering.

always with us

we are alone

 

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read DAVID’s thoughts this K.S. FRIDAY

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ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood

 


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lost. [d.r. thursday]

Peri Winkle Square copy

lost.

in these times.  the emotional upheaval is exhausting.  worry is the crux of insomnia.  we measure every step, every decision.  we look to each other for reassurance, for a fast-receding touch of normalcy.  we feel…lost.

in these times.   we remember other times we felt this way.  other times of confusion and fear, of social responsibility and adherence to new rules, new realities.  too many calamities to name, it seems.  too many times…lost.

this little book Peri Winkle Rabbit Was Lost was the product of such a time, as david created it – a one-of-a-kind – in response for a call for a children’s book that addressed the tragic hurricane katrina, a book given to children that offered empathy for the plight in which they were standing, their lost.

we, as artists, do what we can to offer comfort, to bring a little solace, a moment of breathing, a slice of hope in darkness, a tiny map in lost-ness.

we, as people, look to the arts for a little solace, a moment of breathing, a slice of hope in darkness, a tiny map in lost-ness.

in these times.  standing in the darkness with each of you.  maybe together we will not feel as lost.

read DAVID’S thoughts this D.R. THURSDAY

Screen Shot 2019-10-02 at 4.09.09 PM

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PERI WINKLE RABBIT WAS LOST ©️ 2005 david robinson