reverse threading

the path back is the path forward


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we are. under construction. [d.r. thursday]

ddot studio

at this very moment, at this very time, with stacks and stacks of paintings and music, we both succumb to the realization that we are – indeed – under construction.  the rests between the notes are there for a reason.  space to breathe, to comprehend, to make the color and the music a part of your fiber.

the rests change you.  they change how you see, how you hear.  they give you pause.  to re-appreciate what you have done and to wonder what will come.  to be aware of the light.

it is the skill of an artist to learn how to sit in the rests without fidgeting.  to just sit.  it is an even higher level skill to create the rest.  and then sit in it.

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read DAVID’S thoughts this D.R. THURSDAY

WI table website box

 


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the 21st century. [two artists tuesday]

WelcomeTo21stCentury copy

side B of the canvas

along with the portable record player we take out on the deck, we have the you-remember-the-case-with-the-handle box of 45’s.  with titles like sugar sugar and IOU and julie do you love me and….the side A of these records are the likely hits.  but if you turn it over and play side B you can often be surprised by a song you like even more than the touted “side A” song.

when david brought up this canvas to photograph the painting on the front side, i was reminded of what we had seen when 20 so generously gave d a slew of his dad’s canvases.  on the side B, his artist dad (richard “duke” kruse) had written, “welcome to the 21st century” on the back of the canvas he had so meticulously stretched.  we laughed when we first saw it, but it remains a mystery as to why he wrote it; we can only guess…maybe he was bemoaning the loss of something of the 20th century; maybe he was truly welcoming the next.  either way, we get it.  we are both 20th century artists.

as a painter, david uses actual brushes to apply actual paint to actual canvas, a process that doesn’t necessarily need explanation, but, in the 21st century art world, isn’t necessarily always the trend.  with computer design and sketchpads -aka graphics tablets- the feel of bristles can become foreign to a contemporary artist.  what about the smell of the paint?  the light from the window on the canvas?  the spatter of acrylic matte medium on your clothes? the wooden brush handle in your hand?

as a composer, i use paper and pencils and erasers and a piano.  i have a couple of keyboards that have traveled all over with me, but the piano that takes up an entire room in our house is my tool of choice.  it is stunning how much time it took me to write a full score way back in college compared to the ease of scoring on the computer.  if i made a mistake on the score, i had to -with my pencil and then calligraphy pen- redo the whole page.  then i had to write out all the parts individually.  the 21st century has advanced the ability to have a computer generate all the individual parts off one score that is online.  pretty amazing and time-saving stuff.  not to mention the “playing” factor.  the computer program will “play” the part you write; you don’t have to.  but what about all the pencil eraser dust that falls on the keys of the piano?  what about the scraps of paper spread out all over the top?  what about the feel of the action below your hands, the response, the whooshing sound of the pedal?

acoustic vs plugged-in, analog vs digital.  kind of old-fashioned.  that’s probably why i like to sit in one of the rocking chairs in david’s studio and just watch.  and why he will come into my studio and just listen.  we don’t need a lot of fancy stuff.  he just wants to hang his paintings and i just want to sit at a piano on a stage with a single mic.  pretty 20th century.

read DAVID’S thoughts on this TWO ARTISTS TUESDAY

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the new side A:  earth interrupted VII (36″x48″)

TWO ARTISTS TUESDAY – ON OUR SITE

welcome to the 21st century/earth interrupted vii ©️ 2018 david robinson & kerri sherwood

 

 


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dr thursday

cropped II earth interrupted with frame metal square WALL ART jpeg copy 3

“held in process”

my husband is a painter.  of course, you know that.  his studio is steps away from mine, steps away from our office, steps away from the coffee pot.  what that means is that i can just pop in at any time to see what he’s painting, to chat, to have a cuppa or bring down a couple glasses of wine, to throw myself in front of paintings he is about to cover over with a swath of new paint.

what’s really fascinating is the process of his painting.  i will walk down and find pieces on the wall or the easel that speak to me and he will tell me that he is “no where neeeeear done.”  he takes pictures along the way and i scam them onto my camera roll for future use, not willing to let go of the resonance of one of the along-the-way iterations of a painting.

this week is a perfect example of that.  he was in the middle of a painting – a follow-up to earth interrupted I – when i went downstairs to chat (read:  procrastinate doing whatever it was i was supposed to be doing at the time.)  the image and color screamed out at me.  i couldn’t beLIEVE he was going to cover it all up with more paint.  the process was so striking.  take a moment to just really look at these process shots and the morsel i chose and breathe them in:

earth interrupted II morsel 1

process morsel

earth interrupted II morsel 2

process morsel

MASTERearth interrupted II copy 2

morsel of a process morsel – held in process

and yet, the finished painting earth interrupted II is a stunning, stunning, stunning canvas.  it belongs somewhere to get its due. it makes me feel like the universe is weeping for the earth.  it makes you pay attention to it.  i am humbled by how truly magnificent this painting is.

EarthInterrupted2 copy

earth interrupted II, mixed media 48″ x 34.5″

each week i design products from each of the days in our melange.  some of these are cartoons, some just words, some lyrics or song titles and some are david’s paintings.  i have the creative latitude to choose morsels of his paintings and design from there…a enviable starting point for someone who loves flexibility.  this week is a sort of brain stretch.  with the exception of designing leggings, where i used both of the morsels on this page, the morsel i have used in design is a morsel of a morsel process shot of earth interrupted II (i said it was a brain stretch.)  it is called held in process and is a beautiful (and absolutely timely) image on its own.  how odd that it is not actually the painting, but is underneath the painting, a layer of earth interrupted II.

it makes me wonder if we ever think about how layered everything is, everyone is.  what is beneath the surface…a richness we may never know, a history we can’t necessarily comprehend.  where we have all come from is woven color and texture and light and darkness, swaths of paint and attempted erasures that would cause other people to stand in front and call out to us, “no!  don’t erase that!  it’s beautiful!  it’s important!  it speaks to me.”  we are all held in process.

HELD IN PROCESS – PRODUCTS like wall art, cards, throw pillows, mugs, phone cases, laptop sleeves, tote bags beach towels and leggings

II earth interrupted FRAMED ART PRINT copy

WALL ART, CANVAS, METAL ART, CARDS

 

II earth interrupted SQ PILLOW copy

THROW PILLOWS, BLANKETS, RUGS

 

II earth interrupted LEGGINGS copy

LEGGINGS

 

II earth interrupted BEACH TOWEL copy

BEACH & BATH TOWELS

 

 

travel mug copy

mugs, travel mugs

 

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all-over-print t-shirts

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DR THURSDAY (DAVID ROBINSON THURSDAY) – ON OUR SITE

read DAVID’S THOUGHTS ON HELD IN PROCESS – THIS DR THURSDAY

a link to the painting EARTH INTERRUPTED II

HELD IN PROCESS & EARTH INTERRUPTED II  ©️ 2018 david robinson & kerri sherwood