reverse threading

the path back is the path forward


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iconic. yoga series. [d.r. thursday]

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when we were first talking, we discovered we were both artists.  he – a painter.  me – well, you already know that part.  we were far apart in distance so we did not see each other or the work of the other in person.  he didn’t come to any of my concerts.  i didn’t go to his gallery openings.  but….there is this thing called the internet.

it was with much curiosity that i sat down to view his paintings.  i wondered about his style, his choice of color, the movement in his paintings, the emotion.  our budding friendship would not be dependent upon whether or not i liked them, or even understood them.  but i must say – in all honesty – that it was incredibly convenient to find that i LOVE his paintings.  i love his style, his choice of color, the movement in his paintings, the emotion.

this painting, ICONIC, was the first large painting in his YOGA SERIES.  full of grace and the expression of inner peace, ICONIC is stunningly big (54″ x 54″), a statement piece that i have no doubt will soon grace the wall of the owner who hasn’t found it yet.

anyone who has purchased an actual painting – not a print or facsimile of some sort – knows that it is a relationship that develops, that the owner and the painting find each other, that it is not merely a purchase.  it is the bringing home of a piece of someone else’s heart.  the hanging-on-the-wall of someone else’s heart.  or, in the case of music, as i well know, the listening to of someone else’s heart.

iconic:  that which can trigger emotion.  yes.

view or purchase ICONIC in david’s online gallery

read DAVID’S thoughts this D.R. THURSDAY

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ICONIC ©️ 2010 david robinson

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we don’t really pay attention. [d.r. thursday]

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and then, while no one really paid attention – distracted by other things….

this painting is called ICARUS and, not being too much of a study in mythology, david told me the story.  now, somewhere in the bank of knowledge that i have learned and somehow forgotten, it resonated.  no matter.  it is certainly relevant now.  the shout of “squirrel!!” and the shifting of gaze happens time and again.  our attention-deficited-culture becomes distracted by you-name-it and we miss things that are happening, that are more monumental than we realize.  icarus flew too close to the sun.  we try too hard.  we push.  we seek to achieve.  we don’t pay attention.  we miss.  we get burned and fall.  others fall around us.  we don’t really pay attention.

what is really happening in our world while we are paying attention to the latest headline?  what is really happening in our world while we get caught up in the latest rhetoric?  what is really happening in our world as our politicians play shell games with us while the stuff of real importance they skirt past us?

david knows that i don’t really like this painting.  it’s one of a very few that i would say that about.  (just as i am quite sure there are musical compositions of mine that are not his favorite.)  i feel a kind of mayhem, a kind of negativity from it.  it unnerves me.  but, alas, it is a contemporary statement.  we don’t really pay attention.

read DAVID’S thoughts this D.R. THURSDAY

view ICARUS in the gallery

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ICARUS ©️ 2005 david robinson


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may you. [d.r. thursday]

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may you prayer.jpgi remember my big brother skipping stones.  always my hero, he was inordinately good at it.  even over waves as they came into the shore.  it wasn’t just the flattest stones, either.  he could skip most anything.  there’s a certain stance, a certain fingerhold of the stone, a certain turn of the wrist, and the stone would defy physics, drawing an invisible ellipsis across the water, touching ever further out.

the concentric circles.  we sit in the middle of our own hearts, our own joy, our own pain, our own little worlds.

this mantra starts closest, a fingerhold on our own-ness.  each repetition is a prayer for one who is a step away, two steps, three steps, a community, a country.  the ellipsis goes on.  the prayer is never-ending.

click here to view/purchase this painting MAY YOU

read DAVID’S thoughts this D.R. THURSDAY

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MAY YOU ©️ 2015 david robinson


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stand still. earth interrupted IV. [d.r. thursday]

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EARTH INTERRUPTED IV mixed media 48″ x 36″

“the river is moving is moving and i am still i am still.  the challenge of the seeker is not to be separate from that you seek.  and sometimes as kdot said you have to stand still stand still and let what you seek catch up to you.”

stand still stand still.  difficult.  every single cell vibrates with the anticipation of movement movement.  every single atom.  every single frequency.  every single.  but to stand still.  in it all.  and wait.  we are here.  we are the past.  we are the future.  it is all the same.  we stand in it.  some of it fades away and some of it catches up.  all while we stand.  and tremble in not-knowing.  and quiver with suspense.

read DAVID’S thoughts this D.R. THURSDAY

click here to view/purchase this painting on david’s gallery site

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EARTH INTERRUPTED IV ©️ 2018 david robinson


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classic. woman. [d.r. thursday]

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CLASSIC mixed media 20″ x 16″

my sweet momma had a painting of a modestly nude woman hanging in her master bath.  she was proud of this painting and of its location.  it traveled with them from long island to various homes in florida, an item that made the keep-it cut time and again.  now, this painting was not a brilliant work of art, for it was actually a paint-by-number that she had painted at some point before painting her own abstracts. (more on paint-by-numbers at a later date.)

but momma’s painting was meaningful to her and i suspect it represented a powerful statement – the beauty of a woman’s body, the grace of line, the respect shown.  perfection.  i think it resembled her in her youth, and in later years reminded her of earlier years, an earlier body before babies and emotion and injury and surgeries and wrinkles and time changed everything.  changed the shape and the look of body but added strength and wisdom that only life lived can add.  momma was indeed a woman before her time.

CLASSIC is such a painting, but is exquisite art.  the beauty of a woman’s body, the grace of line, the respect shown.

momma would have loved this painting of david’s and, probably, would have convinced him to hang it for her in her own home.  it would remind her of how much she loved being a woman.  of how she taught her daughters and granddaughters to embrace being female and yet, not to stand by meekly or idly or retreatingly.  to revel in the beauty of having a body that is female, but not to tout or compare or compete.  to move with grace as best as you can, for in that movement grace will be found.  to show and expect respect for your own body, in all ways.  to recognize perfection.  in all the times of life.

view/purchase CLASSIC in david’s gallery online

read DAVID’S thoughts this D.R. THURSDAY

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CLASSIC ©️ 2013 david robinson

 

 

 


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a creation. joy. [d.r. thursday]

 

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JOY mixed media 50″ x 56″

he painted this early on in the days he lived in wisconsin. a big canvas, his brushes moving effortlessly, carefully, intentionally, jars of paint by his side. and JOY came to be. i immediately loved it. equally, i loved being present for the process. i got to WATCH. a creation in the making. beautiful. he stood back and looked at his work.

regardless of your belief, you certainly must acknowledge that somewhere along the way there was a big blank canvas. a divine being named whatever-honoring-name-you-want-to-name-this-presence moved brushes effortlessly, jars of unimagined colors, buckets of stars, clouds full of rain and snow, mountains of hills and mountains, fields of fields and open rangeland, oceans and lakes full of water, gigantic test tubes of atoms and cells that would eventually turn into plants and trees, amoeba, bacteria, organisms, mammals, reptiles, amphibians, people – all by the side of the canvas. this supreme being moved effortlessly, carefully, intentionally. and the world came to be. a creation in the making. beautiful.

we hang this painting and gaze at it, interacting with it daily. we feel the joy of it, the color. we have relationship with the painting; it speaks to us and we listen. we respond to it, respecting it, hanging it out of direct sunlight, preserving it and keeping it beautiful.

we stand in the world and gaze at it, interacting with it daily. we feel the joy of it, the color. we respond to it, but do we respect it? do we have relationship with it? do we listen as it speaks to us? do we concern ourselves with its sunlight, its atmosphere, its water, its land, its living things – all of them? do we preserve it? do we keep it beautiful?

view and/or purchase JOY on david’s gallery website

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read DAVID’S thoughts this D.R. THURSDAY

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JOY ©️ 2015 david robinson

 

 


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how does it matter? [d.r. thursday]

Studio Shot

the studio in our basement is full of beautiful paintings that haven’t yet found their proper home.  it is also full of boxes of cds that have been replicated and shrink-wrapped, ready for their new homes.  there is no shortage of completed work down there, no shortage of heart projects, no shortage of sweat and tears.  there is no shortage of work in progress, canvases prepped, notebooks of lyrics and melodic gestures.

we moved our 20’s father’s paintings last week.  today we will move the remainder.  as we carefully loaded big red, you could not help but feel wistful about these paintings moving away from their home, to be stored by 20.  duke was a prolific painter and his work is stunning; we wondered where and how these mostly large pieces would find a permanent home.  where does it go from here?

any artist, thinking about the impermanence of life, wonders that.  where does it go from here?  who will purchase it, hold onto it, look at it, listen to it, read it, ultimately – feel it?  will it matter later on?  does it matter now?

read DAVID’S thoughts this D.R. THURSDAY

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