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the path back is the path forward


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the power of words. [d.r. thursday]

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and the wily old story fox told the pack, “words are like magic, misused they are tragic…”   (Lucy & The Waterfox – by David Robinson)

and the wily old story fox told the pack, “words are like magic, misused they are tragic…”

NOT ALL OLD FOXES ARE WISE LIKE THIS.

Lucy & The Waterfox

LUCY & THE WATERFOX, a beautifully illustrated story for children and grown-ups about believing, following your own path and the power of words.

click on the book above or here to purchase the book LUCY & THE WATERFOX on amazon.com

read DAVID’S thoughts this D.R. THURSDAY

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LUCY & THE WATERFOX ©️ 2004 david robinson

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his palette. [d.r. thursday]

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we really never know what it takes to do someone else’s job.  we don’t know all the tools used, the research done, how training and experience play into it, how someone perceives their own work.  we can only guess and, often, fall desperately and even arrogantly off the mark.

walking into d’s studio my eye is drawn to the easel standing in the far corner.  closer to me, though, is an old cart with an old wooden box holding paints and brushes.  there is another cart and on that is this palette – layers upon layers of color and texture, clay pots of water standing next to this widely-understood symbol of “artist”, often associated with the beginning of the process of painting.

now, i’ve painted a few paintings in my life.  i bought very large prepared canvases and dug around in the basement for leftover acrylic house paint to use on my creations.  without a palette, i brushed and re-brushed and threw paint until i knew each painting was done.  and then i hung them on the walls.  in one case, i painted right on the wall and put a clearance frame around the section of wall that i painted – a nod to a painting without the cost of canvas.

all of this, however, does not make me capable of really understanding how d paints.  for i do not know all the tools, i do not know the process of mixing color or the technique of stretching canvas he uses, i do not know the tricks of the trade he has accumulated over decades of honing his expertise.  nor do i know the knowledge base he brings about other artists, other painters and paintings, the use of light and dark space, the way the viewer’s eye sees, the very technical details and the very heart-based intuitions he has learned through many, many years of study and practice.  i can’t understand or even try to predict the amount of time it takes or doesn’t take for him to conceptualize, to explore, to create, to review, to assess, to adjust, to re-create.  i can respond to his work but i cannot define it, nor would it be meritorious for me to even try to do so.  out of respect for his work, something that is one of the very things that defines him, i know that i really have no idea.  what i can do is appreciate his talent and every last thing that he has done to bring him to this place where he paints beautiful paintings and it seems to take no effort whatsoever.

with regard to anyone and the work that they do, i would hope we could each remember – with humble respect – that we really have no idea.  we can just be grateful that we are each a spoke in the wheel on this good earth.  our palettes, the places from which we begin, are different.  and we can’t do it alone.

read DAVID’S thoughts this D.R. THURSDAY

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touch. [d.r. thursday]

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a morsel from LOVERS

there truly is nothing as powerful a game-changer as touch.  the touch of your lips to the tiny fingers of an infant, the touch of your ailing parent’s hand in yours, the touch of an embrace by a beloved.  when you are yearning to be held, to hold – waiting – and the moment comes,  the briefest of hugs, the slightest brush of fingers against your cheek, the feather kiss on the top of your head, the swept-up entwine…all capture the attention of every nerve ending and of your heart, and you sigh, at last.  surely all will be well.  you are not alone in this vast universe.

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LOVERS ©️ 2012 david robinson, kerri sherwood

 


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chasing bubbles. [d.r. thursday]

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nancy wrote that they added a drop of food coloring to the bubble mix for sweet lily.  it must have been enchanting…colorful bubbles in way-below-freezing temperatures, crystalizing, transformed by the absolute cold.  i know there are bubbles in this house; i just have to find them.  and then, next time, i will be out on our back deck, wand in hand.

there really is something about bubbles.  in the summer, at the farmer’s market they sell gigantic bubble wands.  while browsing one day, there was this little girl….chasing these enormous bubbles.  no worries on her mind, just arms outstretched, running, ready to embrace oversized magic.  it instantly reminded us of the innocence of a child, the seizing of something simple, the joyous caress of a moment.

this morsel and this not-quite-done-painting CHASING BUBBLES make me want to run into the sunshine or, perhaps, the falling snow, and chase iridescent dreams.

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CHASING BUBBLES mixed media 33″x48″

read DAVID’S thoughts this D.R. THURSDAY

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CHASING BUBBLES ©️ 2019 david robinson & kerri sherwood


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paintings are like that. [d.r. thursday]

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K.DOT & D.DOT SEE AN OWL mixed media 24″ x 48″

as you know, we are two artists living together.  so everything around our house has meaning of some sort.  each rock, each piece of wood, each feather, each vintage suitcase, each peace sign, each wooden box, each old window frame, each peeling screen door, each painting.  before david’s paintings also found their way onto the walls, there were several paintings i had painted.  well, “painted”.  i spattered and brushed black and white paint to the beating of my heart onto large canvases until i knew the paintings were done and then hung them up.  they each have a story – a heart narrative that might not be obvious to you, but is something i can feel each time i look at each of these paintings.

david’s work is stunning.  although some of them are for sale, we have pieces of his displayed on our walls – stories on canvas, we have chosen to hang paintings that tell part of our story together.  you never get tired of looking at something that is a piece of your life, a canvas of an intimate moment here or there.  K.DOT & D.DOT SEE AN OWL is one of those.  it’s an exquisite collection of color and movement and reaching.  in our story, it is about seeing an owl in the big old pine tree in our backyard.  on your wall, it could be about any moment in your life that you and your beloved looked forward, pointing into the future, embracing it, excitedly sharing together something inordinately full of meaning and just yours.  paintings are like that.

click here to view this painting on david’s online gallery

read DAVID’S thoughts this D.R. THURSDAY

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K.DOT & D.DOT SEE AN OWL ©️ 2015 david robinson & kerri sherwood

 


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they wait. [d.r. thursday]

WeWait Morsel

i can feel this painting.  i recognize it.  i have anxiously waited, looking out the window, babycat in lap, dogdog by my feet.  leaning forward, i have peered outside…waiting for someone to arrive, waiting for the mail, waiting for the sun to come up, waiting for my mind to rest.

we are in a time…you can feel the nerve endings jittering.  it is not a time of rest, nor is it a time of peace and unity.  we lean forward, looking out the window at moments passing, hoping to catch a glimpse of tomorrow and see a calmer day, a day where we might find a spirit of cohesion, a respite from the storm of divisiveness.

THEY WAIT…a beautifully poignant painting honoring the ever-faithful companions by our side, quietly and patiently waiting.  with no idea of why, with no questions asked, they steadfastly stay with us.

WeWait

THEY WAIT mixed media 24″x18″

click here or on painting above to view THEY WAIT

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autumn hillside night. [d.r.thursday]

Autumn Hillside Night

i can feel the sun over my shoulder, low to the horizon, warming the back of my head.  in front of me the field of cut-grain takes on the color of the sunset and the sky darkens in answer to the summoning of nightfall.  the color is intense; the darkness is perforated by the suggestion of clouds, maybe stars…maybe it’s too early for that, i wonder.  i want to walk up the hill to see what color might lay there, what color might be beyond that which i can see right now.  but i stay still.  and listen to the crickets in the grass, the cicadas in the small stand of trees behind me, the sigh of day’s end.

extracted from david’s painting WE WATCH THE SETTING SUN and then a time-of-day change from the morsel AUTUMN HILLSIDE, this is AUTUMN HILLSIDE NIGHT.

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autumn hillside/autumn hillside night/we watch the setting sun ©️ 2018 david robinson & kerri sherwood