reverse threading

the path back is the path forward


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(it is) as it is. [k.s. friday]

AS IT IS songbox copy.jpg

ken calls this my MUSH album.  he is an amazing producer and i feel fortunate to call him my dear friend as well.  he produced 14 of my albums and, although one of my albums and a few vocal singles were done in nashville, now i can’t really imagine any other recording projects without him.

MUSH stands for made-up-shi* and is aptly named.  this album came at a really inspired time for me.  artists have their highs and lows, inspiration-wise, and this was one of the highs.  i’ve mentioned the story before, but i’ll short-story it here again:  i had a list of titles – titles i wanted to use eventually for compositions; i carried a notebook and scraps of paper everywhere i went.  i had this list with me as i recorded two other full-length albums in nyc at yamaha artist services.  in-between recording the two other albums, i would choose a title and play it.  simply play it.  my heart is laid out in the tracks of this cd; every title was meaningful to me, every piece tells what it means.

AS IT IS is the title track so it’s interesting that i gave over the melody line to a flute, the only piece on all of my albums that has a flutist playing.  it’s also rare for me to step away from the piano and, in the production-post-initial-recording phase, play a keyboard.  but life is like that. you have to give over sometimes.  the texture changes.  the melody isn’t yours to own; sometimes you are support staff.  make peace with it.  it is as it is.

AS IT IS:  life.  we are right here…where we are supposed to be in this part of the journey…the best time is now.  simply because life is as it is. (liner notes)

purchase and download the album AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

we hate to leave paris websitebox croppedcopy

AS IT IS from AS IT IS ©️ 2004 kerri sherwood

 

 

 

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twenty years later

my sister sent me this.  i don't know who to credit, but it's brilliant.

my sister sent me this. i don’t know who to credit, but it’s brilliant.

a year ago yesterday i wrote about an anniversary….it was 19 years since i released my first album. well, that makes this year’s yesterday 20 years since the release concert for that first album! i looked at someone last night and said, “two decades!” which makes it sound like forever ago. in some ways, it is.

fifteen albums and several singles after that first release i sit here at my piano and get lost in thought. thoughts of what next? thoughts of direction – looking back and looking forward. thoughts of relevance. (yes, i have used that before in writing. but it’s so…relevant.)

at 56 i am a different composer, a different performer, a different dreamer than at 36. it doesn’t seem as important to fill any concert venue in order to have impact, in order to resonate with someone in his/her life. i wonder where the next two decades will take me. sheesh, where will the next one decade take me?

i face different challenges now than i did at 36. i’m not writing in interrupted bursts at the piano, in-between toddlers’ requests or needs. i have more uninterrupted time to sit and compose, to write lyrics. hmm…i find that i’m actually better when being interrupted.

my songs are different too. lyrics at 36 were designed for airplay – 3.5 minutes or less. more than that was the kiss of radio-death. lyrics at 56 aren’t designed. in fact, i’m wondering who will listen. how many other pianoplayingsingersongwritercomposers are out there?

i was listening to pop radio while driving the other day and was floored at all the lyrics i would never have written. the lyrics “i’m all about that bass, ’bout that bass, no treble” would never occur to me. so i’m guessing (newsflash!) i’m not cut out for this pop radio thing any more. that’s a no-duh, you’re thinking. and yet, i know that people are still listening. i get feedback (jay’s word:) from people who generously take the time to sit down and jot a note to me about how something i have written touches them. this is huge. this is what makes writers keep writing, composers keep composing…the idea that something they have to say resonates with someone else. although the muse forces us all to continue regardless.

so….where am i going? i’m thinking about recording a new vocal album that is ukulele-based. not because i am a good ukulele player, but because i am not a good ukulele player. it will force me to really think about the lyrics, the melody, the stuff of emotion. i won’t be able to rely on those familiar and beloved 88 keys. it would make me change; it would make me grow. both are good.

i’d like to find a way for all the music that i’ve already recorded to be accessed more…in a fiscally rewarding way. the 319,954 downloads in the first quarter (see post from September 22) didn’t actually help me make a living. and that same thing happens each quarter that goes by. i’d like to think that everything that has been invested in all those albums – all those pieces of music – all that heart – might be able to help me pay my bills. $0.00079 royalty per download isn’t really the way to get there. and all the radio promoters and marketers i’ve paid in the past didn’t need the income from my music to pay their electric bill. they needed the income i paid them. big difference. but genuine iTunes downloads or licensing for movie scores or some wildly lucky viral hit would help.

in the meanwhile, i have to decide to decide. that it doesn’t matter, ahead of time, to know who will listen or what will happen. that if music is to be written, it just must be written. i have no real control over the rest.

twenty years later i think i get it.

www.kerrisherwood.com

itunes: kerri sherwood