reverse threading

the path back is the path forward


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scattered. [k.s. friday]

scattered songbox copy

the lake is glistening out the window right now, diamonds in the sun on a sea awash in blues and teals.  we just listened to this track SCATTERED and i am taken back to when i composed and recorded this, a time i felt scattered.  yet, this is the right piece of music for today.

how we arrived together at this place at this time – all scattered puzzle pieces.  rearrange one piece and everything changes.  somehow, the pieces all fit, snug tabs and blanks forming a picture.

right now, coincidentally the album title, we are in a new time of life at a new place doing a new thing.  our job is to respectfully, mindfully, keenly watch.  we will listen and study and learn the branches of our little island, the unique challenges of the work here.  as we develop relationship with the island, the people, the places, our littlehouse, our work here, the scattered tabs and blanks will come together.  not without intention or purpose, not without dreaming or planning, not without knowledge or the wisdom of experience, not without experimentation or failure, but they will come together…as they will.  it just feels a bit scattered right now, as every jigsaw puzzle fresh out of the box.

purchase the album RIGHT NOW or download on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

schoolhouse beach website box

SCATTERED from RIGHT NOW ©️ 2010 kerri sherwood

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take flight. [k.s. friday]

take flight songbox

i have a seagull collection.  much like my horse collection, my seagull collection is much bigger in my memory than in the actual bin-in-the-basement.  when i opened what i thought was a big stable of horse figurines, i was shocked to find that my i-packed-it-in-1972-according-to-the-newspapers-in-the-box brain had overestimated the numbers…by a lot.  my seagull collection, on the other hand, was packed a bit later – more like 1980 – and i had a (little bit) better memory about how many jonathan livingston seagulls i had collected through the years.

growing up on long island i loved seagulls.  never too far from the beach, they were everywhere, but i spent great periods of time beach-sitting winter/spring/summer/fall watching them swoop and holler, screeching at their scavenged finds.  richard bach created a whole seagull community metaphor and i fell right in.

i can still smell the wet sand, see the seaweed washed ashore on pebbles i collected even back then, feel the sun, even the winter sun, on my face.  it all made me breathe differently.  it all made me think and grow and dream.

john denver’s song the eagle and the hawk spoke to me back then.  his simple lyrics prompted me to let those dreams TAKE FLIGHT.

“And all of those who see me, and all who believe in me
Share in the freedom I feel when I fly.
Come dance with the west wind and touch on the mountain tops,
Sail o’er the canyons and up to the stars.
And reach for the heavens and hope for the future,
And all that we can be and not what we are”

purchase THIS PART OF THE JOURNEY CD or download on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

rhode island website box

TAKE FLIGHT from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood

 


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be thou my vision. lento. rubato. [k.s. friday]

be thou my vision songbox

were i to record this old reassuring hymn BE THOU MY VISION again, i would play it much, much slower.  not the andante of the recording, the tempo of singing these verses.  instead, i would realize that this kind of guidance doesn’t necessarily happen in my version of time but, instead, in the universe’s version of time.  much, much slower.

it was 15 years ago, back in 2004, when i sat on a leather piano bench at yamaha artist services in nyc recording this piece and the others on the hymn albums.  i was 45.  things seem to move a lot faster at 45; expectations are impatient, conflict needs quick resolution rather than measured, thoughtful parsing.

now, 15 years later, i realize that slow is key.  the right answers don’t come fast.  much as we want quick, answers take their sweet time.  we ask for guidance and wish for an immediate sticky note to float down in front of us.  we, d and i, can tell you, if you don’t already know, that just doesn’t happen.  post-it notes were created on earth and any sticky note floating down from the heavens, the vision we so desperately seek, is invisible.  it shows itself, slowly, in how things begin to fit together, how it feels.  slowly.

we were at the music store in town a couple days ago.  kevin, the owner and one of our favorite people to hang and chat with, asked us what was new.  we laughed, not ready to share all that has been happening, but described an ever-changing picture.  he asked us if it felt like “all the pieces were falling into place easily.”  although i wouldn’t choose any form of the word ‘easy’ to depict our sticky-notes-requested-scenario, we can also say we haven’t been force-fitting square pegs into round holes. “then it’s supposed to be,” he said.  he told the loaded-with-sticky-notes story of buying the music store, fraught with challenges, but so meant to be.  it’s not in our time.  our expected tempo of things happening has, we can see, nothing to do with it.

so, lento.  lento would be the way to play this.  slowly.  taking sweet time.  and rubato. freely.  for in the gift of vision is sweet freedom: the ability to take a breath, recognize, regardless of our age, how little we really know, sit in purple adirondack chairs, go beyond the jetty and count on a benevolent universe.

purchase ALWAYS WITH US CD or download on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

hands website box copy

BE THOU MY VISION from ALWAYS WITH US VOL 1 ©️ 2004 kerri sherwood

 


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(it is) as it is. [k.s. friday]

AS IT IS songbox copy.jpg

ken calls this my MUSH album.  he is an amazing producer and i feel fortunate to call him my dear friend as well.  he produced 14 of my albums and, although one of my albums and a few vocal singles were done in nashville, now i can’t really imagine any other recording projects without him.

MUSH stands for made-up-shi* and is aptly named.  this album came at a really inspired time for me.  artists have their highs and lows, inspiration-wise, and this was one of the highs.  i’ve mentioned the story before, but i’ll short-story it here again:  i had a list of titles – titles i wanted to use eventually for compositions; i carried a notebook and scraps of paper everywhere i went.  i had this list with me as i recorded two other full-length albums in nyc at yamaha artist services.  in-between recording the two other albums, i would choose a title and play it.  simply play it.  my heart is laid out in the tracks of this cd; every title was meaningful to me, every piece tells what it means.

AS IT IS is the title track so it’s interesting that i gave over the melody line to a flute, the only piece on all of my albums that has a flutist playing.  it’s also rare for me to step away from the piano and, in the production-post-initial-recording phase, play a keyboard.  but life is like that. you have to give over sometimes.  the texture changes.  the melody isn’t yours to own; sometimes you are support staff.  make peace with it.  it is as it is.

AS IT IS:  life.  we are right here…where we are supposed to be in this part of the journey…the best time is now.  simply because life is as it is. (liner notes)

purchase and download the album AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

we hate to leave paris websitebox croppedcopy

AS IT IS from AS IT IS ©️ 2004 kerri sherwood

 

 

 


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twenty years later

my sister sent me this.  i don't know who to credit, but it's brilliant.

my sister sent me this. i don’t know who to credit, but it’s brilliant.

a year ago yesterday i wrote about an anniversary….it was 19 years since i released my first album. well, that makes this year’s yesterday 20 years since the release concert for that first album! i looked at someone last night and said, “two decades!” which makes it sound like forever ago. in some ways, it is.

fifteen albums and several singles after that first release i sit here at my piano and get lost in thought. thoughts of what next? thoughts of direction – looking back and looking forward. thoughts of relevance. (yes, i have used that before in writing. but it’s so…relevant.)

at 56 i am a different composer, a different performer, a different dreamer than at 36. it doesn’t seem as important to fill any concert venue in order to have impact, in order to resonate with someone in his/her life. i wonder where the next two decades will take me. sheesh, where will the next one decade take me?

i face different challenges now than i did at 36. i’m not writing in interrupted bursts at the piano, in-between toddlers’ requests or needs. i have more uninterrupted time to sit and compose, to write lyrics. hmm…i find that i’m actually better when being interrupted.

my songs are different too. lyrics at 36 were designed for airplay – 3.5 minutes or less. more than that was the kiss of radio-death. lyrics at 56 aren’t designed. in fact, i’m wondering who will listen. how many other pianoplayingsingersongwritercomposers are out there?

i was listening to pop radio while driving the other day and was floored at all the lyrics i would never have written. the lyrics “i’m all about that bass, ’bout that bass, no treble” would never occur to me. so i’m guessing (newsflash!) i’m not cut out for this pop radio thing any more. that’s a no-duh, you’re thinking. and yet, i know that people are still listening. i get feedback (jay’s word:) from people who generously take the time to sit down and jot a note to me about how something i have written touches them. this is huge. this is what makes writers keep writing, composers keep composing…the idea that something they have to say resonates with someone else. although the muse forces us all to continue regardless.

so….where am i going? i’m thinking about recording a new vocal album that is ukulele-based. not because i am a good ukulele player, but because i am not a good ukulele player. it will force me to really think about the lyrics, the melody, the stuff of emotion. i won’t be able to rely on those familiar and beloved 88 keys. it would make me change; it would make me grow. both are good.

i’d like to find a way for all the music that i’ve already recorded to be accessed more…in a fiscally rewarding way. the 319,954 downloads in the first quarter (see post from September 22) didn’t actually help me make a living. and that same thing happens each quarter that goes by. i’d like to think that everything that has been invested in all those albums – all those pieces of music – all that heart – might be able to help me pay my bills. $0.00079 royalty per download isn’t really the way to get there. and all the radio promoters and marketers i’ve paid in the past didn’t need the income from my music to pay their electric bill. they needed the income i paid them. big difference. but genuine iTunes downloads or licensing for movie scores or some wildly lucky viral hit would help.

in the meanwhile, i have to decide to decide. that it doesn’t matter, ahead of time, to know who will listen or what will happen. that if music is to be written, it just must be written. i have no real control over the rest.

twenty years later i think i get it.

www.kerrisherwood.com

itunes: kerri sherwood