reverse threading

the path back is the path forward


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a painting is born. [d.r. thursday]

andthentheydancedprocess

i have a unique front row seat to paintings in process.  running downstairs to throw in another load of laundry or seek out a tool i need, i will glance at the easel in the studio to peek at what’s up next…this time, the sketch of two people dancing made me stop.  it immediately made me thinking of when we have danced in the front yard or the kitchen or out on the deck or on a mountain trail.  i got lost in the tango and wandered back upstairs, no new laundry spinning in the washer or tool in my hand.

the next time i looked at the easel i found these two people emerging and color exploding off the canvas.  i have learned, in this time of living with a brush-in-hand-artist, that this is the under-painting, a place that involves steps at which i often want to tell him to stop!wait!it’s perfect!  sometimes he does – stop.  other times he keeps going, for the vision in his mind’s eye is beyond what is on the easel and there is more to develop.

it’s a unique place in the front row.  maybe more comparable to back-stage or the green room or the recording studio before “record”…a place of preparation, a place of reflection, a place of swirling beauty, a place of possibility, a place where the-painting-someone-dreams-of-hanging-on-their-wall is being born.

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read DAVID’S thoughts this D.R. THURSDAY

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and then they danced ©️ 2018 david robinson & kerri sherwood

 

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the chase. [chicken marsala monday]

itsnotthecatch WITH EYES jpeg copy

dogdog drags babycat across the wood floors through the house with babycat’s head in his mouth.  at first, when dogdog was new to the family, it really frightened us and we admonished dogga for dragging the cat around.  but then we realized that it was a game.  if dogdog wasn’t playing, babycat would slap at dogdog with his claw-paw and make the chase start.  it mattered not who “won” the match, for there was no obvious winner. (although i must say that it appears that babycat is indeed the alpha in the house.)  most important for the two of them was the chase.  just having fun.

it’s the same with anticipation.  i can clearly remember having great anticipation for something-or-other, relishing that feeling, the adrenalin rush, the quickening of heart, the excitement i could feel.  when the actual Thing happened, it wasn’t nearly as delicious as what led up to it – the anticipation, the process, the chase to it.  the Thing was almost anti-climactic, a sort of denouement of all the details getting there.

albums are kind of like that.  the process of writing, practicing, the anticipation, the work, chasing the perfect recording.  and then, the tying up of loose ends, the post-project letdown. as much as i wish i could, there is no way i can control what the ‘catch’ will be, whether or not the music will resonate with listeners, whether or not the album will do well in the market.

as an artist, it is all the magic in the middle that matters to me.  the chase.

if you'd like to see more CHICKEN...

read DAVID’S thoughts on this CHICKEN MARSALA MONDAY

CHICKEN MARSALA MONDAY – ON OUR SITE

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please visit our kerrianddavid page on facebook

it’s not the catch, it’s the chase that matters ©️ 2016 david robinson & kerri sherwood

 

 


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ks friday

jacketasitisjpeg copy 2i could hear the saxophonist on the corner out the window; it’s not uncommon in nyc.  at yamaha artist services to record the two solo piano hymn albums, i was caught up in the christmas carol he was playing, only a little concerned that it would bleed onto the recording.  the amazing “it’s fine!” ken can handle anything.

my task was to get onto tape (so to speak) the material for both of the hymn albums:  ALWAYS WITH US Volume 1 and ALWAYS WITH US Volume 2AWU v1 jacket copyit was easy for me to compile a list of the hymns to play; so many years of church music gives me an advantage that way.   but on every album, even if it is music i haven’t written but am giving my own voice to (like the hymn albums or christmas albums or lullaby album) i always include one or two pieces that i have composed – a signature of sorts.  for always with us volume one it was the title track.  ALWAYS WITH US is a statement of my belief that we are never alone, we are always AWU v2 jacket copysurrounded by infinite grace and love – God is always with us.  like all the tracks on the hymn albums, this piece is solo piano.

part of that time in the city, i also recorded the album AS IT IS.  i had a list of titles and in-between recording hymns, i would take out the list and simply play the word.  but i’ve talked about that before.  this album was a personal creative challenge and took on a life of its own.

back in chicago, in post-production work, ken wrote orchestration arrangements (he is brilliant) and brought in musicians to record on tracks for the AS IT IS album, starting with the solo piano recordings. these new tracks went beyond the solo piano versions – in texture, in diversity, ultimately, in emotion.

yesterday i wrote about process in david’s painting.  the same -yet different- process exists in recording music.  the coming-together of layers, with what is in a layer below sometimes hidden, a breath you can’t hear, but can feel.  i am awed by what the whole becomes from the whole.

always with us exists in two forms.  both are relevant to the album they are within.  both speak a language.  but both tell the same story – for those who listen – that we are never alone.  God – or whatever you call this presence- is always with us.  and if you listen, maybe with your mind’s eye, you might even hear the strains of a saxophonist on the corner in the city at night.

ALWAYS WITH US – on the album AS IT IS

ALWAYS WITH US – on the album ALWAYS WITH US VOLUME 1

to DOWNLOAD ALWAYS WITH US from AS IT IS track 14 from iTUNES

to DOWNLOAD ALWAYS WITH US from ALWAYS WITH US Vol. 1 track 2 from iTUNES

to purchase the physical CD ALWAYS WITH US VOLUME 1 (AS IT IS is out of stock)

KS FRIDAY (KERRI SHERWOOD FRIDAY) – ON OUR SITE

to see some fun PRODUCTS that go along with this piece ALWAYS WITH US:

leggings, wall art, mugs, beach towels, cellphone covers, cards

always with us SQ PILLOW copy

throw pillows, blankets

 

always with us RECT PILLOW copy

throw pillows, rugs

 

always with us LEGGINGS copy

leggings

 

always with us TOTE BAG copy

tote bags

 

always with us iPHONE CASE copy

cellphone cases, laptop sleeves

 

always with us FRAMED ART copy

wall art – in some of these pieces i could not resist using david’s art

 

always with us COFFEE MUG copy

mugs, travel mugs

 

ALWAYS WITH US from ALWAYS WITH US Volume 1 and AS IT IS ©️ 2004 kerri sherwood


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chicken marsala monday #2

juststart jpeg copymy sister and i were toodling around milwaukee on one of her visits here, years ago now.  we went to this great little coffeehouse on the lake and there was a stand of cards.  one read “begin anywhere” a quote from john cage.  procrastinators/a.d.d. twins, it jolted both of us and we laughed.  it launched a really honest and vulnerable conversation between us over our coffee mugs.  we bought two of the cards.  hers sits inside a glass frame on her counter in her kitchen.  mine is inside an old window frame on the wall in the bedroom.

starting is the hardest thing.  so often we don’t know how.  and we dread the not-knowing, fearing that we will fail or fall short or never “finish”.  finish what?  we are never “done,” i believe.  we just keep moving.  toward who knows what sometimes, but we keep moving.  life is fluid and fluxes and we try to be flexible.  and sometimes, after we force ourselves to JUST START, we find that the task wasn’t as difficult or involved as we thought, or we were better at “it” than we thought, or there really weren’t the demons we imagined.

i love this CHICKEN MARSALA.  in honor of my beautiful daughter-of-the-snowy-mountains, in honor of all the athletes competing in the olympics who started their sports long ago, in honor of artists of every medium everywhere standing in front of a notebook, a piano, an easel, a barre, a microphone, in honor of THE ROADTRIP – a second start for david and me (starting AGAIN is sometimes a beautiful thing) we offer this CHICKEN NUGGET in the studio melange this week.

you’re at the gate.  poised.  fearful.  anticipatory.  excited.  your imagination is going wild.

just start.

chicken just start mugSOMETIMES THE BEST THING TO DO IS START merchandise

chicken marsala monday

kerrianddavid.com/the-melange

check out DAVID’s thoughts on this CHICKEN NUGGET

chicken just start framed print

 

sometimes the best thing to do is start

©️ 2016 david robinson & kerri sherwood


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it just is.

photo the play is over and we move on…and i will be moving back to my piano. but before i do that, i have to think some more about this experience. standing on the stage as an actor in front of two sold-out audiences was…pretty amazing. it took me time to process entering this opportunity and it’s taking me time to process moving into Next.

one of the things david said to me the day of the first performance was something like this: it’s important to not look at the audience as the audience ‘out there’…instead stand here – on the apron of the stage- and invite them in, embrace them. i suddenly recognized this as not so much different than what i do in any of my concerts. i feel as if i am inviting people into my living room (or my home studio)…well, actually, my life…each time i play a concert. and there i was, on the stage as an actor, inviting them in….

i was nervous backstage waiting. i always have eager anticipation in the green room; i spend time pacing and praying and being quiet and internal. i will sip coffee and run through my program in my head. and i fuss with my hair. photo-1this was much the same. i paced. i prayed. i was quiet and internal and i sipped coffee while running lines in memory. and yes, i fussed with my hair.

i didn’t want to be thinking, thinking, thinking as i stepped into these performances. i knew that would detract from the moment. i found, like in concert, i just needed to be present. if i am performing a piece of music, it is to my detriment if i start to think too much. the preparation is done at that point…it is time to deliver, to share it…yes to invite them in. thinking, at that point, makes it plastic, measured, contrived. and raises the chance of getting lost. just being in it is what makes it fluid, what makes it permeable, what helps it to resonate with someone outside yourself.

and so i stepped out onto the stage, in a role that i am not well-versed in…the role of actor…and i quietly became the characters in the play. i could feel them. this play has a seven-minute long silent section near the end. i had the distinct honor of holding those moments as the audience watched me re-pack a hundred-year-old trunk- a trunk filled with momentos of a ten year old boy who had died from typhoid fever and in which his momma packed all of his belongings and plastered it into the wall of a house on a ranch in california. it was with slow deliberation, weeping, that i re-packed this trunk, in silence, while the audience joined me in these emotional moments. not so unlike telling stories on stage or playing or singing something that resonates with the audience that joins me on the bench.

hmm. i think i am finding a theme here. it’s not so unlike….

and yet, the moment that the stage manager said to me, “i was so wrapped up in what you were doing that i almost missed light cues…” i felt that i was doing good work. and, even more important, when he told me that i had “brought intention” i realized, for sure, that it was exactly the same. no piece of music is without intention. no action on stage is without intention. no breath is without intention.   it is to live. to honor. to share. it’s not trying to be convincing. it just IS.

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