reverse threading

the path back is the path forward


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unfolding. [k. s. friday]

unfolding song box copy

“…and whether or not it is clear to you, no doubt the universe is unfolding as it should…” (desiderata by max ehrmann)

when i listen to tracks i have recorded i can either picture the time i spent writing at the piano or the time i spent in studio recording.  this piece drums up the same image; in a time of pronounced inspiration and the transferring of much emotion into music, this was simultaneously written and recorded at yamaha artist services in nyc back about 15 years ago.

even then, i could see the willows-bending-in-the-wind characteristic of life – it will unfold as it should, despite our best efforts to stymie it or change it or enhance it.  and so i loved when ken, my truly amazing producer, added a bended electric guitar line, arching and buckling, flexing around the melody line, a musical painting.   even now, and i suspect as will always be, i try to be that willow, bending as the wind takes me, allowing the universe to unfold.

“unfolding: trying to trust that life is unfolding the way it should be” (liner notes)

download AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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UNFOLDING from AS IT IS ©️ 2004 kerri sherwood

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untitled interlude. [k.s. friday]

untitledinterlude songbox.jpg

“…sometimes you just need some space in between.  a few moments to think.” (liner notes)

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time to sort, to ponder.  a breath.  in music, it’s used in between verses and choruses, a time for an instrumental, a time for a pause in lyrics, a pause for thought.

right now feels like an interlude.  space that is falling between the verses, it’s quieter with more pondering.  it’s a time of figuring out, a time of ‘what’s next?’  not every interlude is comfortable, but that space in a piece of music, in life, is a time that can be rich.

as mozart said, “the music is not in the notes but in the silence in between.”

 

download on iTUNES or purchase the physical CD

read DAVID’S thoughts this K.S. FRIDAY

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UNTITLED INTERLUDE from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

 


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watershed. [k.s. friday]

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watershed definition

i can feel it.  it’s not something i can put words to.  it’s mysterious and undefinable.  but it’s coming.  there is a turning point.  right around the corner.

i walk into this new year and there’s something different…there is an underlying vibration i can feel – viscerally – a pulse, a quivering – that is present.

when it was time to pick a piece of my music for this week’s studio melange, i was drawn to this one….full of angst and wonder and sedimentary layers and mica and minor…..full of questions.

2019.  it has been nine years since i recorded a full-length album of any sort and seventeen years since a full-length vocal.  is it time?  to record?  to let it go?

i can feel it.  it’s not something i can put words to.  it’s mysterious and undefinable.  but it’s coming.  there is a turning point.  right around the corner.

a watershed.

download AS IT IS on iTUNES or on CDBaby.com

read DAVID’S thoughts on WATERSHED

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WATERSHED from AS IT IS ©️ 2004 kerri sherwood


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playing the same stuff. [merely a thought monday]

string bass with frame

just last saturday evening, out on cape cod, we lingered over seafood and glasses of wine with jonathan, our bass player.  we were sitting around his table, chatting about music.

he told us about a group of musicians he rehearses with on an irregular basis.  they play a wide variety of instruments and they all just gather casually together and jam on some “good music”.  “…and once in a while we play the same stuff…” he stated.  his voice trailed off as he thought about what he had just said and we all laughed.  we can picture a whole group of jonathans in the room – all exuberant and, each, lovers of all music, all pick-ready, mouthpiece-ready, reed-ready, hands-poised-over-the-keys-ready.  that kind of enthusiasm shouldn’t be curbed or restrained.  the sheer joy of playing – now that’s the reason to be all together.  it’s not about playing all the notes on the page, playing them all perfectly at the same time, playing them with no mistakes.  it’s about heart.  it’s about the breaths and the rests of silence, the flip-flop your heartbeat makes when soaring notes come together in a sweeping harmony, the tears you get in your eyes when something you just played or heard is sublimely sweet, dynamically touching, deeply resonant, the belly laugh with the ridiculously dissonant moment.

the ukulele sip ‘n strums are about just that.  if we can choose to teach anything at those sip ‘n strums, i would choose to teach just these things.  the things of joy.  music is all about individual hearts…coming together with the immense gift of twelve notes at our literal fingertips.  no matter what we play, we are playing the same stuff.

ukulele laughter

what playing music looks like.

christmas sing dec 7 sip n strum copy

rackcards for sip n strumtake 2.PRINT copy (deleted b'87d4bf65abee4940dca3fe6ba53c1bc6') copy

read DAVID’S thoughts on this MERELY A THOUGHT MONDAY

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UKULELE SIP ‘N STRUM ©️ 2018 kerri sherwood & david robinson


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waiting. [k.s. friday]

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it’s not a complex piece of music. it’s a line out of my heart at the moment in time i was recording it.  it’s the mystery that surrounds waiting.  it’s the depth of biding one’s time.  it’s the expression of sitting tight and holding on, of not-knowing.  it’s the tentative simplicity of before…before the time of getting to the end of waiting.  it’s the time of anticipation, of advent – the time of emergence, of arrival, of birth.

it’s not complicated.  it’s just waiting.

download JOY – A CHRISTMAS ALBUM on iTUNES or CDBaby

 

christmas albums

and yet….more throw pillows to end the week….

kerri pillows copy

read DAVID’S thoughts on this K.S. FRIDAY

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WAITING from JOY – A CHRISTMAS ALBUM ©️ 2004 kerri sherwood


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productive avoidance. [merely a thought monday]

productive avoidance box

i’m thinking this is just a fancy term for procrastination?  you know, those moments when you have a list-of-things-to-do and you do something NOT on the list.  to be honest, i ALWAYS add the things i ended up doing TO the list so that i can cross them off.  there is something i find so very satisfying about crossing things off.  even if i haven’t gotten to the crux of what i need to get done.

d says that i work in a circular manner.  i suppose he’s right.  but i swear it’s a woman-thing.  we are spinning many plates at the same time, keeping them all in the air, and, although everything will eventually get done, we move from one thing to the next and then circle back.  i know very few gals who – in an OCD kind of way – stay cemented to one task until its completion without punctuating it with others.

when The Girl and The Boy were little i was constantly moving from writing at the piano to reading books aloud to playing with matchbox cars to making business calls and back to the piano….many layers all at once. i remember having a phone conversation with one of the VPs of barnes and noble when they were placing one of my albums on the listening station wall.  in the middle of this phone call, you could hear one of my children in toddlerhood – i will not mention which one – in the background, beckoning me from the bathroom, yelling, “i finished!  i pooped!”  the VP heard it too and he was gracious enough to tell me he would hold on.  it’s a mom thing, right?  those spinning plates.

we work differently, d and me.  we are both productive, but i’m guessing he would oft label me productively avoidant.  eh.  he just doesn’t see how i accomplish that ever-growing-ever-crossed-off list in my head (or on paper, for that matter.)  it’s amazing what i can accomplish when i am “supposed” to be accomplishing something else.  i know you know what i mean!  #allwillgetdone #whatdoesitallmeananyway?

read DAVID’S thoughts on PRODUCTIVE AVOIDANCE

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divine intervention. [k.s. friday]

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divine intervention. from whence it all comes…

right at 2:08 in this recording is an ambient sound.  it is a sound that my producer and i deliberately decided to leave in the recording, an audible sound of divine, a tiny punctuation in our project from across the barriers of physical being-ness.

we were recording remotely on one of the northwestern university stages, ken (my amazing “it’s fine” producer) having built a small studio off in the green room, separate from the stage space where the piano was.  everything was moved or padded so as to avoid interruptions or rattling or vibrations or overtones, anything we didn’t want included in this solo piano album.  it was a tedious process and we recorded straight through a twenty-three hour stretch.  with me were items – totems of a sort – to keep me company as i recorded this first album.  one was a stuffed animal i had given my beloved big brother during his chemo treatments, three short missing-him-years prior.

divine intervention was the last piece up.  the last piece of the very first album i was recording, released 23 years ago november 11 on my sisu music productions label.  teetering on that balance point, no idea of where i was to go next or what would become of this album, i was emotional and exhausted, determined and vulnerable.  i spoke words of prayer and began the next take of this piece.

at 2:08 i heard a sound.  it sounded like an old wooden screen door closing, but i didn’t really know what it was.  i was sure, however,  it would be on the recording since i could hear it on-stage.  i kept going anyway, thinking we’d go back and re-record the piece. when i finished playing, tired tears in my eyes, i walked into the green room to find ken standing in astonishment.  there was an empty can of pepsi in that little studio, one i had put in there and secured by towels deep onto a shelf.  at 2:08, the can somehow moved out of the spot it was nestled in and clattered onto the floor.  the sound.  even without listening to the cd i can hear this sound in my head every time i play this piece.

we listened back to the raw recording.  sure enough, it was there.  and so was something else.  a feeling that somehow, some way, the divine interrupted.  intervened with a small nod.  perhaps it was my big brother, in jest, stopping by in the middle of the last take of the very last piece of my very first album, to make a little noise.  perhaps it was something else.  either way, we knew.  and we left it in.

i still have the can.

15. divine intervention (3:16):  the feeling i have about this whole project.  there really isn’t any such thing as chance.  those who are just on the other side sometimes help us to sort and place the clues of our life’s story. (words from released from the heart jacket)

purchase the CD RELEASED FROM THE HEART or download on iTUNES or CDBaby

read DAVID’S thoughts on this K.S. FRIDAY

hands website box copy

DIVINE INTERVENTION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood