reverse threading

the path back is the path forward


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if i was the rain. [two artists tuesday]

eric lowen and dan navarro (lowen & navarro) are two of the most in-sync singer-songwriters i have ever known. with lyrics to break your heart and voices and guitars that complement each other perfectly, you would think there would be no outer limits for them, no bounds. but.

if you need a good cry, an absolute raw moment, you should watch the video of eric’s last time on stage. at 60, devastated by ALS and with his children gathered around him and his guitar, he speaks the words of this amazing song of healing from his wheelchair. if i was the rain. it dives in and both destroys and rejuvenates my heart every single time.

the rain. if i was the rain.

if i was the rain
i’d have no reason to explain
i’d fall between the fireflies
i’d never dampen any light

i’d strike a chord within each heart
wherever they were torn apart
and if that helped them heal themselves
maybe we’d find out where forgiveness starts

if i was the rain
i’d choose forever to remain
i’d add a sparkle to the night
and marvel at the morning bright

if i was the rain
i’d bless each blossom to unfold
and i’d turn each one of them to gold
if i was the rain
if i was the rain
if i was the rain…..

(charles john quarto, eric lowen, dan navarro)

we sat for a few days straight at the table in our sunroom. watching out the window at dreary weather, non-stop rain, we pondered all that was happening. the rain-soaked screens unintentionally made abstract art while we tried to make sense. even with happy lights on and the company of our little pine tree from the woods of the high mountains, it was hard to balance it all.

“and i cried as long as the rain lasted and when it stopped, i stopped.” (no balloons, kerri sherwood)

i can’t really say i stopped abruptly. i wish it were that easy, a faucet to turn off, a switch to throw, a circuit breaker to reset. there has just been so much.

we know we are not alone in that.

in the middle of the night last night – wide awake around 2am – we sat in bed and talked. this year. broken wrists. a raging global pandemic. fights over face masks. covid-loss of jobs. exorbitant healthcare costs. a city on fire, social justice riots and deadly shootings blocks away. city-wide curfews. a country divided. political chaos. communities, families, friends on different sides of aisles that seem more like moats filled with crocodiles. isolation. family so far. worried about the kids. missing them. a parent sinking in dementia. another hand injury. fired. quarantine. i can’t remember all of it.

and still, we know we are not alone in that.

what i would do…if i was the rain.

*****

his last time – the gentle soul of eric lowen:

lowen & navarro sing if i was the rain:

purchase LOWEN & NAVARRO music – your heart will thank you.

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tacet root vegetables. [k.s. friday]

ritenuto: an abrupt slowing down of tempo

tacet: silence of instrument

fermata: pause of unspecified time

and, suddenly, a prolonged tacet. no notes. no instrumentation. no expression markings. no crescendos or decrescendos. just silence. the baton is laid down. there is no beat pick-up. there is no rest. it is silence. issued. written in the music. a ritenuto – screeching to slow, a subito tacet. suddenly still.

the reassurances are generous, heartfelt. they are reflexes, like putting out your hand when you fall. they are meant to help in the silence, in the sudden slowdown, the sudden stop, the fermata holding the tacet. they make my heart quiver, these well wishes. but they don’t change the composer’s notes in the music: the ritenuto. the tacet. the fermata. those are printed in the music; those are decreed. they are unquestionable, immovable, indisputable, final.

i was voted off the island, in “survivor” talk. it was not an island, but, nevertheless, i am not a survivor. not there, anyway. i am forever tacet-ed there. the fermata above my tacet-ed head reminds me.

it, too, reminds me to be still. to step lightly. to be gentle with myself. i run the scores in my head – scores of scores in that place. i emoted each expression marking, each twist of the music, each gradual shaping, each change of tempo, of timbre, of voice.

and now.

i opened this book randomly, hoping to arrive on a page that might offer me wisdom. i read: “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.” (john o’donohue)

it doesn’t feel like a platitude. i’ve read it over and over and over again now since the morning i was fired. i wonder, each day, when the baton will be lifted, when the pick-up beat will come. i remember the all-engulfing power of change works both ways – to decimate and to breathe new life. i – try – to trust the dusty trail i am reluctantly set upon.

upheaval. sudden arrival at prolonged silence. not much more upheaval for an artist than silence. yet, as i sit in this silence, deemed as fitting by the composer, i feel the root-vegetable-of-my-soul gathering energy. with no idea and no preconception, i await as it will push through the earth one day, steeped in nutrients, rooted in rich soil.

my sweet momma said, “live life, my sweet potato.” oh wise woman, you must have known.

read DAVID’s thoughts this K.S. FRIDAY

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the fermata. [k.s. friday]

on hold.

the fermata lingers over my days, issuing a pause of length undetermined. the baton is held in the air. there is no downbeat, no pattern of time. just prolonged waiting.

in dr. seuss fashion we wait in the waiting place.

answers are just beyond our grasp, skimming the rim of the atmosphere, invisible to us, ephemeral and flimsy, ever-changing, like trying to capture the flicker of flame from the top of a candle lit in the darkness.

so i just keep waiting. we just keep waiting. our world just keeps waiting.

we sit quietly. we rail at the wind. we speak up. we skirt to the sidelines. we ask questions. we wonder. we are met with silence. we are dissolved. we seek fairness, equity. there is none of that. we step away from the noise. it follows us, snapping at our ankles. we do good work. we seek truth. we are managed, a place of hypocrisy. our country flails. we flail.

and we wait. knowing that, indeed, better will come. knowing that, in some measures, new will come. knowing that, after the fermata, light will come. grieving all we have lost in the process, in the journey, in the waiting place.

we are holding.

read DAVID’s thoughts this K.S. FRIDAY

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unpredictable beauty. [two artists tuesday]

“sometimes beauty is that unpredictable; a threshold we had never noticed opens, mystery comes alive around us and we realize how the earth is full of concealed beauty.” (john o’donohue)

a simple errand. we needed to pick up some furniture to transport in big red for a friend. destination: ikea.

there is something magical about ikea. we hadn’t been there in ages and were relieved to find few people there and everyone masked properly. vowing to hopefully come back soon and browse a bit, we pulled the boxes off the shelves on our pick list. pushing our cart to the front checkout lines, david, more than once, had to re-focus me away from the enormous displays of product. iphone in hand, we wove our way through the covid-floor-circles-disney-style line, waiting our turn at the cash register.

every where i looked, we were surrounded by interesting color, repeated pattern, textures that begged to be touched. david, more than once, softly called my name from the other side of the pushcart, gently spurring me out of the threshold-of-alive-mystery-of-concealed-beauty, snapping pictures with inordinate joy. “k-dot,” he would quietly prod.

the spatulas called my name too, repeating patterns of red-mama-dear-lips making me smile. spatulas are usually not mysterious creatures, but their color, design, stacking lures you out of ordinariness, opening that threshold, the place for glitter to be seen.

it wasn’t just the spatulas, though. i was victim to the lint rollers, the stainless steel utensil holders, the cork trivets. hidden beauty everywhere. i could feel my sweet momma and poppo cheering me on; they were likewise entranced by ikea.

if safety allows, we will return. there are a few small things on my own pick list i’d like to consider purchasing. but mostly, i just want to wander the aisles with my camera, noticing the unpredictable beauty.

yes, not a bad way to spend any day. noticing the unpredictable beauty.

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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it’s my *hand*. [k.s. friday]

there is nothing certain. nothing totally black or white. but this morning i am in the middle of the grey; fog has closed in and nothing is certain.

in a few hours i will know more. i will know what has happened to my hand and wrist. having already healed fractures from two broken wrists ala snowboarding this winter, i will know what changed the day that i fell recently – a serious fall, hard and directly on my reflex-outstretched hand – on an unmarked wet floor.

soon i will know why it aches constantly, why i can’t extend near an octave, why i can’t pick up my cat or the bucket to wash the car, why i can’t bend my wrist forward more than 5 degrees.

i’m pretty tough when it comes to pain; my threshold is pretty high. usually for me, it’s just a matter of dealing with it and getting used to it. and then i adjust. and people around me don’t actually know that there is any problem because i am making do.

but *this* is different. this is what i do. this is how i make a living. this is my profession. it has always been my profession. i am an artist – and a human with opposable thumbs – and this is my *hand*.

and so i am anxious to know what this hand specialist says, what he recommends, what he forecasts as the route for rehabilitation from this new injury, the arc for healing, the possibility for playing, the chance to ‘have my hand back’.

because, as i told david when we were walking on the trail the other day, this is not short term. this is long term.

there are wooden stages i want to play on, albums i might consider recording, babies i want to pick up, cars i want to wash. there are potatoes i want to mash, hand-whipped whip cream to whip, songs to write, doorknobs to turn, manual cars i want to shift. there are cellos i want to play, dishes to scrub, leaves i want to rake, jars i want to open, hard-to-reach spots on my back i want to scratch. there are boxes i want to be able to pick up, moves i want to help with, conducting batons to hold, guitars i want to fingerpick, waterski towropes i want to hold. there are bikes i want to ride, yoga positions i’d maybe like to try, reins i want to hold, clay pots i want to throw, my strong dog i want to walk on leash, mountains i want to try scrambling up. there are warm gloves i want to wear, rings i want to put back on, glissandos to execute.

but i can’t.

this is no small list. this is no small thing. this is my hand and my wrist and, like you, i have taken it for granted. until now.

there is nothing truly black or white, but i am anxious to be out of the middle, that liminal space, of not-knowing.

oh, and i want to do cartwheels.

but, then, i’ve never been able to do those.

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IT’S NOT BLACK AND WHITE from RIGHT NOW © 2010 kerri sherwood


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round and round. [two artists tuesday]

and the seasons they go round and round
and the painted ponies go up and down
we’re captive on the carousel of time
we can’t return we can only look
behind from where we came
and go round and round and round
in the circle game
” (joni mitchell)

from the edge of the trail it seemed we stood in three seasons. with warm sun on our faces and verdant grasses poking through the golds of autumn aspen leaves, the snow sought refuge in the shade. three seasons. concurrent.

as we stood there, in the middle of the mountain trail, it all swirled together – then, now, next. a kaleidoscope of color, of emotions, of moments. the tiniest of tiny in a vast universe, all else suddenly became distant.

we lingered in the whirl of shifting seasons, viscerally aware of our breathing and the gravity that was holding us still. it was an eddy of every-thing: old wrinkled leaves of regret, fading transient dreams, life-giving air carrying us into the next minute, a metamorphosis of time. the ponies on the carousel kept moving round and round and we paused, our feet in the dirt, sensing the circle encapsulating us, giving us pause.

we stayed there a long time, the scent of decaying leaves in the woods, the sound of a rushing mountain stream, the breeze rustling past us, our faces warmed. for these moments, in the middle of the middle, all the worries, all the fears, all the unease, dropped off from our shoulders. the concurrence whispered to us, “and the seasons they go round and round.”

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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i will lay still. [k.s. friday]

haiku

it’s unfamiliar;

i’ve never been here before

in this white vessel.

noise, without music;

movement, without any dance;

i lay there, so still.

this will determine

notes, arpeggios i will

play from here on out.

so i will lay still,

and listen to no music,

and move to no dance.

yes, i will lay still,

imaging as images

will be recorded.

and i will lay still

wondering just what will be;

what notes i’ll play now.

i will lay still, still

grieving the hand that it was,

hoping for healing.

read DAVID’s thoughts this K.S. FRIDAY

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it is my hope. [d.r. thursday]

my beloved children,

in the last few years i have become increasingly vocal, doggedly writing about the politics of this nation. i have watched an administration sweep in wearing hatred and division on its sleeve, attempts to undermine and destroy any forward movement this country has made or has desired to make on so many fronts. i have decried their rhetoric, narrative of severing, narrative of bigotry, narrative of self-serving agenda. i have pushed back against the frailty of humankind and against the furthering of prejudice and discrimination of any sort, be it under the heading of race, gender, sexual orientation, ethnicity, economic status, religion. i have, time and again, asked to uphold what would make the populace safer in a raging pandemic. i have asked for leadership to be responsible, to be truthful, to be one with integrity, to prize virtue. i have raised up climate change and this good earth time and again. i have cited examples of inequality. i have been open and honest about my feelings and opinions, vulnerable to assault by those who do not agree. i have learned that’s ok.

in the last few years i have become increasingly vocal, doggedly writing about the evanescence of time, the impermanence of this very life, the beauty that rises with the sun. i have pointed to moments of joy, moments of devastating grief, moments of sheer bliss, moments to memorize. i have spoken of and to the ocean and of and to the top of mountains. i have drawn pictures in the sand and let the cool waters of high elevation streams run through my hands. i have described treasured moments with you, my children, with family, with friends, with my husband. i have been aware of how fleeting time is as it races on. i have learned that life is simply that – learning.

in this time it is my hope that this country will gather its resources into its national quiver and will lead forward with arrows of love and compassion. it is my hope that this country, like committed and passionately dedicated parents holding newborn life, will embrace each and every one of its citizens, holding and blanketing them with reassurance, with protection, with a promise of doing better. it is my hope that this country will offer to you – its children and its children’s children and its children’s children’s children – new times of peace, new times of equity, new times of profound and wise knowledge, new times of opportunity, new times of kindness, and that this will surely sweep across the land from the redwood forest to the gulf stream waters, from sea to shining sea.

it is my hope that you both, my amazing and brilliant daughter and my amazing and brilliant son, deep in your adventurous souls, will feel the freedom promised you in the universe. it is my hope that you speak your truth, that you speak for, that you speak against, that you speak up, that you speak out. it is my hope that you feel affirmed in your lives, strong and powerful, fiercely dedicated to every breath, tenacious, and both gently kind and profoundly vehement in the demand for justice and liberty. it is my hope that you feel unconditionally loved and cherished: by me, by partners, by family and friends, by this nation, by this very good earth. it is my hope that in the moments you take a deep breath and exhale you know that your presence in this universe is light itself and is truly making a difference…forever.

i love you,

mom.

***

view this painting SHARED FATHERHOOD on david’s virtual gallery

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SHARED FATHERHOOD © 2017 david robinson


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be nice, say hi! (duh.) [two artists tuesday]

“duh” went through my mind when we hiked past this sign on a high mountain trail in aspen. every time we hike – absolutely anywhere – we are nice and we say hi. that seems pretty basic. “what’s with the sign reminder?” i wondered.

most trails in high elevation are shared. hikers trek, mountain bikers bike and equestrians ride – all on the same trails. kindness, mostly, prevails. friendliness, mostly, is at the ready. in this covid-19 time, with some exception, masks are pulled up as people pass each other face-to-face; safety is, mostly, first.

but there is always that element. any where. those who do not share well. those who do not trail together. those who are not nice. those who do not say hi. those who don’t even wave. those who need reminding. those who need signs.

today is – finally, at long last, after an interminable political season – election day.

given the run-up to this day of threats of national security, of people in trucks chasing down buses from the other side, of the president threatening to sic the supreme court upon the election, of mistruths of voter fraud, of concerns about gun-toting and armed observers at the polls, of covid-19 superspreader rallies held by the leader of the free world in a country raging with pandemic, of any number of examples of malfeasance by leadership et al, it would seem that signs might actually be necessary. basic signs. signs to remind people how to be. signs posted in most kindergarten classrooms across the land, from sea to shining sea.

signs that say, “be nice, say hi!”

signs, well, freaking everywhere.

because people are exercising their right to vote. people are having a say in this country that we all share, so that people can trek and bike and ride, metaphorically speaking, all somehow together on the same highways, the same backroads, the same trails, in the same states, in the same communities, the same cities, the same schools and businesses and religious institutions, the same neighborhoods, the same workplaces, the same clubs, the same friend-groups, the same families, across this vast country. people are voting so that their voices are considered, so that they are included, so that they can share in this democracy.

on the never-ending, incessant, ceaseless, uninterrupted, tedious, wearisome campaign trail, maybe the signs would help.

“be nice, say hi!”

pretty basic.

duh.

read DAVID’S thoughts this TWO ARTISTS TUESDAY – you will love his last paragraph!!


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when…take stock. [k.s. friday]

when all is swirling

and control seems elusive

it’s time to take stock

when the vortex sucks

the energy from your soul

it’s time to take stock

when control mongers

won’t divest of agenda

it’s time to take stock

when everything seems

on a vector of changing

it’s time to take stock

when the complex reigns,

simple seems utterly far

it’s time to take stock

when confusion wraps

its tentacles in your mind

it’s time to take stock

when answers are not

forthcoming, seeking them fraught

it’s time to take stock

when letting go is

the way to really hold on

it’s time to take stock

when growth seems still, in

the chrysalis transition

it’s time to take stock

when the seedling sprouts

the air, water, fire, earth

feed it. so take stock.

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TAKING STOCK © 2004 kerri sherwood