reverse threading

the path back is the path forward


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old friends. [k.s. friday]

old friends songbox2

my sweet momma used to quip, “make new friends, but keep the old.  one is silver and the other’s gold.”  i believe it came from her girl scout leadership days.  a song, those are wise lyrics.

OLD FRIENDS appears in two versions on my first album RELEASED FROM THE HEART.  as track 3, OLD FRIENDS is a longer composition, a wide passionate spectrum of emotion.  as track 13, OLD FRIENDS REVISITED is shorter, quieter, more reflective, even wistful.

about my very oldest friends i feel both ways.  i am passionate about remembering (always remembering) my long island friendships, susan and marc and crunch and joe-z, especially.  times spent growing, talking, arguing, debating, adventuring, laughing, camping, driving, beaching, traveling, listening to music, frisbee-ing, making apple pies, biking, boating, scuba-diving, fishing, living life.  i look back in my mind’s eye wistfully and am filled with love for them.

about my old friends and my new friends i feel both ways.  i am passionate about how they stand in it with me.  they each know who they are reading this.  they will recognize themselves when i thank them for times spent together.  for the times they supported me when i needed it, for the times they supported me when i didn’t need it.  for the times they have listened and talked when i needed it, for the times they have listened and talked when i didn’t need it.  for adventures, laughter, good food, coffee and wine.  for playing music, scouring around for fun stuff to do, antiquing, dancing, pontoon-boating, playing games, potlucking, sharing opinions and challenging assumptions, giving and receiving words of wisdom, and the telling of our stories.  so much life; i know it would be impossible to do without them and i am filled with love for them.

we are fortunate, we human beings.  we are aware of our friends, the ever-giving gift of  friendship. remembering.  always remembering.

and we know the value of silver and gold.

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OLD FRIENDS from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

 


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watershed. [k.s. friday]

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watershed definition

i can feel it.  it’s not something i can put words to.  it’s mysterious and undefinable.  but it’s coming.  there is a turning point.  right around the corner.

i walk into this new year and there’s something different…there is an underlying vibration i can feel – viscerally – a pulse, a quivering – that is present.

when it was time to pick a piece of my music for this week’s studio melange, i was drawn to this one….full of angst and wonder and sedimentary layers and mica and minor…..full of questions.

2019.  it has been nine years since i recorded a full-length album of any sort and seventeen years since a full-length vocal.  is it time?  to record?  to let it go?

i can feel it.  it’s not something i can put words to.  it’s mysterious and undefinable.  but it’s coming.  there is a turning point.  right around the corner.

a watershed.

download AS IT IS on iTUNES or on CDBaby.com

read DAVID’S thoughts on WATERSHED

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WATERSHED from AS IT IS ©️ 2004 kerri sherwood


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figure it out. [k.s. friday]

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in all the chicken-scratch-notes i have about this piece of music, i have written in the presence of a heartbeat.  the pulse that spans the entire 6 minutes 14 seconds, this heartbeat starts the piece. it is throughout the piece.  it ends the piece.  it is no accident that this composition seems interminable, ever returning to the theme; figuring “it” out often seems that way, a curse of perseverating analysis paralysis, depending on what “it” is.

i just erased what i had next written about this.  i couldn’t help but talk about my repeated use of a rising leading tone gesture in the theme, f# to g, f# to g, off the beaten major root path, but instead the path of starting on my ever-loved ninth in the e minor key, a key that resonates so often with people.  then i thought, “blahblahblah!!” geeeesh.  that’s way too much information.  so i erased it.  (yes…there were even more details before i erased it!)

i composed this at a time that was laden with things to sort, to figure out, to resolve.  it is one of the longest pieces i have recorded.  there are moments you can hear the almost-there-ness of it, but, like life, it reverts back to the initial themes, the initial questions.  and then, punctuating it, from time to time, a firm melodic gesture (f#-g-f#-e) where you can hear the lyrics in your head, “figure it out.”  much easier said than done, eh?  but our hearts keep beating.

purchase the album RIGHT NOW or download FIGURE IT OUT on iTUNES or CDBaby

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FIGURE IT OUT from RIGHT NOW ©️ 2010 kerri sherwood

 

 


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longing. [k.s. friday]

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i first wrote and recorded this piece while i was working on the twin LET ME TAKE YOU BACK albums.  performing the tunes of the 60s and 70s made me feel wistful; memories flooded every note.  i’d remember dancing to a song at a prom or listening over and over to another in my room in the basement.  they made me picture the windows rolled down in my little blue vw driving on the open roads out east on long island and they brought me the sweet smell of warm sand on crab meadow beach with my red round ball and chain transistor radio.Screen Shot 2018-09-27 at 4.44.47 PM  they had me thinking about the songs coming from my sister’s room and the songs my big brother would play on his guitar.  so it wasn’t a stretch to write a piece that was all about longing and reminiscing and memories, stories that were deeply set in my heart, times that had gone by.  later on we orchestrated this piece for the album AS IT IS.  i still associate it with the twin retro albums; the cello line gets me every time.  it makes me want to take out all my photo albums and set up a white sheet in the living room to watch the carousels of 35mm slides my poppo called “film funnies”.  longing.  indeed.

download LONGING track 13 from AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts on this K.S. FRIDAY

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LONGING from AS IT IS ©️ 2004 kerri sherwood


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and goodnight. [k.s. friday]

andgoodnight song box

when i saw aly a few weeks ago she was holding her sweet baby boy landon in her arms and she told me that every night he goes to sleep with this album playing.  ian joked that landon doesn’t make it much past the first three pieces, so maybe they should start it in the middle so they would be able to hear more of it.  either way, hearing snippets or the whole hour of lullabies, i am touched that this little boy is gently going off to sleep with this music playing him into dreams.

i recorded this album after many others.  i had already recorded six original cds, three christmas albums, two retro 60s/70s albums, two hymn albums and several singles by this point.  but many of the shops stocking my albums and listeners who had purchased albums asked me about a lullaby album.  it was with the picture in my heart of rocking (or walking) my own children to sleep that i researched lullabies, wrote a couple original pieces and spent time in the studio at yamaha artist services in nyc recording this.

some of my most precious memories are of My Girl or My Boy drifting off to sleep as i sat in the rocking chair in the nursery watching the seasons change out the window.  i would read goodnight moon and sing quietly to them.  then i would tiptoe out of the room, careful to avoid the spots in the old wood floor that would creak under my steps.

and so, it is an amazing thing knowing that there are moms and dads out there in the world, rocking tenderly or softly slipping out of their nursery with my album AND GOODNIGHT playing their cherished baby into sweet sleep.

 

download the album AND GOODNIGHT on iTUNES or CDBaby for your nursery iPOD

read DAVID’S thoughts about this K.S. FRIDAY

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AND GOODNIGHT from AND GOODNIGHT-A LULLABY ALBUM ©️ 2005 kerri sherwood

 


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the chase. [chicken marsala monday]

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dogdog drags babycat across the wood floors through the house with babycat’s head in his mouth.  at first, when dogdog was new to the family, it really frightened us and we admonished dogga for dragging the cat around.  but then we realized that it was a game.  if dogdog wasn’t playing, babycat would slap at dogdog with his claw-paw and make the chase start.  it mattered not who “won” the match, for there was no obvious winner. (although i must say that it appears that babycat is indeed the alpha in the house.)  most important for the two of them was the chase.  just having fun.

it’s the same with anticipation.  i can clearly remember having great anticipation for something-or-other, relishing that feeling, the adrenalin rush, the quickening of heart, the excitement i could feel.  when the actual Thing happened, it wasn’t nearly as delicious as what led up to it – the anticipation, the process, the chase to it.  the Thing was almost anti-climactic, a sort of denouement of all the details getting there.

albums are kind of like that.  the process of writing, practicing, the anticipation, the work, chasing the perfect recording.  and then, the tying up of loose ends, the post-project letdown. as much as i wish i could, there is no way i can control what the ‘catch’ will be, whether or not the music will resonate with listeners, whether or not the album will do well in the market.

as an artist, it is all the magic in the middle that matters to me.  the chase.

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it’s not the catch, it’s the chase that matters ©️ 2016 david robinson & kerri sherwood

 

 


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in transition. [k.s. friday]

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in pondering what to write about this piece,  i took out the jacket for the album RELEASED FROM THE HEART.  my first full-length album, released in 1995, an hour of my original solo piano compositions, i dedicated it to my big brother wayne who i had lost a few years prior, but whose presence i could feel as i worked on this project.

in the jacket notes, next to this piece IN TRANSITION, i wrote “many changes for many around me.  changes give us time and impetus to sort through (and feel) the stuff of our lives – the transitional time.”  that would explain the minor, a key that invokes going inside.

i guess i will have to defer back to that.  it’s no different now than it was then.  there are still “many changes for many around me”.  i would have thought that things would feather out on the change seesaw, maybe leveling out a bit.  but now, 23 years later from those moments of recording remotely on stage in an auditorium at northwestern university, i see that life continues to be fluid, change continues to happen, we still have to sort and feel and go with the flow, we are still learning, growing, changing, we are ever on that seesaw.  still in transition.

 

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IN TRANSITION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood