reverse threading

the path back is the path forward


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guidance is eternal. [merely-a-thought monday]

guidance framed copy

it drives them nuts, i’m sure, but i still write or say “triple always” to my children.  a redundancy of course, the “triple” emphasizes the “always”… an unnecessary modifier that says “eternally”…. i love you eternally.

there is a boeing commercial we see often.  in it, the narrator is stating steps of preparation for flight, counting down.  then she says, “guidance is eternal.”  that’s what i have heard every time.  until one time i asked d why he thought she said that.  he responded that she was actually stating, “guidance is internal,” which clearly makes more sense in the aviation world.

i had to listen more closely the next time to hear “eternal” as “internal”.  i did discern the difference, but i still, each time it airs, hear “guidance is eternal” anyway, and maybe that’s a good thing.  it serves as a reminder from an unlikely source, a sort of subliminal message, perhaps, at a time i need it.  an absolute when looking to the universe for answers to unsolved questions, small eddies of confusion, sorting and attempts at balance, at level positivity, seeking wisdom from those who are beloved but on another plane.

the guidance is there.  waiting.  it is internal AND it is eternal.  triple always.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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plan ahead. [merely-a-thought monday]

chip hailstone box copy 3

my poppo would probably have liked chip hailstone.  an as-long-as-i-can-remember subscriber of national geographic, i imagine he would have liked the show ‘life below zero’.  he was good at solving problems, figuring things out, making stuff out of nothing.  his words of wisdom were simple.  “plan ahead,” he would say.   he was a card-holding-club-member-regular-reader of the handyman magazine; he easily could have been a contributing writer.  he would have loved chip hailstone’s comment, “you can make a long piece of wood short, but you can’t make a short piece of wood long.”  ahyup.  it’s in the details.  plan ahead.

we were coffee-sitting around the kitchen table.  it was a late florida morning, years ago now, and coffee break time was an every-day thing.  my dad suddenly got up from his chair and left the room, using his “stick” to get to the bedroom and back.  he returned moments later and started to speak.  “i have something for you, brat,” he started.  “with these years on your own you have learned so much out of necessity.  it’s time for you to have this.  you have earned it.”  he handed me his handyman club membership card and said, “this is yours now.  i’m proud of you.”

it was big news to get this card from my poppo and i didn’t underestimate its import. it would not have made me more gratified to receive a grammy award.  his -my- membership card is in plain view in my studio, reminding me of my dad and his words to me.

we watch ‘life below zero’ episodes and there are simple wisdoms dancing throughout the show.  things i can hear my dad say in his brooklyn accent.  things you think, “well, duh, of course.”  the same things you realize after-the-fact that you should have thought about before-the-fact.  yup, poppo.  plan ahead.

poppo & handyman club

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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you hold me. [k.s. friday]

YOU HOLD ME songbox copy

‘you-hold-me’s i will always remember…  among the more-than-i-can-count-mom-heart-moments, one of the last times My Boy fell asleep on my lap and i knew – at the age he was then, rounding 5 or 6 – it was something to hold onto.  or the time he, all-grown-up, bent down and, one more time, hugged me goodbye.  precious time dancing to marvin gaye with My Girl in the sitting room, her favorite infant-lullaby.  the bittersweet-tender-time-stood-still time she – as an adult – fell asleep while i held her.   in o’hare airport when d just held me while, with people swirling around us, we were lost in reuniting, in recognition.   the greetings we get from dogdog and babycat every single time we arrive home.  the hugs we get inside the door to our best friends’ house, their big beloved dogs jostling for attention.  the memory of watching my sweet momma and poppo hold hands as they walked, always…those linked hands grasping each other.  watching my momma hold my dad’s hand at the side of his last hospital bed, nodding off, both of them, but holding on.  ‘you-hold-me’s aren’t always just about you.

in these times, in any time, the simple feeling of being held – a quick hug or embrace that goes on and on – is the one true thing.  it doesn’t solve any problem, take away a worry, change any circumstance.  but it is a reminder that you are not alone.  you are woven of and into so much more.  and you are held – by your family, by your children, by your friends, by this good earth, by a higher power.  in appreciation of you.  in a bigger thing called love.

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read DAVID’S thoughts this K.S. FRIDAY

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YOU HOLD ME from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood

 

 


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a small adjustment. [not-so-flawed wednesday]

comingtoyoufrommegaphone copy

we sat arm-in-arm in the megaphone.  we had been hiking in the snowy woods and it was the driest place to sit.  we’ve written about this megaphone before; it is a nature megaphone and it is supposed to amplify the sounds of nature from the woods and into the woods.  because someone didn’t maybe quite get the purpose, the megaphone is actually pulling sound from the street – a county highway through the woods on the narrow side of the amplifier, the side that draws in sound.  a small adjustment in its location would afford it the purpose for which it was designed.  it was built lovingly as an eagle scout project, but until this small adjustment in placement happens it will, unfortunately, not be as effective as it could be.

a small adjustment.  how many times would just a small adjustment create a path closer to success, a path more in alignment with purpose, a path that maximizes effectiveness, a megaphone that actually amplifies the amazing nature in the woods?  we get stuck in a line of thinking and, full-speed-ahead, think that is the only route, the only way.  until someone says something – a suggestion of a small adjustment – in thinking, in action, in REaction, in placement of our focus.  an ah-ha moment.

in the recording studio, as really in every musical performance, there is a groove.  it is the place where the tempo of the piece being played is “right”… everything comes together and syncs, the intent of the piece shines.  sensitive musicians and conductors can feel any deviation from that groove.  when it’s off, too slow, too fast, it doesn’t deliver the same emotional message.  just a slight adjustment brings it into center.

it’s the same with tuning.  A440 pitch is the universal standard tuning pitch.  a quarter tone off here or there makes a difference; not only can you hear this slight adjustment, but you can feel that the vibration is quivering, off its mark.

two people.  a difference of opinion.  the quivering vibration is palpable.  a small adjustment left or right, quietly spoken or wisely quiet, pivots them back to the heart-core, brings back solid ground.

that same kind of vibration…present in any gathering of people…in sync or magnets repelling each other…with underlying fields of pre-formed assumptions getting in the way of the small slight adjustments needed – the ah-ha’s – to be in actual alignment, stronger together than separate, amplifying the real sound of this earth – in the groove, in tune, on the mark, grounded, mutually, cooperatively, collaboratively on-purpose.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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conversation. [merely-a-thought monday]

where you can actually hear copy

we started our day with mimosas.  the up-north-gang was in cedarburg and we descended upon the stagecoach inn’s pub, a place built in 1853, dedicated to their bed & breakfast.  we sat at wood and iron tables surrounded by vintage stone and brick walls and chatted away a very fast almost-two-hours.  we hadn’t ever been at this little pub before to start our winterfest fun.  but it was perfect and it was an easy choice when the day was over and we stopped back there to sip wine or old-fashioneds (a wisconsin staple), review the parade and bed races on the river and talk about any old thing.  i grabbed a brochure (because i, well, love brochures) and looked at it later at home.  “where you can actually hear your conversation” the little pub (named the five20 social stop) advertised.  it was true.  it was refreshing to be able to actually have a conversation and hear each other.

we do our best work in the woods.  d and i will take a walk and solve things that have stymied us.   the quiet, the beauty – it’s centering and it removes all the interruptions of home-office-work.  it offers us a chance to actually have a conversation and hear each other.

at this point, i don’t know what it would take for this world, this country, our state, our community to actually have conversations and hear each other.  so many seem to be yelling, reacting.  certainly not conversing.  it’s tempting to turn off the news app on my phone, but i don’t want to bury my head in the sand.  and yet, lately, this earth seems oddly tilted on its axis, bent on anger and strife, inflated egos, name-calling, exponential self-serving, and pointed blame.  it’s all so toxic.  where is the listening going on?

i would think about suggesting mimosas and a walk in the woods but, with all the noise out there, i don’t know who would hear me.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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feeling it. life. [two artists tuesday]

MelangeWk1 copy 2

in the beginning…..

i just re-read the first week of our MELANGE, a calendar-year ago now.  words about our little boy CHICKEN MARSALA, words spoken by my sweet momma, words about our community, words about david’s studio and my studio, two artists living together, and our own work-in-the-world.  i can feel it.  that first week.

we come to this place.  one year later.  i kind of want to go back and re-read each day.  study the images we chose, browse the products we created, watch the arc of changes in design through the year, notice the growth, the things we added, the things we let fall off.  somewhere around week 3 i wondered if i would have enough to say, enough words that would be interesting or, at-the-very-least, palatable, inviting for others to read.

i write from my heart, most of it experiential…moments i have netted and captured, written down to hold onto the feeling-of-it.  i wondered if that might be too….much…for some.  in the middle of living life, i want to remember some of the tiniest morsels of time, layered in the sedimentary layers, bits of shining mica in the middle of ordinary….mica that is celebration, that is eye-opening, that is excruciatingly simple bliss,  that is painful, that is full of maturing, that is on-the-edge-of-your-seat-nerve-wracking, that is full of hopes and dreams and regrets…all mica indeed.

“live life, my sweet potato,” my sweet momma said to me.  yes, momma.  this sweet potato is feeling it.

live life sweet potato mug

live life sweet potato pillow

anniversary haiku copy

read DAVID’S thoughts about this ANNIVERSARY MELANGE TWO ARTISTS TUESDAY

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TWO ARTISTS DESIGNS ©️ 2016 david robinson & kerri sherwood

 

 

 

 

 


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perfect in the world. [d.r. thursday]

mother&childprocessshot copy

in the last few days, one of my friends became a first-time-grandmother.  those of us who were aware of her daughter’s giving-birth-countdown would text her asking for any news or updates, as excited as if it were our own story.  sunday morning she texted to say that indeed a little baby girl had been born in the pre-sun hours of the day.  her daughter, a friend of my own daughter’s since kindergarten, was now a mom and all was perfect in the world.

i saw this painting-in-process as i walked down the steps into david’s basement studio.  the new mother, sitting cross-legged, gazing intently at her new baby made my heart skip a beat.  i recognized the look, the tilt of her head, the gentle but secure way she was holding her baby.  it took me back – immediately – to my first moments holding kirsten or craig, those nothing-short-of-miraculous minutes when time stood still and everything was perfect in the world.

i cannot imagine the power of this painting when it is completed.  it’s already intoxicatingly striking.  it brings back every memory.  it reminds me of what is most important.  the delicious feeling of holding a tiny baby, the dreams that soar in your head, the bond of love.  times when everything is perfect in the world.

read DAVID’S thoughts this D.R. THURSDAY

WATCH for this painting in DAVID’S GALLERY

snowheart website box copy

mother and child – in process ©️ 2019 david robinson, kerri sherwood