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his palette. [d.r. thursday]

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we really never know what it takes to do someone else’s job.  we don’t know all the tools used, the research done, how training and experience play into it, how someone perceives their own work.  we can only guess and, often, fall desperately and even arrogantly off the mark.

walking into d’s studio my eye is drawn to the easel standing in the far corner.  closer to me, though, is an old cart with an old wooden box holding paints and brushes.  there is another cart and on that is this palette – layers upon layers of color and texture, clay pots of water standing next to this widely-understood symbol of “artist”, often associated with the beginning of the process of painting.

now, i’ve painted a few paintings in my life.  i bought very large prepared canvases and dug around in the basement for leftover acrylic house paint to use on my creations.  without a palette, i brushed and re-brushed and threw paint until i knew each painting was done.  and then i hung them on the walls.  in one case, i painted right on the wall and put a clearance frame around the section of wall that i painted – a nod to a painting without the cost of canvas.

all of this, however, does not make me capable of really understanding how d paints.  for i do not know all the tools, i do not know the process of mixing color or the technique of stretching canvas he uses, i do not know the tricks of the trade he has accumulated over decades of honing his expertise.  nor do i know the knowledge base he brings about other artists, other painters and paintings, the use of light and dark space, the way the viewer’s eye sees, the very technical details and the very heart-based intuitions he has learned through many, many years of study and practice.  i can’t understand or even try to predict the amount of time it takes or doesn’t take for him to conceptualize, to explore, to create, to review, to assess, to adjust, to re-create.  i can respond to his work but i cannot define it, nor would it be meritorious for me to even try to do so.  out of respect for his work, something that is one of the very things that defines him, i know that i really have no idea.  what i can do is appreciate his talent and every last thing that he has done to bring him to this place where he paints beautiful paintings and it seems to take no effort whatsoever.

with regard to anyone and the work that they do, i would hope we could each remember – with humble respect – that we really have no idea.  we can just be grateful that we are each a spoke in the wheel on this good earth.  our palettes, the places from which we begin, are different.  and we can’t do it alone.

read DAVID’S thoughts this D.R. THURSDAY

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i came into this world…it’s personal [two artists tuesday]

i came into this world collage

every time we get a text from david or molly with a picture of sweet dawson coloring i believe i see an artist-in-the-making.  he is intense, all not-even-two-years-old of him.  his crayons seem deliberate choices, his drawing coming from a place inside that beckons him to the paper, the cardboard box, the canvas. it’s innate.

charlie is a second grader.  he practices batting every day.  he has ground down an area of the backyard so much that seth thinks there will never be grass there again.  charlie can cite all the players on the kansas city royals and their stats and he will narrate his own one-person ballgame in the backyard, an announcer with great animation and accurate details.  such a small person with such a big passion for the game.  it’s innate.

khloe, a teeny but mighty seven year old, would come up to the chancel each week and john would let her play the drum set.  she didn’t pound, she didn’t arbitrarily hit drums or cymbals.  you could see by the combination of joy on her face and an expression of concentration that she was pretty serious.  she has the beat.  it’s innate.

when my sweet beth and i talked on the phone she said, “i’m not sure how i feel about her going into music.” she was talking about her older daughter, who already has been cast as the lead in three plays this coming school year.  i don’t think she has a choice.  for emme, it’s innate.

each of us spokes-in-the-giant-wheel come into this world with something.  something that is just ours.  ours to do.  ours to bring.  it’s innate.  already in us.

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i came into this world collage

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read DAVID’S thoughts on this TWO ARTISTS TUESDAY

TWO ARTISTS TUESDAY – ON OUR SITE

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i came into this world with art already in me ©️ 2016 david robinson & kerri sherwood