reverse threading

the path back is the path forward


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earth interrupted’s brown bags. [d.r. thursday]

EarthInterrupted3 copy

there are moments when everything seems like a big deal.  our own planet earth is up close and personal, every concern a meteor about to threaten our very existence.  the sum of the individual pieces too much to bear.  we wonder, wonder, “what is going on?!”

and then there are moments when perspective reigns.  when we can step back, see the bigger picture and realize that everyone has their brown paper bags full of baggage, of difficulties, of things to sort, to keep, to ruthlessly throw away.  the moments when you stare up at the night sky into the milky way and feel ever-so-small, knowing that you are alive and this very moment will not pass again.

EARTH INTERRUPTED.  pieces of everyone’s brown bags, torn, scattered and intermingled.  no longer baggage-holding.  an earth close-up and glowing.  full of the hope of it all fitting together:  people, issues, problems, loves, wishes, peace.

view/purchase EARTH INTERRUPTED III on david’s gallery site

read DAVID’S thoughts this D.R. THURSDAY

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road shadows. together. [not-so-flawed wednesday]

road shadows

watching as the ferry arrived, we were practically jumping up and down with glee.  our up-north-gang was arriving and the ferry was taking a few minutes too long to dock.  we had been anticipating them for weeks, our company log on island too few.

it’s not like there is a ton of stuff to show them here or, really, to do.  but there are friend groups who don’t need stuff to see or do; instead they are just there to simply be together.

they are there to laugh at funny hair in the morning, sip coffee and wait in line for the one bathroom.  they are there to pile in and out of the truck, dodge raindrops, play short-list tourist.  they are there, wishing for sun but not minding the bad weather that moves in, content to just be together. they are there to make mimosas and old-fashioneds, pour wine and have more snacks than you can imagine.  they are there to take turns cooking, cleaning up, always gabbing, always laughing.  they are there in the tough moments, profound and honest conversation, balancing, disarming the sting of the sword.  they are there walking side by side, talking and being quiet.  they are there playing games in evening dark, heads drooping with sleep, wishes of sweet dreams.  they are there, together.

we watched as the ferry left, both of us feeling instantly wistful.  our up-north gang leaving for the mainland.  as always, we were ever-so-grateful to have been together.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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ladders. [two artists tuesday]

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gay pointed to the ladders in the backstage of tpac and said, “see those ladders?  the front silver one on the right is where you are.”

this is true.  we are clumsily perched on that front silver ladder.  there are people scattered about on the other ladders, many of whom are on the top of the tallest orange ladder up against the wall.  our view, on the shortest ladder, affords us the opportunity to look out, to look up and still to be able to easily see the ground.  the view from the highest ladder, extended well up the wall, is a view of vast height, a view without a cluster of other ladders, a view more singular.

it has been our experience as artists that we must explain our livelihood, we must fight for acknowledgement of experience, we must advocate for our own fiscal equality.  our work is not easily measurable, our effort not easily defined.  we bring to every experience all we have learned about what touches the hearts of others, what resonates, what we can do to lift a message, how we can craft a concept, how we can build a program and forge a community, how we can help others see what is inside each of them.  from our rung, we can still see the ground so we know that there are others less fortunate than us and we remember pretty clearly the route up this ladder, each rung a step, each rung a gratitude.

it has also been our experience that, in a world defined by financial success, there are many on those tall extension ladders, firmly grasping the tippy-top, who have lost the story of getting there.  it is my belief that, too often, there are those who, each rung they clamber up, have forgotten what it is like to be on the rung below.  the climb to success foregoes memory, it exempts empathy, it elicits a sense of superiority; it is not kind.  the naysayers poke at those who are on rungs below, prodding them but, alas, with no reality for where those below-climbers are.  assumptions are unfairly made about ability, intelligence, budgetary decisions, effort.

in this world of bills and responsibilities, work and play, absolute joys and deep sorrows, brilliant hopeful sunrises and exhausted sunsets, i wonder about the tippy-top.  i wonder if it is possible to be clinging to that tippy-top and still remember.

as much as that tippy-top sounds like a world without worry, i don’t mind being on the silver ladder in the front.  and every step we step, i want to remember the silver ladder in the front.

i know that each day there might be someone who just may need me to understand, without feigning it, where they are.  to be able to really grasp how they feel, despite not being in their very shoes.  i don’t want to be the person who looks back at them, fear filling their eyes with tears as they tell me they don’t have enough to make it, and condescendingly ask them if they want me to point them to a budget counselor.  instead i want to understand their frustration in poverty, be complicit in their growth – real growth, empathetic in their fear.  i want to hold their hand on the rung they are on and remember what it felt like on that rung.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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“………..” merely-a-thought monday

dogga end of day.jpg

at the end of the day, when we sit listening to the quiet, waves lapping at the shore, a silent moon pulling our attention outside, dogdog lays, finally resting, his eyes tightly closed.  there is something about the trusting nature of a beloved pet sleeping that tugs at your heart.  i wonder what are the thoughts he thinks; what are the dreams he dreams?

as we weave through complicated days, dogga weaves with us.  he is always aware, always watching.  our sweet aussie, he is a mess of empathic energy, his eye contact unnerving.  his little heart beats fast and he watches, watches.  he has comforted us with his gentle knowing more times than we can count.  he doesn’t say much, but then, he doesn’t have to.

and then, at some point, he drops to the floor.   for him, everything is right in the world.  his people are close by, his babycat lies next to him or across the room.  all is well.  and he sleeps.

sometimes i wish it was all that simple.  it’s people who complicate matters.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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sketch to remember. [d.r. thursday]

sketch

we canoed out to hog island.  it is a bird sanctuary and so we could not get out to walk around the giant rock that it actually is.  seagulls and pelicans, terns and geese congregate on this tiny island and they are protected, their habitat is protected.

each morning, each evening i stand at water’s edge and gaze out on the lake toward little hog island.  i watch as the lake changes, sometimes hourly.  i can hear the birds out on that island, the waterfowl, the screeching seagulls, cranes in the distance.  behind me, david is busy with his sketchbook, drawings passing through his hands, fodder for later paintings.  for me, standing there, lyrics pass through my mind.  i breathe slower and without paper i try to remember them, try to remember the melody that flits through, beckoning me to follow it.  i jot it all down once inside, fodder for later songs.

we walk usually every day.  sometimes in the morning, sometimes at night.  we take the same path that leads us about three miles, watching the woods as they change.  there is a place we pass, fenced in and covered with some kind of netting, a low building in the distance.  two months ago, we had no idea what it was all for.  but as time has passed, the pheasants have grown and now we can see them in the enclosed area.  they are protected.  for now.  because we understand that they soon will be released.  as soon as the dnr hunting season starts.  i stand, staring at them through the woods, through the fence and i breathe slower, tears starting.  it is hard for me to have walked this way every day now, knowing they are right there, peeping and crowing, growing, unaware.  not knowing, i imagine the worst – like ‘the hunger games‘ – release them and then chase them down.  it makes me shudder.

a bird sanctuary.  a bird farm.  the juxtaposition is like the lake – fickle and hard to understand.  one minute serene and calm and protected, the next churned up with irregular-rhythm-waves that batter the shore, dangerous and unprotected.

i wish that the pheasants were on hog island instead of around the block.

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’S gallery

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SKETCH ©️ 2019 david robinson

 


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the dividing line. [not-so-flawed wednesday]

half and half

“the line separating good and evil passes not through states, nor between classes, nor between political parties either — but right through every human heart — and through all human hearts.” (a. solzhenitsyn)

it isn’t without hesitation that i speak now of september 11, 2001.  eighteen years ago today.  both yesterday and an eternity ago.

there is a dividing line that is the place of before and after.  in many ways, this date, september 11, 2001, marks that line.  a time when, before which, we innocently and trustingly got on airplanes to fly to destinations we anticipated with great joy.  a time when, before which, it didn’t occur to us to be wary in crowded places, to know how to exit, to navigate fear, let alone terror.  a dividing line.

but the truth of it is, there has always been good and evil.  the division has always existed.  history demonstrates that evil – in all its iterations, big and small – rears up like a wild stallion, flailing at goodness, rejecting compromise.

and when i look around, at the world, at our country, at this little island microcosm, i see that our collective hearts have not learned.  it saddens me to know that as my children continue to grow, adults in 2019, this has not changed.

solzhenitsyn’s quote continues:  “And even within hearts overwhelmed by evil, one small bridgehead of good is retained.” 

i pray that this ‘small bridgehead of good’ will cross the dividing line and, like a snowball rolling downhill across a field of white, will grow…eventually bigger than any iteration of evil.  it’s our only hope. 

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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contrast principle. [two artists tuesday]

contrast principle

we are living the contrast principle.  the elementary-school-workbook-page-which-one-doesn’t-fit principle.  that can actually serve you well or it can be the bane of your existence.  i’ll allow you to decide which one you think it is for us.

we are not from here.  we do not have roots that go back a generation, two or three generations, seven generations.  we weren’t born here, nor have we been coming here for decades on vacation.  this is a new place for us.  we chose to come here.  and we came here out of great and positive intention.

when i first saw the ad for the position we ultimately accepted, we got excited and were instantly full of ideas and possibility.  with our backgrounds, our education, our professional experiences, it seemed a perfect fit.  with our artistry, our passion, our zeal, our energy, our ability to facilitate positive change, it seemed a perfect fit.  but that assumes a “fit” and it assumes trust and it assumes the best of the contrast principle.

we work to create relationship, to mend the crevasse between arts organizations and between groups of people, to structure and build community and let the arts rise.  we brainstorm and read and study – new initiatives, data of the past, stories of success and stories of failure.  we strive to re-commit each day, choosing to step past the rifts, past the dysfunction, past the you-don’t-belong-here-ness of it all.

because we did choose it.  we chose to be the daisy in the field of black-eyed-susans.  we chose to be the new in the old.  we chose the contrast principle.  it would just be nice for it to be a tad bit easier.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

tpac metal and feet website box

 the daisy in the black-eyed-susans © 2019 kerri sherwood & david robinson