reverse threading

the path back is the path forward


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holding steadfast. [k.s. friday]

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it is against the odds that this tree clings to rock and doesn’t topple into the lake with a great splash and float away.  instead it stubbornly holds on, a steadfast intention.  the rock, the basso ostinato.

at a time when holding steadfast seems mightily important, i wonder about the questions we have been asked.  will you stay?  will you leave?  will you love it here?  in the midst of all the infighting, are you going to give up? will you hold on?

the answers may not be directly related to the actual intent of those questions.

will we hold on?  yes, we will hold on.  we will hold steadfast to our integrity.  we will hold steadfast to the reasons we came here in the first place.  to make a difference, to bring ideas and change, to apply that which we have learned, studied, experienced over at least 80 combined years of work, higher education and profession.  to be honest and transparent and collaborative.  to try and instill a sense of working together into a community divided by narratives too numerous to list.

will we hold on?  yes, we will hold on.  we will hold steadfast to our belief that people should be kind to each other, that people should not work around others nor should they undermine others, that people should instead lift each other up, not drive stakes into another.

will we hold on?  yes, we will hold on.  steadfastly.  to honoring art, the driving force behind this initiative.  to honoring creativity and the blossoming of beauty and wisdom, staunch tenets of artistry.

will we hold on?  yes, we will hold on.  steadfastly.  to believing all is possible.

but, in answer to the real intent of the question asked us….will we hold on?

we will not hold on if others cannot join us in what is real, what is truth, what is most important.  we will not hold on in the fire of pettiness or shameful self-serving underhandedness.  we will not hold on, holding still while others take turns throwing rocks at us, at the real goals of this place, if those are indeed about art.

the answer to the question is not up to us.  we can either cling to the rock, holding steadfast or we can topple, with a refreshing splash, into the lake and float away.

download HOLDING STEADFAST from BLUEPRINT FOR MY SOUL on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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HOLDING STEADFAST from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

 

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island prayer flags. [two artists tuesday]

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on march 19 of this year i wrote about our prayer flags.  the ones at our home, i cherish their presence as they flutter in our backyard breezes.  the prayer flags in this post are at our littlehouse on island.  they stretch between a tree and a covered wooden rocking loveseat that plants itself firmly gazing at the lake.  my sweet girl got me these as a gift, from the same little shop in ridgway, colorado that our home-prayer-flags come from.

the lake breeze is stronger than the breezes in our backyard; sometimes the flags are horizontal in its fury.  the threads are loosening, loosening; the prayers are flying, flying.  these little prayer flags are already more quickly tattered than the ones we have at our home.  prayers for peace, compassion, strength and wisdom are perhaps more zealous these days, perhaps more often, perhaps more imploring.

at the end of this season we will gently take our prayer flags down and wrap them in soft cloth or tissue.  we will thank them and put them in our special box to bring home with us.  perhaps they will then hang with the flags-in-the-backyard.  or perhaps, after a time of flying and more reassurance than i can explain, they will rest.  we will see.

“we pass under them every time we leave the house and every time we return.  our prayer flags fly between the house and the garage…a welcome sight either way.  although better given to you as a gift, we purchased our flags in a little shop in ridgway, colorado and i consider it a gift that we were able to spend time in that tiny mountain town in the san juan mountains.  these flags represent that place to us, that time, and so much more.

each color is symbolic of an element…white is air and wind, blue is sky and space, green symbolizes water, red is fire and yellow is earth.  flying these in a specific order produces a balance of health and harmony.  flying these promotes peace, compassion, strength and wisdom; the wind blows the prayers into the universe.  i cannot think of  more visual evidence of constant prayer.  it matters not to me what religious practice is associated with them.  the prayers are so much bigger than that.  everything is bigger than that.

every time we watch any depiction of an everest story, there are multitudes of these buddhist prayer flags.  they grace base camp and the summit and each camp between,  the prayers issued by those people seeking to reach the highest place on earth.

we can’t claim trying to reach the highest physical place on earth.  but we can claim seeking peace, compassion, strength and wisdom, a balance of health and harmony.  for me, for us, those things are the highest place on earth.” (march 19, 2019)

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click here to browse or purchase ISLAND PRAYER FLAGS as wall art

island prayer flags - the five elements

click here to browse or purchase ISLAND PRAYER FLAGS – THE FIVE ELEMENTS as wall art

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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island prayer flags photograph ©️ 2019 kerri sherwood & david robinson


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act well your part. [not-so-flawed wednesday]

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“act well your part.  there all the honor lies.” (alexander pope)

this feels like a life mantra.  a reminder that no matter what you do, where you find yourself, who you are…to do the best you can, to be the best you can.  no spoke is uncounted.

the moment i heard this line i took out a scrap of paper and a sharpie and wrote it down.  it so resonated with me that i could feel my heart beating in my chest.  i thought of all the times i tried to do the best i could, to be the best i could, in every role….partner, daughter, mother, sister, friend, artist, colleague, sharer-of-the-planet.  and i thought of all the times i didn’t do the best i could, i wasn’t the best i could be, in every role….partner, daughter, mother, sister, friend, artist, colleague, sharer-of-the-planet.

i wish, at every turn, someone had repeated this to me.  good turns.  poor turns.  turns that i can account for, that have intention and educated thoughtfulness.  turns that i shrink away from thinking about, that are spontaneous, ill-conceived moments, that have no grounding. turns that were reactionary, that stole safety, stole time to patiently stand in the fire and think.  turns that i did not make, that felt too scary, too risky, too alone.  and turns that i should have made, that would have tied me to the earth’s gravity and kept me steadfastly feet on dirt.

i wish, often now, as i look back over last week, last month, last year, the last decade, my whole life, that someone had repeated this to all human beings.  as we stand in the turns we make, the decisions we decide on, the actions we choose…were we to judiciously filter them through “act well your part.  there all the honor lies” we would be reminded that it all counts.  the ripples spread.  the pebble we throw will, indeed, touch others.

just as others will count on us to act well our part, regardless of any part’s so-called import, so too, do we count on others to act well their parts.  standing together.  thinking. recognizing.  choosing.  moving with wisdom.  every spoke counts.  there is honor in each one.  for a wheel without spokes…..

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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classic. woman. [d.r. thursday]

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CLASSIC mixed media 20″ x 16″

my sweet momma had a painting of a modestly nude woman hanging in her master bath.  she was proud of this painting and of its location.  it traveled with them from long island to various homes in florida, an item that made the keep-it cut time and again.  now, this painting was not a brilliant work of art, for it was actually a paint-by-number that she had painted at some point before painting her own abstracts. (more on paint-by-numbers at a later date.)

but momma’s painting was meaningful to her and i suspect it represented a powerful statement – the beauty of a woman’s body, the grace of line, the respect shown.  perfection.  i think it resembled her in her youth, and in later years reminded her of earlier years, an earlier body before babies and emotion and injury and surgeries and wrinkles and time changed everything.  changed the shape and the look of body but added strength and wisdom that only life lived can add.  momma was indeed a woman before her time.

CLASSIC is such a painting, but is exquisite art.  the beauty of a woman’s body, the grace of line, the respect shown.

momma would have loved this painting of david’s and, probably, would have convinced him to hang it for her in her own home.  it would remind her of how much she loved being a woman.  of how she taught her daughters and granddaughters to embrace being female and yet, not to stand by meekly or idly or retreatingly.  to revel in the beauty of having a body that is female, but not to tout or compare or compete.  to move with grace as best as you can, for in that movement grace will be found.  to show and expect respect for your own body, in all ways.  to recognize perfection.  in all the times of life.

view/purchase CLASSIC in david’s gallery online

read DAVID’S thoughts this D.R. THURSDAY

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CLASSIC ©️ 2013 david robinson

 

 

 


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flipflop parking lot. [two artists tuesday]

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the sand was ridged pointy and very hot to the touch, but this is the place we had already chosen to park our flipflops.  each time we all walked down to where the waves hit the shore we wore our flipflops through the dune seagrasses, punctuated with sand spurs, trying to avoid the inevitable.  the horseshoe crab shell was our marker…the place we would leave off our shoes and venture to the water over sand that had been warmed by extreme-heat-wave-induced temperatures. The Girl said we needed to be zen, as if we were walking on hot coals.  and so we scrambled over the blistering sand, all zen-like, as we walked and then, quickly, ran asfastaswecould down to the water or back to our shoes.  we became creatures of habit.  no matter how far we walked along the beach, this horseshoe crab signaled home.

until.

the feels-like temperature was about 106, the sun beautiful and bright but dangerous.  the sand….was brutal.  i started to leave my flipflops by the horseshoe crab and make my way again across the pointy-burning-the-bottom-of-my-feet sand when it suddenly occurred to me that we could wear the flipflops further.  that we might c.h.a.n.g.e. where we were leaving them.  that there may be other places we could all park them.  there could be another horseshoe crab parking lot.  or some other marker.  we could actually wear them across the pointy-burny sand, all the way down to the damp sand cooled by the ocean.  brilliant!

The Girl and The Boy immediately followed, no second thoughts for them.  change must be easier at 29 and 26 than it is at….our ages.  we laughed aloud at this habit, this ritual, that we had created, that we were adhering to, d and i.  we wondered aloud why it hadn’t occurred to us sooner to just leave the flipflops on till we were closer to the water’s edge, to avoid the pain.

i’d like to think it was because it was held over, from way-back, when our ability to zen-ly walk across burning coals excelled.  and habits were easier to break.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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little did i know. [merely-a-thought monday]

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when i was in junior high i wrote a piece for an english class titled “old age is not a disease.”  i’m pretty sure if i searched high and low for it i could find it in a bin somewhere, but, suffice it to say, i have other things on my docket to get done and, heaven knows, i don’t want to even attempt to go near those bins.

when i was in junior high i’m quite convinced that i would have thought 60 was “old age”.  as we know, it’s all relative.  you know, “60 is the new 40” or (i’m hoping) some such faaabulous idiom.

when i was in junior high i’m betting i thought that life slowed down at 60, that people did less and rested more.  little did i know.

when i was in junior high i would think i, errantly, believed that getting older also meant less engagement with unknown things, less learning, less involvement.  perhaps i assumed that getting older was a time for fewer challenges, more relaxation, less thinking, less new.  little did i know.

when i was in junior high maybe i thought that most people who were older thought inside the box; their lives and their activities were conservative and tight, protected and quiet.  little did i know.

when i was in junior high it would be my guess that i thought most older people were secure, maybe retired, with essentially predictable lives and not much to really worry about.  little did i know.

when i was in junior high i’m sure i, like most junior-highers, looked at people who were 60 and thought, “wow!  that person looks old!”  i probably never considered how their spirit played into their look, how life experience added to their wise eyes and kind smile.  little did i know.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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the power of words. [d.r. thursday]

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and the wily old story fox told the pack, “words are like magic, misused they are tragic…”   (Lucy & The Waterfox – by David Robinson)

and the wily old story fox told the pack, “words are like magic, misused they are tragic…”

NOT ALL OLD FOXES ARE WISE LIKE THIS.

Lucy & The Waterfox

LUCY & THE WATERFOX, a beautifully illustrated story for children and grown-ups about believing, following your own path and the power of words.

click on the book above or here to purchase the book LUCY & THE WATERFOX on amazon.com

read DAVID’S thoughts this D.R. THURSDAY

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LUCY & THE WATERFOX ©️ 2004 david robinson