reverse threading

the path back is the path forward


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sunglasses and gunfire. [two artists tuesday]

Sunglasses

we took a hike on easter sunday afternoon.   it was just warm enough to shed my coat in the woods; spring hiking is better without the shush-shushing sound of a down coat while you walk.

we went to our bristol woods, masks in pockets as we jumped out of big red, eager to get into the trees, onto the paths that have soothed us.  there were a few people there; most of them abided by the six-feet-apart rule, although admittedly, there were a few who caused us to roll our eyes in an astonished unspoken question wondering if they lived in a cave somewhere and had no idea that there was a global pandemic.

the familiar paths did their job. we quietly noticed green sprigs springing up between the leaves, a tonal green as you looked off-path from budding underbrush.  here and there forest daffodils at the brink of opening to the world; here and there small white flowers nestled between fallen logs.

the soundtrack of the woods was awakening to spring – orioles’ songs, chipmunks scampering, birds we couldn’t see high in the trees singing arias to the sky, the sound of our feet on the trail.

the gunfire in the background was unwelcome in this reverie of renewal, of spring-really-on-its-way, of escape-from-thoughts-of-covid-19.  it was an automatic, a gun designed to kill, single shots punctuated by the rapidfire of a clip.  it is always unnerving; yesterday it was particularly so.  it seemed mindless to me, paying no homage to these very times, these very days.

in the middle of thousands of people who are desperately trying to save over half a million others’ lives in this country alone, thousands of people who are extending helping hands to countless others, thousands of people who are dedicating resources to feed, mask, shelter thousands of others, thousands of people who are reeling from a loss of life, of job, of any security, of any sense of normal, thousands of people who are frightened to their core that they might be the next to succumb to this pervasive illness, the next to struggle to breathe, i couldn’t, for the life of me, figure out any good reason to be shooting an automatic weapon.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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“you’re my favorite pain in the ass.” merely-a-thought monday

you're my favorite

we bought it on our honeymoon.  we knew, even by then, that we would need this sign’s lighthearted truth to remind us – some days – of what we even liked about each other.  in these days of isolation it’s front and center.

these are profoundly difficult times.  without the balance of getting out or having a little space, we are all finding ourselves in close isolation with the others in our home.  we two, here, are often together 24/7.  we work together in a variety of capacities, so we have gotten a little more accustomed to the dynamics than, say, some of you who have been thrown into the deep end with no feathering of getting-used-to-the-water time.  but…that doesn’t mean it’s always pretty.  so we are all here, separately together, figuring it out.

we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

the stress level is palpable.  you can feel the world out-there functioning at a completely different frequency than it had been.  it is like that high pitch in your ears, making you teeter on yelling, “make it stop”.  we all try to go with the flow, try to make the best of it.  we are fortunate to be here together, at home, in a safe place.  we seek ways to stay relevant and do meaningful work.  we follow stay-at-home orders.  we reach out to visit, virtually, with our family and friends.  we video-conference with colleagues.  we wear leggings and sweatpants on a daily basis.  my boy, in a city with ever-exponentially-growing-covid-19-numbers, said that’s a given – sweats, sweats, sweats and the perfunctory button-down shirt.  we know what’s visible and what’s not.  we desperately hope for the best.  we get in each other’s way.  we help each other.  we brainstorm new ways to cope, new ways to work, some with steep learning curves.  we sigh.  we take naps, tired and wrung out.  all are true.

we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

and we try to stay in touch.  we desperately miss our children, our family, our friends, the people in our day-to-day life route.

even in times of ‘normal’, if my daughter, whose home is in a covid-19 hotspot and whose work, like too many, has been decimated, texts me with no punctuation and clipped answers, i know i have either a) stepped past the edge of the chatting time limit b) asked too many questions c) said something completely too mom-ish or d) encountered her at a time she needs space for herself.  no matter which option, it’s smart (and in my best interest) to back up.  she, just like my son, knows she is loved beyond words and i know that, in order for me to stay loved, or, er, tolerated, i need to utter less painintheass words.  but i am their mom and it is an intrinsic part of my job.

we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

if david, the other artist in my two-artist-household equation, mentions an idea to me, i dig under the idea pile of leaves to find the base of it – to order the details of what the idea means, to parse it out.  i can’t start at the top and assume thebigidea will work.  i have to see how the ingredients of the idea will work, the steps to get there.  if the tiniest piece of the idea doesn’t seem plausible, i argue, how could thebigidea be possible.  i don’t mean to be a bigidea killer; i just need to see the practical details.  i’m sure he invokes the youareapainintheass eyeroll when i am not looking, but that’s ok.  he can’t see me rolling my eyes either.

and so, we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

in the biggest way we have seen in decades we have a challenge.  to stay healthy.  to keep others healthy.  what we do affects you and vice-versa.  we all have to be responsible.  we all have to work together.  we are not all favorites of each other.  some of us are the biggest pains in the ass to others of us.  we are learning, bending, flexing.  we are finding out that we are more resilient than we thought, we are capable of negotiating the bumps in the relationship-road.  we are gumby in the real world.

and we are all here.  separate and together.  despite our wildly differing stories, we have a common story.  we are here.

and we wonder about the future.  we worry.  we stew.  we get excited.  we get scared.  we get weary.

i, for one, am grateful for my absolute favorite painintheass even though he is totally a painintheass.  for what would i do without him?

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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his palette. [d.r. thursday]

palette copy

we really never know what it takes to do someone else’s job.  we don’t know all the tools used, the research done, how training and experience play into it, how someone perceives their own work.  we can only guess and, often, fall desperately and even arrogantly off the mark.

walking into d’s studio my eye is drawn to the easel standing in the far corner.  closer to me, though, is an old cart with an old wooden box holding paints and brushes.  there is another cart and on that is this palette – layers upon layers of color and texture, clay pots of water standing next to this widely-understood symbol of “artist”, often associated with the beginning of the process of painting.

now, i’ve painted a few paintings in my life.  i bought very large prepared canvases and dug around in the basement for leftover acrylic house paint to use on my creations.  without a palette, i brushed and re-brushed and threw paint until i knew each painting was done.  and then i hung them on the walls.  in one case, i painted right on the wall and put a clearance frame around the section of wall that i painted – a nod to a painting without the cost of canvas.

all of this, however, does not make me capable of really understanding how d paints.  for i do not know all the tools, i do not know the process of mixing color or the technique of stretching canvas he uses, i do not know the tricks of the trade he has accumulated over decades of honing his expertise.  nor do i know the knowledge base he brings about other artists, other painters and paintings, the use of light and dark space, the way the viewer’s eye sees, the very technical details and the very heart-based intuitions he has learned through many, many years of study and practice.  i can’t understand or even try to predict the amount of time it takes or doesn’t take for him to conceptualize, to explore, to create, to review, to assess, to adjust, to re-create.  i can respond to his work but i cannot define it, nor would it be meritorious for me to even try to do so.  out of respect for his work, something that is one of the very things that defines him, i know that i really have no idea.  what i can do is appreciate his talent and every last thing that he has done to bring him to this place where he paints beautiful paintings and it seems to take no effort whatsoever.

with regard to anyone and the work that they do, i would hope we could each remember – with humble respect – that we really have no idea.  we can just be grateful that we are each a spoke in the wheel on this good earth.  our palettes, the places from which we begin, are different.  and we can’t do it alone.

read DAVID’S thoughts this D.R. THURSDAY

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