reverse threading

the path back is the path forward


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thirteen seconds. [k.s. friday]

even the lake moaned in answer to the cold. waves pummel the ice from below, desperate for release, anxious to swirl and crash, and we can hear the sound of cracking, of squeaking, of water begging to be free. we stand and listen, transfixed by it all, this symphony in a frozen-solid world, a bit of music in the stillness of sub-zero.

for thirteen seconds we record the song of the lake, feeling a little like mother-nature-copyright-infringers. we marvel and watch, up over our knees in snow on the edge of the giant rocks that line the lake shoreline. ice, for as far as we can see, is shifting and the groans signal to us that, soon, water will win over ice, flow over stasis. soon, a lake that appears unmoving will reappear in all its moody glory and the suspended moment-in-time will pass. in the meanwhile, the lake will appear as a tundra, vast and flat, the horizon meeting the clouds, a straight white line of demarcation. the fury, the passion, the tides are hidden below the surface, furrowing their brows and incessantly working to break down the ice.

we stand there inside the song of the lake and take note of this measure of transformation.

we know in a day or two the ice will be broken up, the waves will return and the lake’s song will resume a cacophony of crashing, a minuet of quiet lapping, wild some days and gently calm others. just as we ourselves seem in suspended moments, we, too, trust the return of movement, of purpose, of the tides.

the sub-zero song of lake michigan.

*****

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pink and strong, SIRS. [k.s. friday]

hmmm. substitute “HE” for “SHE”.

it is doubtful – even maybe unthinkable – that this same post from a recent CNN article, a quote by Katherine Heigl, would read, “i may have said a couple things you didn’t like, but then that escalated to ‘HE’S ungrateful,’ then that escalated to ‘HE’S difficult,’ and that escalated to ‘HE’S unprofessional.'” and why is that?

when is the last time you experienced gender bias? when is the last time you experienced gender discrimination? when is the last time ‘preferential treatment’ wasn’t referring to you? when is the last time someone thought it was ok to speak condescendingly to you? when is the last time you were the target of harassment? when is the last time you were the recipient of inappropriate diminishment at work? when is the last time your employer made it clear to you that you were dispensable? like katherine heigl, when is the last time you were told you were ungrateful? when is the last time you were told you were difficult? when is the last time you were told you, as a professional, were unprofessional? if you can answer these questions without a great deal of memory-culling, you are likely a woman.

so, why is this? why did a powerhouse actress have to endure this branding? why does any woman? in this article about ms. heigl, she stated, “the more i said i was sorry, the more they wanted it.” she continued, “the more terrified and scared i was of doing something wrong, the more i came across like i had really done something horribly wrong.”

endless and looping. created by a male-dominated system to hold powerful women, women-who-speak-up, women-who-make-a-difference, women-who-push-back, women-who-point-out-inappropriateness – in check.

and it still – even in 2021 – works.

in the cambridge english dictionary, gender bias is simple: “unfair difference in the way women and men are treated.”

according to a report by the united nations, in 2019 women held merely 28% of global managerial positions. astoundingly, this percentage 28% is nearly the same as in 1995.

wikipedia gives shape to gender bias: “leaders are expected to be assertive, so women who act in a more collaborative fashion are not viewed as leaders, but women who act assertively are often perceived as too aggressive.” what??!!

jennifer lawrence, in an article for harper’s bazaar said, “”i’m over trying to find the ‘adorable’ way to state my opinion and still be likable! … i don’t think i’ve ever worked for a man in charge who spent time contemplating what angle he should use to have his voice heard. it’s just heard.”

how many times have you tried to have your voice heard? how many times have you reached out or responded in a nice-nice voice, the “adorable” voice (ala jennifer), in an effort to not escalate a situation? how many times have you alerted others to a predicament, yet they did not do anything to help? how many times have you been silenced, by the shushing of higher-ups, the lack of mature questions and answers, a conversation back and forth like all good chinwags, like all good and professional collaborations, or worse, the retaliatory actions of a superior? how many times have you been disregarded and scared?

meryl streep, interviewed in 2011, said,”no one has ever said to an actor, ‘you’re playing a strong-minded man’. we assume that men are strong-minded, or have opinions. but a strong-minded woman is a different animal.” why?

jennifer lopez railed, “i’ve always been fascinated about how much more well-behaved we have to be than men.”

michelle obama, during an interview in 2018, said, “keep fighting for gender equality, even if it makes people uncomfortable.” referring to the uptick of open and candid stories from the #metoo movement, she added, “the world is, sadly, a dangerous place for women and girls. and i think young women are tired of it. they’re tired of being undervalued. they’re tired of being disregarded.”

ariana grande, in her fight against patriarchy, is quoted, “the incredible double standards that we [women] face on a daily basis, in the industry and just in the world, it’s shocking.” she stokes hope, “i have a long list of things i’d like to change … i think, judgement in general. intolerance, meanness, double standards, misogyny, racism, sexism. … that’s what we need to focus on. we’ve got work to do.”

oprah winfrey is quoted, “i was once afraid of people saying, ‘who does she think she is?’ now i have the courage to stand and say, “this is who i am.”

my amazing and beautiful daughter, a professional coach and instructor, carried a tourist’s skis up a mountain the other day. she was also carrying her snowboard and i imagine the extra baggage was a bit cumbersome, but she recognized that this other woman needed a bit of help. she arrived at the top of the mountain to hear a man making fun of this woman’s husband for not carrying her skis. he referred to my girl as a “little snowboard instructor”. i can see her rolling her eyes from here, over a thousand miles away. she wrote on her IG that “girls gotta support each other when (they) can.” but, the icing on her gender-cake post?

she added, “also, i’m a strong little snowboard instructor, SIR.” yep. she is.

now we all need to be katherine or jennifer or meryl or j-lo or michelle or ariana or oprah and maybe we, too, will be heard. or maybe their words will help us all on this never-ending gender-journey. women helping women.

because, yep, we are strong, SIRS.

*****

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next. in the sun. [k.s. friday]

an ice field, this river. devoid of color, devoid of life. but below, it is teeming with fish, perhaps turtles, swimming, swimming, waiting for a thaw.

it is much like my studio. it, right now, is devoid of color, devoid of life. i suppose, like the river, it is teeming underneath. but, for the moment, it is an ice field.

i pass by my studio every day. some days i walk in to open the blinds, to allow the southern sun to fill the corners. i walk in later to close them, to keep out the cold and the dark. especially the dark.

my piano waits, swimming silently like the fish and the turtles; it is waiting for a thaw. mine.

i don’t know what’s next. the notes – scraps and notebooks – for the decades of composing and recording and songwriting i’ve done that used to pile all over the top of the keyboard, spilling into the body, slipping onto the strings under the full-stick lid-up, stacked on the bench – have been put away.

i don’t know what’s next. the music – for the decades of work i’ve done that used to pile all over the top of the keyboard, spilling into the body, slipping onto the strings under the full-stick lid-up, stacked on the bench – has been put away.

i don’t know what’s next. there’s a blank journal. a notebook. paper and a clipboard. pencils. an aspen leaf, a few high mountain rocks. there’s a peg from one of elton john’s pianos and a tiny sign that says “i came to live out loud”. waiting. the sun is gathering in the nooks and crannies and diligently pushes the dark cold away, waiting.

my footprints will fill in like these tracks on the river. the work i’ve done, the work i used to do, will fill in, will look less and less like footprints. little by little the wind will blow snow into the tracks and they will eventually dissolve into the rest.

and next will keep waiting. up the river. in the sun.

*****

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words where i’m from. [k.s. friday]

with a peace sign dangling around her neck and a bandana wrapping her hair, andrea would stress how important it was to choose our words wisely, to weigh those choices carefully, to take time, to be thoughtful. she was the.most.amazing. english teacher. her words still echo in my mind and there are so many moments that i wish i could sit with her, have coffee with her, ponder life with her. that she is on some other plane of existence for a few years now is too much, too soon, and too late for me. john glenn high school was fortunate to have her and those of us who sat in the chairs in her classroom were gifted with a spirit that generously still swirls around me and i’m sure many others. it’s where i’m from.

“watch what you say,” momma would tell me. “you can’t take it back.” yes, once those words are out there, they are out there. no one can erase them and the damage or good they do is a part of the universe-story. my sweet momma adored words. in her later years, sometimes we’d have to have a chuckle as the wrong word would surface and the right word would stay in that moat i always profess is surrounding our synapses. we would search for the right word while swimming in the wrong one, but we’d eventually get there. her words echo in my heart. it’s where i’m from.

now, i have to say that there are many among us – i’m sure myself included – who are not choosing our words wisely, who are not consistently watching what we say. and in these times, in every single arena, that matters.

this morning we read an article about the terrifying january 6 insurrection at the united states capitol: “some of you have recognized that this was such an egregious incident that you have turned in your own friends and family members,” the assistant director in charge of the FBI’s washington dc field office stated. an appropriate use of the word “egregious”.

egregious: (adj) outstandingly bad; shocking.

from dictionary.com: egregious: extraordinary in some bad way, glaring, flagrant.

according to legaldictionary.net: “in a legal context, the term egregious refers to actions or behaviors that are staggeringly bad, or obviously wrong, beyond any reasonable degree.”

now there’s a word. “egregious.” one would think that the divvying out of such a word would be with great forethought, with a deference to reality and the measure of truth, with reserve and adherence to its definition, without exuberant overuse. yet in these times it is appearing in more than just cameo roles.

the washington post had an article titled, “the egregious gaslighting around trump’s handling of the pandemic” (philip bump). an appropriate use of the word “egregious”.

hillary clinton has been quoted saying that impeachment was placed in the constitution in the event that there would be “a leader whose behavior would be so egregious, so threatening to the republic, that there had to be a remedy.” yet another appropriate use of the word “egregious”.

i have used the word “egregious” twice in my own blogpost-writing. once was in my post “indecency keeps getting rewarded” and the other time was in my post “what moms (i) want“. both times i weighed this word, tossing it around in my brain, checking its definition, making certain it was the right word. because – that’s where i’m from. i could hear andrea and my sweet momma cautioning me, “once it’s out there, it’s out there.”

because these times are really not at all ordinary, we are seeing the use of strong adjectives, heavy-hitting adverbs. we are reading and hearing people-who-are-trying-to-make-a-point wax poetic or spew rhetoric, both. we grant them an audience as we read, as we listen – ourselves. it is up to us to decide if the words that they choose are appropriate, wreaking an equal action or reaction, if they are exaggerated, wreaking panic, if they are scandalous, wreaking havoc, if they are slanderous, wreaking destruction. we are responsible persons – capable of question-asking, fact-checking, stepping back from drama and observing through eyes of truth-telling.

i guess it all depends on where we’re from.

incidentally, the archaic definition of egregious is: remarkably good.

“choose wisely.” (andrea)

*****

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WHERE I’M FROM from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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agnes, mom, dad and dogdog. [d.r. thursday]

“whenever i feel afraid i hold my head erect and whistle a happy tune so no one will suspect i’m afraid.” the tune from the king and i has gone through my head more than once in my life. the feel-good song you carry with you can make a difference (this is directed to our jaded babycat).

we have watched national geographic’s life below zero for a few years now. it’s not hard to develop “relationship” with the people on the show, especially now, in times of pandemic when you see few others. the hailstone family is based in noorvik, alaska. it’s brutally cold, removed and not an easy place to live. agnes hailstone, the 40-something matriarch, has a can-do attitude. the striking thing about this family is their positivity. what they are like off-screen is of question, but on-screen they are encouraging, supportive of each other, never undercut what the other is doing, and always have a more positive zeal than i ever could muster out on the negative-temperatured tundra in dim light and a freezing-wind stormy day on a snowmobile going 40mph for miles and miles across a frozen lake in search of a fish or maybe two from a tiny augured ice hole. “you can do things happy or sad or mad,” agnes said on a recent show, “but it’s best to just do things happy.” she adapts to new challenges, weird-stuff-that-happens, and seasonally-repeating obstacles as they arise and has passed her can-do-ness on to her children, her grandchildren, her spouse. she doesn’t give up. she is pretty heroic in my book. she must have bobby mcferrin humming in her head, “don’t worry. be happy.”

it’s impossible to not dance when you hear black eyed peas’ “i gotta feeling that tonight’s gonna be a good night”. it’s not likely you can resist with james brown’s “i feel good” or john denver’s “sunshine on my shoulders makes me happeeee.” it’s without question that “here comes the sun, dootin doo doo” easily elicits you singing along the famous line “and i say, it’s all right!”

but what about in the quiet? what about when all is silent, when all lyrics have slipped from your ready grasp, when you can’t think of a song to save your life, as the expression goes? then what? what do you draw from?

i suppose that’s the reason my sweet momma started the day by saying “good morning, merry sunshine.” or why my sweet dad would look at things that were challenging and simply say, “well, how do you like them apples?” after living lives full of challenge and the roller coaster of emotional heave-hoes, they chose to greet the world in each of their experiences with positivity. hearing my dad’s whistling told me everything i needed to know – they were ok in the world, no matter what. they chose it.

agnes hailstone and my mom and dad would like each other. and dogdog. dogdog too.

*****

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AT THE DOOR ©️ 2017 david robinson, kerri sherwood


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cicadas and people. [k.s. friday]

the cicada was silent, attached to the deck. it was late spring/early summer of 2015 and this insect had chosen our deck as its place of transition. we watched the shell, cautious to not disturb it, waiting for something to happen. until one day it began to emerge, looking much like an extra-terrestrial, wings of flight opening and drying in the sun of the warm day. it was a stunning process from nymph to adult, all silent, with no fanfare for this remarkable transformation. suddenly, this little being was present on the earth, ready to make some noise.

silence to noise – a transition from nymph to mature adult. a lesson, perhaps, for humanity.

our progression from without-words nymph-baby to with-a-voice mature adult, a transformation of growth, of learning, of critical thinking, of fortitude. as cicadas raise their voices to the sky, buzzing and clicking, choosing their song, their chorus wisely, they answer an intuitive call, they align in truth to their purpose, their place on earth. much the same perhaps should be mature adults – answering an intuitive call, choosing their song or chorus wisely, aligning in truth.

there are times we find ourselves in hush. stunned into silence by the words or actions of others, we sit, ensconced in the shell of our exoskeleton. we wait and we watch. and then, as we rise as winged and responsible people, we have the opportunity, the obligation, to speak – to speak up, speak out, speak for, speak against, speak to truth.

perhaps there are adults who have skipped their instar stages, those phases of development that insects pass through on their way to maturity. perhaps they should have lived underground like cicadas, feeding on roots, a bit longer before they emerged, before they walked on an earth where they felt they could use their words to hurt or harm others. perhaps then, after a slow transition into maturation and with no fanfare, they would choose their buzzing and ticking with more forethought, with more compassion, with more honesty, with more wisdom.

*****

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IN TRANSITION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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the glowing orange ball. [k.s. friday]

the sun was setting over the mown hayfield. i pulled over to capture it, to watch. the heavy cloud cover was passing and the glowing orange ball owned the horizon. day was ending. night would bring rest. and a new day would dawn.

in this world where we rotate ever-in-motion, there is assurance of a new day. there will be another dawn. and then, after a day of time-spent, there will be another dusk. and then, after a night of time-spent, there will be another dawn.

as we wake these mornings now, we look to the horizon for little bits of hope, little bits of new-day reassurance.

we grasp onto the transition to a new administration for our country, compassion and decency and brilliant minds guiding us.

we clench onto the way out of the pandemic raging across our country, across our world. we double-down on our decision to choose safety over the overwhelming desire to be done-with-it.

we try to feel a little less tired, a little less exhausted by it all. we try to refill our meager energy with the adrenaline of new.

we all seize tiny pieces of sun as we struggle with the anxiety of these recent days. we crawl out of the shadows bit by bit. so many of us have much to try and comprehend, much of which to try and make sense.

all of our personal stories include the loss of loved ones, the loss of good health, the loss of stability, the loss of basic needs, the loss of movement, the loss of community. all of our personal stories bring shade into places we yearn for sun.

i grapple with the grief of losing a career, with hypocrisy and isolation, with no real understanding of what-just-happened. i have conversations in my mind with people who turned a blind eye, who collegially turned their backs, who refused to have any conversation, who never asked questions, who alluded, who made assumptions, who never reached out, who seemed to care less, who would not even look at me. i squeeze closed my eyes tightly to try and forget and look to the glowing sky of a new day and take a step.

we grapple with starting the story of a new beginning. in the middle of all this, new beginnings are elusive, like trying to catch a ray of light in your hands.

we all grapple with this time of darkness. we know we are waiting for the sun to touch our faces and bring hope.

we know it will show up each new day – in people who love us, in kindnesses and care we receive and offer to others, in reaching out, in honest eye-to-eye contact, even over our masked faces, in generously listening to each other, in asking questions and learning, in working together, in the glowing orange ball on the horizon. and each new day we take it in, just a little bit more.

*****

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EACH NEW DAY from RIGHT NOW ©️ 2010 kerri sherwood


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like 3 seconds. [k.s. friday]

(links to these cool bookmarks and tags below)

3 seconds.

david knows that i would get in little-baby-scion or big red without hesitation and drive across the country – despite any circumstance, in rain, sleet, snow or ice, night or day, day or night, without delay – if i were to see either of my children for even three seconds when we arrived. just 3 seconds. because – yes – any time i can say “i saw you for like 3 seconds” about my daughter or my son, i can also say “and it made my day”.

3 seconds.

it can make all the difference.

my niece put my sweet momma on facetime over the phone. momma was in the hospital and things were serious. we were leaving and going to be there in just a couple days. but we didn’t make it in time. yet, i had those moments – more than three seconds but less than the years of lifetime i wanted. i saw her face for like more-than 3 seconds and it made my day.

3 seconds.

the last 3 seconds i saw my dad, i took his pale and fragile hand in mine and told him he was the best. period. and my sweet poppo, mere hours away from leaving this earth, whispered back to me, “i love you, kook.” i memorized his voice as i left his bedside. oh, those 3 seconds.

3 seconds.

it’s unusually quiet here on wednesday nights. we had ukulele band rehearsals those evenings and, since this time of virtual life, zoom rehearsals were a good bit of loving community in our week. i miss these people and i miss making music with them. i miss their conversation and the lifebits they shared each time we gathered. it’s funk-worthy, these silent wednesdays. and then…”i think of you every wednesday night,” he texted. like 3 seconds of text and it made my day.

3 seconds.

the sun came out on the trail the other day. we hadn’t seen it for days. grey upon grey, the dismal became lodged in us. it’s hard – it’s just us and dogdog and babycat. we do know even in that we are fortunate. we all desire more. to be surrounded by people we love – light itself. when the rays streamed through the trees over the trail, i felt it on my face first. we looked at each other, smiles coming to our faces, cold from the bitter dampness. “the sun!” we exclaimed at once. it stayed out for a mere 3 seconds before it slid behind the next bank of clouds. but it was like 3 seconds and it made our day.

3 seconds.

don’t underestimate the power of 3 seconds.

spend that time – together.

*****

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for information on these cool bookmarks/tags, visit the links below:

in the land of elsewhere – on etsy

in the land of elsewhere – on instagram

TIME TOGETHER from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood


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golden. not golden. [k.s. friday]

silence is golden.

there is nothing quite like the last strains of gabriel’s oboe (ennio morricone) falling into your heart. there is nothing quite like a break in lyrics, or like the moments after the words “and the world will be as one(john lennon). in music the rests grant time for digesting, for processing, for evoking, for wrapping around you. it is golden time, those rests, and it makes everything else – all other notes, all harmony, all orchestration, all lyrics – make sense.

the music tells the story. it is honest and forthright; it is transparent. it does not suggest innuendo, nor does it allude or insinuate or imply. it does not squelch the truth or warp the narrative. one note follows another until it rests and gives the listener time to breathe, to catch up, to absorb it. its words – the notes that are played – are golden. its silence is golden. it is truth.

and – silence is not golden.

“listen to silence. it has much to say.” rumi may have been speaking of the silence of the snowfall, the silence of the sunrise. like the golden silence of music, these silences fall with grace. they are not silences with implication nor are they incendiary.

equally as powerful as graceful silences of rest is the silence of the person-who-does-not-speak who brings inference, who hints, who implies, who, because of a deliberate lack of words, causes others to jump to conclusions, to opine, to form judgements without the basis of knowledge. powerful seems the person who does not speak up, speak for, speak against, who remains silent, crediting correctness but acting out of intentional design. but this is not the power of rightness, despite any display of righteousness. it is not the power of the powerful; instead it is weakness.

to not speak up, to be silent. to not speak for, to be silent. to not speak against, to be silent. to not speak questions, to not speak objections. to not communicate in honest words, to sit in quiet insinuation, to encourage blind compliance, passive and complicit acceptance, blind trust, to encourage conjecture. weakness.

it is it is on our shoulders to choose our words carefully. it is also on our shoulders to choose our silences in that same way. should our public statements be rigorously measured by integrity and responsibility and truth? should they be steeped in justice and fairness and respect?

yes. they hear your words. and yes. they hear your silence.

*****

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and the snow whispers. [k.s. friday]

and the new year enters from stage right/house left and whispers to the middle of the old wooden stage. a slight and humbled bow to its foregoer, it beckons silence and quiet resolve.

we stand in ovation as we pine for its downbeat and new music, this new year’s promise. then we take our seats in the snow and turn our faces to it gently falling, flakes in slow motion, moments of fresh powder.

stillness commences and the hushed voice of what is to come lingers in the cold dark air around us. it is voiceless and indistinct; we lean in and listen for the timbre of the spirit of what will be.

and the snow whispers back to us, ever-fragile flakes, reminding us of its evanescence, of our impermanence, of the mystery of it all.

we rise and we walk into the woods, our feet crunching on the trail.

happy new year.

*****

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©️ 2020 kerri sherwood