reverse threading

the path back is the path forward


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greenery and pine cones. [k.s. friday]

i started noticing while hiking on one of our favorite local trails. greenery and pine cones sharing space. a visual backdrop for hallmark holiday movie escapism, the repetition of these simple symbols of the holiday season over and again on trail brought my camera to hand time after time. capturing these photos has been decorating my mind with fancies of christmases-past and brightly wrapped packages and trees of all shapes and happy lights galore and times spent with my children, my family, my friends. the trail’s gift has inadvertently set me on the path toward light, my spirit breathing with each snap of the iphone.

a week before thanksgiving my son sent me a photograph of the christmas tree in their apartment. with garland strung and lights and soft holiday-themed pillows, it was straight out of a magazine. “a classic look,” he told me. yes. beautiful and classic, welcoming winter. my daughter’s photographs are snowy and crisp, crystalline and inspiring. winter is coming on in the high mountains. it dresses them with idyllic wonder.

we haven’t started listening to holiday music. it’s too raw at this point. but we will. i will climb out of this cavern, aided by every gift of nature as it heads into this magical season, and i’ll soon turn it – music – on. in the meanwhile, slowly, we have strung some new white twinkling happy lights, we have brought up a couple trees from the corner of the basement storage room. maybe we’ll bring up the big bins and we can step-by-step-forward turn our home into a celebration of what-is and not a daily reminder of what-was. walking toward light. each silver ornament a coaxing, each strand of lights an urging, each tuft of greenery an encouragement. all seasonal prompts, that out of the dark there is light. indeed, in the dark there is light. “nature is ever at work building and pulling down, creating and destroying, keeping everything whirling and flowing, allowing no rest but in rhythmical motion, chasing everything in endless song out of one beautiful form into another.” (john muir)

john muir also wrote this: “between every two pines is a doorway to a new world.” maybe that’s somehow why i am noticing. the greenery. the pine cones. laying on the trail, juxtaposed yet clearly related. dark and light, juxtaposed, yet clearly related. a new world, a doorway.

no wonder i keep seeing these sweet moments in nature. no wonder i keep searching. no wonder i have my camera out on the trail.

*****

if you are ready for holiday music, i have three christmas albums to help you celebrate and welcome the return of light – click on this link

read DAVID’s thoughts this K.S. FRIDAY


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tacet root vegetables. [k.s. friday]

ritenuto: an abrupt slowing down of tempo

tacet: silence of instrument

fermata: pause of unspecified time

and, suddenly, a prolonged tacet. no notes. no instrumentation. no expression markings. no crescendos or decrescendos. just silence. the baton is laid down. there is no beat pick-up. there is no rest. it is silence. issued. written in the music. a ritenuto – screeching to slow, a subito tacet. suddenly still.

the reassurances are generous, heartfelt. they are reflexes, like putting out your hand when you fall. they are meant to help in the silence, in the sudden slowdown, the sudden stop, the fermata holding the tacet. they make my heart quiver, these well wishes. but they don’t change the composer’s notes in the music: the ritenuto. the tacet. the fermata. those are printed in the music; those are decreed. they are unquestionable, immovable, indisputable, final.

i was voted off the island, in “survivor” talk. it was not an island, but, nevertheless, i am not a survivor. not there, anyway. i am forever tacet-ed there. the fermata above my tacet-ed head reminds me.

it, too, reminds me to be still. to step lightly. to be gentle with myself. i run the scores in my head – scores of scores in that place. i emoted each expression marking, each twist of the music, each gradual shaping, each change of tempo, of timbre, of voice.

and now.

i opened this book randomly, hoping to arrive on a page that might offer me wisdom. i read: “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.” (john o’donohue)

it doesn’t feel like a platitude. i’ve read it over and over and over again now since the morning i was fired. i wonder, each day, when the baton will be lifted, when the pick-up beat will come. i remember the all-engulfing power of change works both ways – to decimate and to breathe new life. i – try – to trust the dusty trail i am reluctantly set upon.

upheaval. sudden arrival at prolonged silence. not much more upheaval for an artist than silence. yet, as i sit in this silence, deemed as fitting by the composer, i feel the root-vegetable-of-my-soul gathering energy. with no idea and no preconception, i await as it will push through the earth one day, steeped in nutrients, rooted in rich soil.

my sweet momma said, “live life, my sweet potato.” oh wise woman, you must have known.

read DAVID’s thoughts this K.S. FRIDAY

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artists and bootstraps. [two artists tuesday]

the bootstraps are getting a good workout.

the flutter in my heart, my racing pulse, uneven breathing.

i tug at the bootstraps.

i don’t have a choice.

i am an artist. bootstraps come with the job. they are inherent. they are undeniable. they are a burden. they are a release. they are imperative.

we cannot hide from the here and now. we cannot hide from the truth, be it light and airy, be it ugly and heavy. we speak to now; we help provide access to truth, to raw emotion, to the basic fundamental sameness – and yet individuality – of humans. to where the rubber meets the road.

we pull up the bootstraps and take a deep breath.

we dive in.

“just when you thought it was safe to go back in the water,” the infamous tagline from the box office movie hit “jaws”. we are shocked by the cold water, the lurking sharks, a symbiotic ocean with underlying danger. we muster on.

the art, the music, the prose, the poetry, the dance gently ease us all into a place of rest, of reassurance. the art, the music, the prose, the poetry, the dance prod us all out of a place of mediocrity, past complacency, past laissez-faire. the art, the music, the prose, the poetry, the dance urge us into thought, into action, revitalize our fire. this is the job of an artist.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the curtains part. i walk to the apron, bow my gratitude, take the bench. hands on the keys, boom mic inches from me, i begin to speak.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes and the score in my hands. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the musicians take their places. i walk to the front, sweep across the singers and accompanying instrumentalists with eye contact, appreciation and love, stand in front of the piano. hands on the keys, all at the ready, we begin to speak.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. i pace. i glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. i stand in my boots. i walk to the front, bow my gratitude, nod to the empty bench. hands trembling, no microphone, i am escorted out the exit.

i pull up my bootstraps.

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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the fermata. [k.s. friday]

on hold.

the fermata lingers over my days, issuing a pause of length undetermined. the baton is held in the air. there is no downbeat, no pattern of time. just prolonged waiting.

in dr. seuss fashion we wait in the waiting place.

answers are just beyond our grasp, skimming the rim of the atmosphere, invisible to us, ephemeral and flimsy, ever-changing, like trying to capture the flicker of flame from the top of a candle lit in the darkness.

so i just keep waiting. we just keep waiting. our world just keeps waiting.

we sit quietly. we rail at the wind. we speak up. we skirt to the sidelines. we ask questions. we wonder. we are met with silence. we are dissolved. we seek fairness, equity. there is none of that. we step away from the noise. it follows us, snapping at our ankles. we do good work. we seek truth. we are managed, a place of hypocrisy. our country flails. we flail.

and we wait. knowing that, indeed, better will come. knowing that, in some measures, new will come. knowing that, after the fermata, light will come. grieving all we have lost in the process, in the journey, in the waiting place.

we are holding.

read DAVID’s thoughts this K.S. FRIDAY

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it’s my *hand*. [k.s. friday]

there is nothing certain. nothing totally black or white. but this morning i am in the middle of the grey; fog has closed in and nothing is certain.

in a few hours i will know more. i will know what has happened to my hand and wrist. having already healed fractures from two broken wrists ala snowboarding this winter, i will know what changed the day that i fell recently – a serious fall, hard and directly on my reflex-outstretched hand – on an unmarked wet floor.

soon i will know why it aches constantly, why i can’t extend near an octave, why i can’t pick up my cat or the bucket to wash the car, why i can’t bend my wrist forward more than 5 degrees.

i’m pretty tough when it comes to pain; my threshold is pretty high. usually for me, it’s just a matter of dealing with it and getting used to it. and then i adjust. and people around me don’t actually know that there is any problem because i am making do.

but *this* is different. this is what i do. this is how i make a living. this is my profession. it has always been my profession. i am an artist – and a human with opposable thumbs – and this is my *hand*.

and so i am anxious to know what this hand specialist says, what he recommends, what he forecasts as the route for rehabilitation from this new injury, the arc for healing, the possibility for playing, the chance to ‘have my hand back’.

because, as i told david when we were walking on the trail the other day, this is not short term. this is long term.

there are wooden stages i want to play on, albums i might consider recording, babies i want to pick up, cars i want to wash. there are potatoes i want to mash, hand-whipped whip cream to whip, songs to write, doorknobs to turn, manual cars i want to shift. there are cellos i want to play, dishes to scrub, leaves i want to rake, jars i want to open, hard-to-reach spots on my back i want to scratch. there are boxes i want to be able to pick up, moves i want to help with, conducting batons to hold, guitars i want to fingerpick, waterski towropes i want to hold. there are bikes i want to ride, yoga positions i’d maybe like to try, reins i want to hold, clay pots i want to throw, my strong dog i want to walk on leash, mountains i want to try scrambling up. there are warm gloves i want to wear, rings i want to put back on, glissandos to execute.

but i can’t.

this is no small list. this is no small thing. this is my hand and my wrist and, like you, i have taken it for granted. until now.

there is nothing truly black or white, but i am anxious to be out of the middle, that liminal space, of not-knowing.

oh, and i want to do cartwheels.

but, then, i’ve never been able to do those.

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IT’S NOT BLACK AND WHITE from RIGHT NOW © 2010 kerri sherwood


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when…take stock. [k.s. friday]

when all is swirling

and control seems elusive

it’s time to take stock

when the vortex sucks

the energy from your soul

it’s time to take stock

when control mongers

won’t divest of agenda

it’s time to take stock

when everything seems

on a vector of changing

it’s time to take stock

when the complex reigns,

simple seems utterly far

it’s time to take stock

when confusion wraps

its tentacles in your mind

it’s time to take stock

when answers are not

forthcoming, seeking them fraught

it’s time to take stock

when letting go is

the way to really hold on

it’s time to take stock

when growth seems still, in

the chrysalis transition

it’s time to take stock

when the seedling sprouts

the air, water, fire, earth

feed it. so take stock.

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read DAVID’S thoughts this K.S. FRIDAY

TAKING STOCK © 2004 kerri sherwood


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it’s where i’m from. [k.s. friday]

i come from make-it-work stock. my sweet momma and poppo were children of the great depression and were not wasteful sorts. soap socks, squeezing every last vestige of shampoo from the bottle, re-using boxes, rube-goldberg fixes, not a lot of retail therapy. they made do with what they had and never complained. latest trends were mostly lost on them and competing for the best lawn/decor/car/wardrobe/jewels/stuff was not a thing. as the youngest child, with siblings much older than me who both married by the time i was eleven, i had much time to glean and learn to mimic their ways. making-it-work. it’s where i’m from.

and so now, empowered by these two forces of nature – my mom and my dad – with a new brace on my wrist, i am making do. after breaking both wrists the end of january in a snowboarding accident, i finally had healed fractures. the pandemic had interrupted all my occupational therapy and, thus, i’ve been frustrated by a lack of range of motion in my right wrist, so my old brace was often my companion. but i made it work. it’s where i’m from.

and then i fell.

the floor was wet and, unfortunately, unmarked as such. my feet flew out from underneath me and, in natural reflex action, i fell…on my right wrist. i felt right away something was wrong but waited to contact my dr for 48 hours, hoping for quick residing of the new pain. i’m pretty tough and it takes a lot for pain to get to me. d says i have a high tolerance for pain. i blame my mom and dad. they were tough and endured much in their lives. but this isn’t a post about my wrist – soon an MRI and a hand specialist will tell me what is now going on, post-fall. in the meanwhile, i keep on keeping on, just the same as after i simultaneously broke both wrists. making do. it’s where i’m from.

as we hiked along trails in aspen’s woods of color, we mused on how easily we were, well, amused. simply hiking, sitting alongside a creek, smelling the scent of autumn forest – these things were sheer entertainment for us. no restaurants, no bars, no shops, no shows required. (and, in the middle of a pandemic, not even considered.) i thought of all the times i had spent simply being outside, picking apples with my momma and poppo, taking drives, having picnics in parks at wooden tables carved with initials of people we would never know. as we sat around the table out on the balcony or socially-distanced in the condo, i thought of all the times i just spent simply coffee-sitting with my mom and dad, talking long over dinner, late-night conversations on the phone. as my daughter and i talked about my parents, her beaky and pa, i thought of their sacrifices, of their belief in all peoples regardless of gender, race, sexual orientation, economic status, religion. i thought of their altruism, their open-mindedness, their embracing of new ideas and their love of learning new things and going new places, and i see their eyes reflected in both my daughter’s and son’s eyes. it’s where i’m from. and it’s where they’re from.

as we approach this very important time of voting, i worry about the narrative others are hearing, but not researching. i worry about the rhetoric coming from this white house, the absolute lies, the warping of truths, the sickening twist of stories, the re-defining of the definition of words, the lack of understanding, the self-serving agenda, the out and out falling prey to gross exaggerations of misinformation. i worry about those people listening to this, believing it, voting with this toxic barrage of falsehoods in their hearts.

and i think about my mom, who always, always, always said, “look it up.” yes. look further. research. find objective, factual resources and immerse in those. look. it. up.

yes. make do. look it up. it’s where i’m from.

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so much. grateful. [k.s. friday]

the last roadtrip haiku(s):

so grateful beyond

words that won’t capture it all

anyway: aspen.

immediately,

upon arrival, our breath

dissolves to vapor.

it’s soaring mountains,

exquisite moments, beloveds,

so much. gratitude.

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GRATEFUL from AS IT IS ©️ 2004 kerri sherwood


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on our way. [k.s. friday]

meander – track 3 as it is

a double-haiku for today:

out big red’s window

places we pass. to loved ones’.

earth’s gifts on the way.

rumble strips stir us,

“look closer.” setting light: light.

our hearts begin to rise.

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read DAVID’S haiku today

MEANDER from AS IT IS ©️ 2004 kerri sherwood


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in the middle and in the end. [k.s. friday]

were there nothing else to do, no other responsibilities, no outstanding work or chores, no cleaning or laundry or errands, no bills to pay, calls to make, jobs to seek, piles to clear, messes to sort, i could sit and stare at a fire for hours.

it’s easier to evade the thoughts that permeate your worried mind with the heat of fire on your face. it’s easier to stop strategizing around, through, beyond while watching the dance of contained flames. it’s easier to be lulled into all-is-well thinking, sinking into the adirondack chair, moonlight on your brow.

ephemeral moments – the good ones and the bad ones – slip by, each temporary, each a transitory arc, evaporating, evaporating.

yet, our eagle-focus on certain moments, certain actions, certain words, certain emotions, batters us with living, re-living, re-living, re-living.

we obsess. and in a time when there is so much to obsess about, it is none too easy to avoid.

the fire burns through the wood, despite its flammability. it does not choose only wood that is most flammable. with all the different wood in the firepit, it ignites, turning all into ash, intangible and evanescent.

we might do well to toss moments these days into a great cauldron, touch a match to it and light it. perhaps out of that might arise a bit of wisdom, a bit of certainty in the uncertainty, a bit of comfort. maybe living in the recognition it will vaporize would remind us of transience, the impermanence of it all, the pro tempore of any given heated moment, ultimately, the importance of lingering in any goodness we experience, of actually being goodness.

perhaps we should prioritize staring at the firepit. it may serve as a gentle reminder.

in the middle the fire is hot. in the end ash will be ash.

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TRANSIENCE from RIGHT NOW ©️ 2010 kerri sherwood